It's always nice to hear about fledging entrepreneurs in the universe of perfume, but it becomes even better when there's a common thread. I was approached by Christopher Dicas, who is an actor/ performer with a new perfume line that promises to be modern and full of deep smelling ingredients that we don't often come across in mainstream fragrances. Two fragrances are just out, though I haven't experienced them yet: Christopher Dicas Eau de Parfum and Christopher Dicas 69. Apparently he's collaborating with the German fragrance development NWA Group for the manufacturing of his fragrances and you have to give it to him: he saw an emerging market, which is insightful for an actor and student of psychology, as per his bio, to say the least.
Christopher Dicas Eau de Parfum, his first effort in the arena of perfume launches, "combines excellent, valuable ingredients in an innovative new succession".
Top Notes: A bouquet of exotic, sensual notes such as basil Thai, French lavender, wormwood, sage, bamboo, magnolia and Cretan iris open the escence with a complex, spicy, simultaneous cool and sweet feeling.
Middle Notes: The multifaceted and complex heart of the fragrance is based on rare and exotic wood essences and flowers. Grapefruit, ginger, cedarwood atlas and sandalwood come alive with a touch of cardamom, and then wrapped by the intoxicating notes of jasmine and cloves, accompanied with mastic. Mastic is a highly aromatic compound, cultivated on southern Chios island, known for its beneficial effects but also for its sweet, rich aroma.
Base notes: Pure essential oils, extracted directly from raw materials of better quality, such as tobacco, oak moss and dapne leaves, mixed with a touch of soft leather, and cashmere. Then, two ingredients complete the base: patchouli vieux, a fine essential oil aged for over five years in oak barrels until it develops a rich, velvety personality and sensual musk, which is manufactured by experienced craftsmen in Egypt from natural ingredients and is considered the best musk in the world".
Christopher Dicas, is inspired of the world of fairy tales,. He wants to offer a fragrance that neutralizes the venom of the gray daily routine and offer the elixir of elegance.
The second perfume is called Christopher Dicas 69 :
"Christopher DiCas synthesizes and presents his second perfume, that is made from organic materials, in collaboration with the group NWA Cosmetics. The name of this? 69 ..
This irresistible elixir of passion was inspired by the Arabian Nights.The tantalizing hints of citrus (fresh bergamot, tangerine velvet, crisp bergamot) combined with the sensual blending of white lily of valley , amber rose, vanilla, cinnamon and sunflower at the top of the fragrance wake fiery passions ...
The seductive jasmine with exotic musk mix the unique personality and pride in black suede leather, resin elemi, sandalwood, clove, cardamom, bay leaves and tonka seeds in the heart of the fragrance.
At the base of the scent the majestic patchouli adds a feeling of seduction. Exotic wood essential oils and spices as cedar, oak moss, cashmere wood, and ginger complete the mix.Then the essential oil of wild quince gives the final touch of giving the mixture to its final form.
Τhis scent is classified as sweet as the taste of love when the two sexes combine in one!"
Discover more info on the official site.
Thursday, October 11, 2012
Wednesday, October 10, 2012
Reveling in Hay
Today is probably the first cool day of autumn. Not exactly cool, mind you, we're under partially sunny skies and it's just crisp in the morning and evening, but warm at noon, but you know what that means for a perfumista; sorting out the winter wardrobe of fragrances, making room at the front of the perfume closet for the cozier, warmer, sexier scents to rotate when the mood strikes for a little mulled wine in the evening to replace the chilled sangria and a light mohair cardigan over the summery strappy tops.
So what did I choose, perfume-wise? Chergui by Serge Lutens. A fragrance steeped in the warm brushstrokes of hay absolute; mollifying the ennui of daily chores, caressing instead of highly stung, reassuring, comforting like a pair of trusty flannel slippers after a long walk home in stiff stilettos, or a roll in the hay with someone you know since childhood.
Hay is a glorious aroma in a fragrance and I'd love to hear your favorite perfumes with a hay note in the comments. Let's get inspired for the cooler season ahead!
pic of Jane Russell from the Outlaw via arizonaslittlehollywood.blogspot.com
So what did I choose, perfume-wise? Chergui by Serge Lutens. A fragrance steeped in the warm brushstrokes of hay absolute; mollifying the ennui of daily chores, caressing instead of highly stung, reassuring, comforting like a pair of trusty flannel slippers after a long walk home in stiff stilettos, or a roll in the hay with someone you know since childhood.
