Lancome La Vie Est Belle: fragrance review

The upcoming Lancome fragrance, La Vie Est Belle (i.e. Life is Beautiful), is exactly the kind of perfume we dedicated perfumephiles love to kvetch about without any grave reason, come to think of it: It won't knock your Spanx off, sure; it's a "pretty" smell for pretty ladies (as evidenced by the face fronted it, the original Pretty Woman) but it's not a genuinely bad release all the same, just derivative. It suffers from the major problem of mainstream perfumery: a sense of sameness, a sort of deja vu, when what we yearn for is earth-shattering uniqueness, Heathcliff boldness and passion, springboards for heated discussion with a slice of brie in one hand and a good goblet of Laphroaig on the other while Mahler's 3rd blasts out of the speakers.
If you're that sort of person you won't be wowed by La Vie Est Belle. If on the other hand you just seek a wearable, non completely teeny-bopper fruity scent to get you through the day (and night) then the newest Lancome release isn't the worst to come out on counters for a while; nor is it the best, worse luck...

To cut a long story short: La Vie Est Belle an iris "gourmand" with patchouli. Just how many irises, gourmands and patchoulis are there on the market currently? Do I hear you say hundreds? I thought so! And yet, this fragrance is pretty well-executed within the genre, if sweet and over-tenacious. It's really a floriental for the 30-50 age group of women who want something contemporary that wouldn't have their teeth fall off at the same time. Lancôme after all has never ditched their more "mature" outlook (Tresor Midnight Rose non withstanding) and the accompanying image the way Dior has, as I was discussing with one of my online friends. In that context, the fragrance succeeds in its intended demographic, all caveat emptors in place.

This gourmand yet rather delicate composition was developed by famous perfumers Olivier Polge, Dominique Ropion and Anne Flipo, all known for their talent and technical skill. The final formula is claimed to be the result achieved after 3 years of testing and 5000 versions including precious ingredients (Iris Pallida concrete, Jasmine sambac absolute, orange blossom absolute, and patchouli essence; we can take this with a grain of salt or not). When you're hearing things like that, you know you have reason to get worried.
Iris is supposedly the key ingredient of the perfume, surrounded by orange blossoms and jasmine in the heart. The iris isn't really perceptible as such to my nose, though, I have to say: that carrot-rooty often metallic note we associate with iris fragrances is very subtle and floats in the background as a murmur rather than a clear command. The composition’s opening provides fruity flavors of black currant and pear, those can be felt, while the base is warm, gourmand and powdery due to almond-like accords of tonka bean (high in coumarin), praline (shades of Angel, especially coupled with the next two ingredients), patchouli and vanilla.

The recognizable reference in La Vie Est Belle comprise a hint of Delices de Cartier (instead of cherry, the fruity nuance is orange-toned but in a clean, fresh and pleasant way) and Flowerbomb's fruity-patchouli sweetness rising from the core. It's somehow airier, like a gourmand done in devore velvet rather than heavy damask. It also vaguely reminds me of Hanae Mori #4. Of course all these facts point to the theory that if you own any of the above, there's not much point in owing La Vie est Belle as well. That's for you and your Visa to decide.

The lasting power and projection of La Vie Est Belle, available as eau de Parfum, are both very very good, a technically able fragrance, and though I wouldn't be too displeased to be in the company of the woman wearing it, I wouldn't buy a full bottle for myself all the same.

La Vie Est Belle is the newest Lancome fragrance, available on the market from autumn 2012 in major department stores. The concept of this fragrance is centered on real beauty in small things, freedom from conventions and the wisdom to go after one's heart.
The (beautiful) flacon is a redesigned version of a Lancome bottle from 1949 from the brand's archives. Actress Julia Roberts is the face of the campaign, shot by director Tarsem Singh.

NB: I shared a sample with a friend who works in the press and got a preview herself. 

Maison Francis Kurkdjian Exclusive Perfume BG 754 Perfume: new fragrance

Maison Francis Kurkdjian, Alexander McQueen and Christian Louboutin amongst the luxury brands that are celebrating Bergdorf Goodman 111 years anniversary in September.

