Tuesday, March 6, 2012

Perfumery Material: Cypriol /Nagarmotha

I never cease to be amazed by the rich variety that both the natural world and the labs delving in organic chemistry produce for our olfactory delight. The nuances of some exotic materials feels eerily familiar, yet at the same time foreign, exciting, enigmatic, especially when encountered in a list of perfume notes in a given composition. Such is the case of Nargamotha/cypriol (Cyperus scariosus).

Nagarmotha/Cypriol (also "nut grass" in English) is a plant of the Cyperaceae family, alternatively called Nagar Mustaka, which grows wild in the Madhya Pradesh region of India. It belongs in the papyrus family (Cyperus papyrus is the one used during the apex of Ancient Egypt) and grows in damp places in Bengal, Sundarbans, and Utter Pradesh, but also in Australia.


Highly-prized for its rhizomes, much like iris, cyperus scariosus is often used in compounding perfumes (especially since it acts as a fixative and is quite economical), in the manufacturing of soaps and incense sticks, as an insect repellent and for medicinal purposes. Associated with milkweed, Indian nard, jatamansi and fekhand, it appears in the spells of Vashikarana: It's said that a man applying it to his forehead is assured of a long series of successful love affairs!

Steam distillation of the tubers of cypriol yields 0.075-0.080% of an essential oil, the principal content of which is cyperine. The smell of nagarmotha is woody, earthy and quite lingering; it mostly conjures a hybrid between cedar, vetiver and patchouli, with fleeting touches of cinnamon and frankincense giving a churchy feel.

Tom Ford for Men was claimed to be the first to use cypriol: "that slightly dirty, sensual, sexy smell...It's not the same as natural musk used to be, but it has a bit of something that some people would think slightly dirty...I think it's warm and sensual." And yet Xeryus, a floral woody semi-oriental masculine by Givenchy, developped by Firmenich, launched in 1986! And if I am not too mistaken cypriol is contained in Eau d'Issey pour Homme too in as early as 1994.

Cypriol is featured in rather limited perfumes, but with the propensity to expand into more: There is a product by Innospec also called "cypriol" that gives the natural raw material a run for its money. According to Innospec itself (2008), Cypriol base hals a spicy floral fragrance and it was presented in a linden blossom room spray and peach base during the British Society of Perfumery symposium at Towcester, where it confered the rich, natural aroma of real flowers. "As well as offering good odour of its own, Cypriol [product] has a substantial floralising effect on any fragrance".Additionally, a new terpenoid extracted from the leaves of cyperus sclariosus promises new uses as well.

List of fragrances featuring cypriol/cypriol mimicking synthetics:

Amouage Library Collection Opus VI
Annick Goutal  Musc Nomade
By Kilian Beyond Love
Lancôme Magnifique
L'Artisan Parfumeur Dzongha
L'Artisan Parfumeur Timbuktu 
Parfums de Rosine Rose Kashmirie
Tom Ford Tom Ford For Men

pic via http://indianflowersandherbs.blogspot.com

Monday, March 5, 2012

Jo Malone Peony & Moss, White Lilac & Rhubarb, Iris & Lady Moore (London Blooms collection): new fragrances

Spring comes as all gardeners know ushering showers and sun rays, clashing greeness against the budding petals, open to coolness and warmth, giving the promise of things to come. British gardens especially aim at the superficially haphazard, but nothing is really left to chance. Spring-like fragrances inspire us with their delicate grace and their emotional romance-leaning proclivities, but they have their own dare to contrast with the prettiness.
Jo Malone aimed to captured this juxtaposing elements mood in her new "London Blooms" trio of fragrances. The new Jo Malone scents are presented in a Limited Edition collection launching in March 2012, adorned by vintage-style botanical drawings, reflecting the spirit of modern gardens.




The London Blooms LE collection includes:

Peony & Moss
A contrast of the dainty and the dirty. Delicate peony, clad in the moist earthiness of moss. Laced with
cordial-intense cassis. Encircled with ivy. A fragrance of gossamer lightness, grounded in rich verdancy.

White Lilac & Rhubarb
A celebration of seductive contrasts beloved by modern gardeners. Tart-vibrant rhubarb cuts through
delicate florals. The softness of lilac. The femininity of rose. And the almond - scent of sun-loving heliotrope.

Iris & Lady Moore
A fascinating mingling of spicy-fresh, common-or-garden geranium and noble iris, powdery
and poised. Two characterful purple florals, rustling above an elegant dry-grass bed of vetiver.