Hay is a glorious aroma in a fragrance and I'd love to hear your favorite perfumes with a hay note in the comments. Let's get inspired for the cooler season ahead!
pic of Jane Russell from the Outlaw via arizonaslittlehollywood.blogspot.com
Tuesday, October 9, 2012
Parfums Weil Chunga: fragrance review & history
To understand the demise of Chunga is to realize that it is truly unmarketable in today's world: For a feminine perfume it flunks the test of being traditionally pretty or particularly becoming, demanding too much out of its wearer in both intelligence and attitude (After all it was advertised with the slogan "for women who want the world"). For a masculine (and men would be wise to try it if they can get their hands on some) it is an alien thing, being neither fresh -as is the majority of aquatic and aromatic fougeres around-, nor sexy -as are the orientalized woodies with succulent tonka and lots of sweet amber in the base. Maybe only Philip K. Dick replicas can wear Chunga by Weil right now, aside from dedicated perfumistas that is, which misses marketability points big time. But it's a shame, I can tell you that, because Chunga is a great fragrance coming from a great perfume house, the Weil fourruriers. (champions of the parfum fourrure notion)
The name comes from Micaela Flores Amaya, a Romani-born flamenco dancer known as "La Chunga" which translates as "the difficult woman"...and indeed the fragrance is somewhat "difficult" alright.
Introduced in 1977, Chunga comes in a string of great chypres with green elements and aldehydes that are elegantly assertive and resolutely determined: Chanel No.19, Lauder's Knowing, Coriandre by Jean Couturier, the first Jean Louis Scherrer fragrance. And thus lovers of the afore-mentioned perfumes are advised to seek out some Chunga for their collection.
In the print advertisements Chunga was targeting literally every woman and that included all races and all skin colors. A pioneering thought for a traditional French house! "Comme un nouvel horizon"...like a new horizon, which marked a new interest in encompassing more ethnicities in the game of perfume, reaping the benefits of feminine emancipation alongside the "black power" that emerged in the 1970s. Another set of print ads is tagged "et la fete commence" (i.e. and the celebration begins), showing a more typical couple in black tie in the midst of some dancing move, a more or less expected extension of perfume as a fashion accessory for a night out.
The olfactory structure of Chunga unfolds like a secret drawer within a drawer: The opening is aggressive, with its citric tang of bergamot and lemony tones sparkling like marble, with the particularly sharp incision of a scalpel, shiny and new and you think that it will remain arid and bitter and gloriously ingestible till the end, until the tables are turned and a second stage emerges. The base of Weil's Chunga is redolent of powdery amber, vetiver and a slightly urinous, honeyed, sweetish musky note that is quite retro; a throwback to days when bodies weren't deodorized to within an inch of their lives and hairy regions were much hairier than recent memory...on both sexes, that is.
The comparison with Weil's more popular and well-known, still-circulating-in-some-version-or-other Antilope perfume is not without its own value: Whereas Antilope is lady-like and more properly floral and feminine in the heart notes, Chunga like its name is butcher, more incisive, with elements that translate as more masculine or sharper. My own bottle is marked Parfum de Toilette, which nicely puts in it the early 1980s.
Chunga was the last fragrance issued by the house in Weil in 1977 and has since become a discontinued rarity. For those with an interest in chronicling the arc of the green, aldehydic, perfume-y chypre, it's incomparable and worth the investment.
Notes for Weil Chunga: aldehydes, bergamot, lemon, peach, clove, jasmine, lily of the valley, linden blossom, orris, ylang-ylang, amber, honey, Tonka bean, vanilla, vetiver, musk
pics via hprints.com, museodelparfum.com and punmiris.com
Introduced in 1977, Chunga comes in a string of great chypres with green elements and aldehydes that are elegantly assertive and resolutely determined: Chanel No.19, Lauder's Knowing, Coriandre by Jean Couturier, the first Jean Louis Scherrer fragrance. And thus lovers of the afore-mentioned perfumes are advised to seek out some Chunga for their collection.