"The luxury retailer turns 111 years old this year and will celebrate with a series of special events including a documentary film, a book and an anniversary collection of more than 100 exclusive products. The celebration will kick off Sept. 6 during the fourth annual Fashion’s Night Out with designer appearances and the debut at retail of the anniversary collection. Among the brands that are creating special merchandise are Alexander McQueen, which designed a ruched velvet dress; Christian Louboutin, which is doing pyramid-studded platforms; evening looks from Oscar de la Renta and Akris, and even an exclusive perfume called 754 from Maison Francis Kurkdjian."

pic via FK facebook, thanks to Tomassina/mua for finding this info nugget

"[That perfume] reminds me of my great aunt and so cannot be seductive to me"

In the ever fascinating way people translate things into words that mean something else entirely, the popular topic of "old lady perfume" vs "older woman scent" has occupied these pages before with wonderfully thought-provoking comments from the readers. A belated comment however sheds a new light and I wanted to share it with you anew, alongside some thoughts of mine. See if you agree or disagree, feel free to drop a line in the comments with your own analysis, there can never be too many. So....what was it?

via eversoscrumpious.com, photo by Unseencenser

Cheryl Quimbly said: 

"Just stumbled on this topic a bit late. I always cringe at the term “old-lady perfume,” not because I see any problem with an individual’s association of a certain perfume to a given age group (younger or older). What bothers me is that in everyday speech “old lady” is *only* used condescendingly (oh! What a sweet little old lady!), or disparagingly: one would never refer to a colleague as an “old lady” (unless to ridicule her, etc.). As you pointed out, “older woman” is quite a different story--and probably far from people mean when they refer to old-lady perfume. If it is about a perfume that is not the latest trend, as others have pointed out, there’s a spectrum of more precise words to use, depending on the intention : old fashioned (not so interesting); retro (cool); classic ( highly respected); etc. As for an alternative to “old-lady perfume.” Hmmm. “Displeasingly old-fashioned/ Displeasingly out of style”? But I suspect people mean something else like "stuffy" or "too rich and complicated" or something with deep memory ties that is harder to encapsulate: "reminds-me-of-my-great-aunt-and-so-cannot-be-seductive-to-me." 

 To which I replied:

 Well, as you say, it's a term that is either condescending or disparaging, hence the trouble and sensitivity with it. If we used "old fashioned" (which does denote what most benign people mean) then we'd be far more comfortable. I'm sure "stuffy" does go into the equation too, as "fresh" (even when brandished for things which do not smell fresh per se!) is considered a positive term, uniformly in my experience when perfume consulting.

 Basically "fresh" is whatever is not "stuffy" (LOL) and by those terms we're not describing the actual literal meaning of the words but different "styles" and "trends" of perfumes over the decades (what was fresh 30 years ago is stuffy now and what is fresh now will become stuffy 30 years from now and so on...). It makes for one hell of confusion, especially among general folks who don't have the necessary vocabulary to analyse what they smell and what they feel (NB: I consider everyone's smell perception and feeling as 100% valid, I just think that some are more verbal-inclined or trained than others).

 But again as you point out perhaps there is something deeper than just "out of fashion" involved, which is why the term hasn't caught on. Most people buying perfume are still hooked by the whole seduction kit & caboodle and believe that perfume should be something to attract sexual partners (or at least be pleasant to potential sexual partners, even if there is no intention of actually making them partners in the act) so the association with something an auntie or grandmother wore all her life is too strong to break out from. I think you're definitely on to something with that remark you made! It makes total sense and explains the denial with which "positive" perfume (i.e. sex thang) is NOT associated with old people (i.e. for whom the generally held immature point of view is that their having sex at all is eww).

 It all boils down to sex again, doesn't it, which might also explain why the enmity towards women in particular! (classical target)

Frequent Questions: Differences Between the Hermes Merveilles Perfume Editions, Flankers & Limited Editions (With Photos)

Among perfumes with several confusing similarly-named editions there are a few. You can check PerfumeShrine's previous entries on the different flankers/perfume editions of Dior Poisons, the many flankers/limited editions of Dior best-seller J'Adore, the various reformulations/repackaging of Miss Dior Cherie, the super confusing group of fragrance editions by Rodriguez Narciso For Her with their differences highlighted, the Etro Via Verri original and reformulated editions, the Shiseido Zen perfume editions ...and there's surely going to be more!
Today I'm going to offer an illustrated guide to sort out the confusion attested regarding one fragrance among those with a dedicated cult following: Eau de Merveilles and its by now many flankers and limited editions issued by the venerable house of Hermès.

Timeline, Info and Notes for Different Hermès "Merveilles" Fragrance Editions with pics: 

Eau de Merveilles (2004) 
Pefumers: Ralf Schwieger and Nathalie Feisthauer
Eau de Toilette concentration
Notes: ambergris, pink pepper, violet, fir, oakmoss, orange, lemon, cedar, elemi, Madagascar vetiver

The main theme of this truly original fragrance, this "water of wonders", and the reason it's a deserved cult is the orange-shaded ambergris salty impression of skin, resolutely non-floral for a marketed to women fragrance (although perfectly unisex in all practical purposes!) and "natural" smelling in its overall impression, negating the notion that the person wearing it is wearing a perfume.
Technically speaking the intriguing thing is Eau de Merveilles collapses the traditional pyramidal structure entirely, as all the woody-musky notes are on top, rather than the base of the fragrance, getting the ambergris note upfront in large print.