Limited edition. Available from March 2012.
$110 US / $125 CAN for each 100ml Cologne.
London Blooms will be available at Jo Malone Shops, jomalone.com, Bergdorf Goodman,Neiman Marcus and select Saks Fifth Avenue, Bloomingdale’s, and Nordstrom stores nationwide.
Available exclusively at Holt Renfrew in Canada.

info on notes, availability & prices via press release

Maria Candida Gentile Cinabre: fragrance review

Much like Sophia Loren's is a spicy, fiery beauty that defies mere prettiness in favor of exquisite lines, panoramic vistas and hypnotic eyes, Cinabre by Maria Candide Gentile, a force to reckon with, is the type of Italian fragrance I love to love. There's just no way around it; this is a romantic, sexy rose perfume to turn even rose-dubious hearts fire-engine-red with desire!



Cinabre tricks one into thinking it is a cinnamon amber composition and even though there is the intense spice element present and the warmth of ambery resins indeed, one would be mistaken to view it so. Cinabre is a big, honking spicy rose the size of a house and gorgeous for it! Proper Italian fragrances have a sort of lived-in coziness, sunny and outgoing like their compatriots, appearing from a distance less distingué than an aloof French, but at heart they reveal an intricate, complex structure that can be even superior than their neighbour's.

The initial top note in Cinabre is intensely spicy in a peppery way, short and hot, and soon cooled by the more sophisticated touch of ginger (these are clearly sequential stages, pay attention and watch them deliciously unfold, as signora Gentile weaves them artfully into the plot). The rose is lush, all out, sensuous, a deep red rose that accompanies erotic messages delivered under the cloak of night. This sexy rose blend is no accident: it blends essences of many varieties, Moroccan Splendens, May rose absolute with vanilla and myrrh into an embrace that is strong, but a little dangerous at the same time. The resinous elements bring out an orientalized effect to the rose, eschewing the powdery or pot-pourri associations one might have with the rose flower.

This is a fragrance built italianate style, with corbels at every projecting eave and belvedere to calmly show off exquisite ingredients put to artful use. Bravissima, signora Gentile!

Notes for Maria Candida Gentile Cinabre
top: ginger and pepper
middle: opulent rose accord
base: opoponax, benzoin and vanilla.

pic of Sophia Loren via MaryLou.Cinnamon

Sunday, March 4, 2012

The New (Complex) Smell of Clean

It's no secret: We gingerly open up the fabric softener's and even the floor cleaner's cap to take a whiff of the liquid inside in the super-market to make sure we approve of the scent. We check with our nose, since our brain cannot register how analytical chemistry can help get us a cleaner laundry basket at the end of the day or a shinier floor just by briefly looking at the label. Eschewing logic over emotion is all too human. Big conglomerates are aware of it. And no other sense is more emotional than our sense of smell.

"Fragrance today helps define the choices in consumer specialty product categories as varied as automotive, air care, laundry and household cleansers. The truth is, consumers have been trained to seek out the fragrances they love. As a result, people's passion for how products smell—and how they feel about particular scents and accords—has reshaped the consumer landscape. [...] Just as ‘clean’ and ‘fresh’ are two words that say the most about air care and household cleaning products—and while pine, citrus and lavender still are working their hearts out in homes—defining what clean and fresh actually mean today has become the overwhelming creative challenge.
[...]P&G’s big winner New Zealand Springs—which is a fresh, green fruity-floral [aroma] ‘inspired by New Zealand's South Island where springs feed glacier-carved streams and verdant vistas’—is making money for Febreze room and fabric sprays, oils and home fragrances, Mr. Clean’s hard surface and multipurpose cleaners, Dawn ultra-concentrated dish liquid, and Cascade dishwasher detergent. [...] If a limited-edition fragrance truly connects with consumers, the scent can be upcycled—perhaps even renamed—and made part of the brand’s offering long term. This is a strategy that strategically improves marketing effectiveness. [...] Expectations for great fragrances have never been greater"

~from an article by Lori Miller Burns, director of marketing, Arylessence, on Perfumer & Flavorist Magazine.

The intricasy of developing complex scents for non fine fragrances (i.e. fragrances for functional use, such as detergents, air care, shampoos etc.) is increasing and for good reason: There is an intense competition between the big companies into who will release something that will grab the consumers and can then become (by the standards of recycling the same scent in new names, as delineated above) a lifestyle product. Smell and scents have become a firm element of lifestyle; an experience that seals a moment of living. If this isn't the height of commercialisation, I don't know what is. But let's proceed with a specific example.