In the print advertisements Chunga was targeting literally every woman and that included all races and all skin colors. A pioneering thought for a traditional French house! "Comme un nouvel horizon"...like a new horizon, which marked a new interest in encompassing more ethnicities in the game of perfume, reaping the benefits of feminine emancipation alongside the "black power" that emerged in the 1970s. Another set of print ads is tagged "et la fete commence" (i.e. and the celebration begins), showing a more typical couple in black tie in the midst of some dancing move, a more or less expected extension of perfume as a fashion accessory for a night out.
The olfactory structure of Chunga unfolds like a secret drawer within a drawer: The opening is aggressive, with its citric tang of bergamot and lemony tones sparkling like marble, with the particularly sharp incision of a scalpel, shiny and new and you think that it will remain arid and bitter and gloriously ingestible till the end, until the tables are turned and a second stage emerges. The base of Weil's Chunga is redolent of powdery amber, vetiver and a slightly urinous, honeyed, sweetish musky note that is quite retro; a throwback to days when bodies weren't deodorized to within an inch of their lives and hairy regions were much hairier than recent memory...on both sexes, that is.
The comparison with Weil's more popular and well-known, still-circulating-in-some-version-or-other Antilope perfume is not without its own value: Whereas Antilope is lady-like and more properly floral and feminine in the heart notes, Chunga like its name is butcher, more incisive, with elements that translate as more masculine or sharper. My own bottle is marked Parfum de Toilette, which nicely puts in it the early 1980s.
Chunga was the last fragrance issued by the house in Weil in 1977 and has since become a discontinued rarity. For those with an interest in chronicling the arc of the green, aldehydic, perfume-y chypre, it's incomparable and worth the investment.
Notes for Weil Chunga: aldehydes, bergamot, lemon, peach, clove, jasmine, lily of the valley, linden blossom, orris, ylang-ylang, amber, honey, Tonka bean, vanilla, vetiver, musk
pics via hprints.com, museodelparfum.com and punmiris.com
Monday, October 8, 2012
The winners of the draw...
...for the Puredistance samples are Flavourfanatic, Norma, tomatefarcie, Qwendy, Lia Lias, Kate, Amarie121, Margaret D., Dani aalfs and BarbaraC.
Congratulations and please email me using Contact with your shipping data so I can get your prize out in the mail for you.
Thanks everyone for the enthusiastic participation and till the next one!
Congratulations and please email me using Contact with your shipping data so I can get your prize out in the mail for you.
Thanks everyone for the enthusiastic participation and till the next one!
Friday, October 5, 2012
Brad Pitt Speaking Seductively to Chanel No.5
'To keep a legend fresh, you always have to change its point of view,' President of Chanel Fragrance & Beauty, Andrea d’Avack, tells WWD. 'It is the first time we’ve had a man speaking about a women’s fragrance. We think very much that the perfume is a seduction between a man, a woman and the perfume. No.5 is our leading fragrance, and we are willing to make the investment to keep it on that level.' Brad Pitt was thus chosen to be that investment, as we announced a while ago.
'For the first time, a man will give his view on the most feminine and legendary of fragrances,' the Chanel invite to view the premiere of the new "film project" on October 15th reads. The commercial is shot by Joe Wright (who also did the Coco Mademoiselle ones), featuring the famous actor (who was recompensed with £4.3 million for his services) speaking to the viewer as if he was speaking to a woman. Actually, though, he's talking to the perfume...
I'm already scratching my head how this will unfold. Our French speaking readers will enjoy the following promo video about No.5's "history" (I'm using it in quotes as the real history is somewhat different than the carefully constructed myth...)
'For the first time, a man will give his view on the most feminine and legendary of fragrances,' the Chanel invite to view the premiere of the new "film project" on October 15th reads. The commercial is shot by Joe Wright (who also did the Coco Mademoiselle ones), featuring the famous actor (who was recompensed with £4.3 million for his services) speaking to the viewer as if he was speaking to a woman. Actually, though, he's talking to the perfume...
I'm already scratching my head how this will unfold. Our French speaking readers will enjoy the following promo video about No.5's "history" (I'm using it in quotes as the real history is somewhat different than the carefully constructed myth...)
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