Parfum des Merveilles  (2005)
Perfumer: Jean-Claude Ellena
Extrait de Parfum concentration
Notes: Oak, patchouli, mosses, amber, Peru balsam, tears of Siam, Davaba, Cognac note, leaves, roots
A concentrated composition with more intense resinous ingredients which Jean Claude Ellena worked on while the original was selling its first bottles.

Parfum des Merveilles (2006)
Limited edition of the Parfum des Merveilles of 2005 extrait de parfum in Saint-Louis blue crystal (same juice)
Extrait de Parfum concentration

Elixir des Merveilles (2006) 
Perfumer: Jean-Claude Ellena
Eau de Parfum concentration
Notes: Peru balsam, vanilla sugar, amber, sandalwood, tonka bean, patchouli, siam resin, caramel, oak, incense, orange peel and cedar.

Hermes Elixir des Merveilles is a quite different formula rather than just an EDP concentration of the original Eau de Merveilles, focusing on more resinous chypre elements highlighted rather than the ambergris woody notes of the EDT version. It is succulent, warmer and less salty than the original and relatively tenacious. 

Eau de Merveilles Constellation (2006) 
Limited edition of the original formula of Eau de Merveilles of 2004 (same juice)
Eau de Toilette concentration
The bottles features an etched illustration of the classic chariot of the house under a star constellation.

Eau de Merveilles Pegase (2007)
Limited edition of the original formula of Eau de Merveilles of 2004 (same juice)
Eau de Toilette concentration
The bottle features an illustration of the flying horse Pegasus from the Greek mythology.

Eau Claire des Merveilles (autumn 2010) 
Perfumer: Jean-Claude Ellena
Eau de Parfum concentration

This new interpretation of the "magical water" boasts  airy notes alongside the sophisticated woody notes and warm ambergris of the original. It incorporates powdery soft vanilla, airy notes and for the first time a few abstract floral notes to give a luminous character. The overall impression of Eau Claire des Merveilles is of a musky vanilla scent with softly powdery ambience. 

Eau de Merveilles Au Bal des Etoiles (February 2012) [i.e. Ball of the Stars]
Limited edition of the original formula of Eau de Merveilles of 2004 (same juice)
Eau de Toilette concentration
The bottle features a "dragonfly fairy" design by illustrator Alice Charbin.

L'Ambre des Merveilles (summer 2012)

Perfumer: Jean-Claude Ellena

Eau de Parfum concentration

Notes: amber, labdanum, patchouli and vanilla.

The emphasis on L'Ambre des Merveilles is on the classical ingredient used to render an "amber" base blend: labdanum with all its leathery-sweet-intimate aspects in place. 

All the bottles in the Hermes Merveilles series routinely come in 50ml/1.7oz and 100ml/3.4oz sizes, with the occasional 15ml/0.5oz travel size issued (same as the Hermessences coffret shape and size) except for the parfum and limited edition bottles, of course.

pics via fragrantica.com and basenotes.net

Chandler Burr and OpenSky Propose S01E03

“Like all great works of olfactory art, S01E03, which is not a commercial scent, confirms scent’s power when shared. It confirms it several ways.

E03 demonstrates, for example, that what can roughly be termed volume is a hugely important design piece to all olfactory works. I don’t mean volume merely in the crude, obvious sense of turning the dial up to 10, or using blinding neon acrylics, or packing a scent with a molecule called Karenal, whose decibel level can make your metaphorical ears bleed. Volume is also tonality and texture—smooth vs. rough, clear vs. opaque, an upper vs. an anxiolytic. E03 is pure tone, like a steel tuning fork held up in the air humming a perfect A to the cochlea. Smooth. Clear. But the odd, beautiful thing is that E03 is simultaneously an upper— it makes you alert like a clarion call — and an anxiolytic— calming, tranquilizing, two virtually weightless fingertips brushing your temples.”

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On Friday, August 31, Chandler will reveal the third scent live on OpenSky.com/chandlerburr.

In case you missed it yesterday S01E02 was revealed by Chandler Burr alongside Katie Puckrik to be Mugler's Cologne. 

pics via ask.com & sfgate.com