"In the commercials [of odor-eliminating Procter & Gamble product Febreze], each setting is shown being treated with a Febreze product, like fabric spray or room spray, before the blindfolded subjects are led in. In one spot, two women approached on the street in the SoHo section of Manhattan are led blindfolded into an abandoned section of a building, where they are seated on an old, torn couch that has clumps of dog hair. As two dogs dart around the room, they are asked by an off-screen interviewer to take deep breaths and report what they smell. [watch the Febreze couch experiment clip here, part of their Breathe Happy campaign]
One of the women says, “Light floral, lilac,” and “Like when you have fresh laundry.” The other adds, “Maybe even a little bit of citrus,” “a little bit beachy” and “wispy white curtains.” They are told to remove their blindfolds, and the squalor of the room registers on their shocked faces, with both saying, “Oh, my god,” before two members of the film crew approach them wielding Febreze. [...]
Tor Myhren, president and chief creative officer at Grey New York, said the impetus for the campaign came from a consumer focus group. “Someone said, ‘You can close your eyes, but you can’t turn off your nose,’ and that’s a brilliant insight,” Mr. Myhren said. “We said that’s a big, big, big idea that we need to bring to life.”

~from an article on the advertising of Febreze in New York Times

Procter & Gamble swears their product is "absolutely non-toxic", safe to use in homes with pets and acts on the power of beta-cyclodextrin to bind big molecules into its own doughnut shape, thus disallowing the dispersion of malodours molecules into the air where they would be perceived by human noses. Some sources state that Febreze also contains zinc chloride, which would help to neutralize sulfur-containing odors (e.g., onions, rotten eggs) and might dull nasal receptor sensitivity to smell, but this compound is not listed in the ingredients (at least in the spray-on products).

Interestingly, a cultural aspect enters the marketing and distribution of Febreze.  Even though P&G reaches hundreds of countries around the world, some markets are excluded from this artificial smell of clean. Pat from Olfactarama recounts how the original formulation of Febreze died a slow death in the US when it was first introduced, as the cultural mantra is to feel (intellectual and sensory) elation at the cleansing task after it has been actually performed. The re-introduction of Febreze to staggering sales numbers currently is largely attributed to re-introducing the product with added fragrance!

"A breakthrough came when [the product development & marketing team] visited a woman in a suburb near Scottsdale, Ariz., who was in her 40s with four children. Her house was clean, though not compulsively tidy, and didn’t appear to have any odor problems; there were no pets or smokers. To the surprise of everyone, she loved Febreze.

“I use it every day,” she said.

“What smells are you trying to get rid of?” a researcher asked.

“I don’t really use it for specific smells,” the woman said. “I use it for normal cleaning — a couple of sprays when I’m done in a room.”

The researchers followed her around as she tidied the house. In the bedroom, she made her bed, tightened the sheet’s corners, then sprayed the comforter with Febreze. In the living room, she vacuumed, picked up the children’s shoes, straightened the coffee table, then sprayed Febreze on the freshly cleaned carpet.[...]
“It’s nice, you know?” she said. “Spraying feels like a little minicelebration when I’m done with a room.”

~from an article in the New York Times about mapping consumer behavior

In Greece, Febreze never caught on: it was introduced sometime around 2000 if memory serves well, promoted in super-markets as just the thing for difficult to wash car seats, but the Greek culture that adbhors "masking" dirt instead of getting down on your knees and scrubbing, scrubbing, scrubbing that floor to a shiny shine quickly purged it. No attempts for re-introducing it have been made, added fragrance or not, and I would assume that with our national streak of disliking "artificial" scents that are not actual perfumes for one's own skin it would not have sustenance.Unless it promised a mini-celebration of discovering the surefire way to make away with sovereign debt, naturally. P&G, there's hope yet.

Saturday, March 3, 2012

Five Scents to Turn Men Off

Or "how to write a bad piece of fragrance advice". The following article appearing unacredited (thankfully) on bodycare.becomegorgeous.com is indicative of the widely-spread view that it suffices to take tips from here & there on your lunch hour in order to write an article that offers some insights into scents. Apparently, it's not that easy, unless you want to perpetuate gross mistakes (sandalwood is a herb?? kiwi is a citrus??) and boring clichés that group poor men into a herd of cattle that can't think for themselves. Then of course the article proceeds on suggesting at least one citrus fruity scent and an ambery one! Taking into consideration the site focuses on "how to" articles and videos, I'd say this is seriously bad judgment into accepting such an article in the first place. Why is that everyone suddenly poses as an expert in just any random field?


If you're still curious on which scents supposedly turn men off (though, dear reader, we have compiled a rather critical map on Perfumes that Attract Men and Scents that Turn Women On that is more researched on these very pages acknowledging all the while we're catering to an inherently demeaning question to both asker and askee) the writers on above-mentioned article mention: citrus fruits, rose, chocolate, honeydew, too much sandalwood & amber.

pic via pheromonesattract.net 

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