May 1st, Lily of the Valley day: DSH Muguet de Mai & Muguet Cologne & draw!

A lucky symbol ~it means “return of happiness” in the language of flowers~ the delicate beauty of lily of the valley is however poisonous (especially its reddish fruit) due to convallatoxine, convallamarine, and convallarine; a brave irony on the part of Creation! Lily of the valley or muguet in French (Convallaria majalis) is a herbaceous perennial plant prevalent in Asia, Europe and the Eastern USA, with characteristic bell-shaped little flowers, hence its other name May Bells. In France it is customary to give a posy of lilies of the valley on May 1st as a porte-bonheur. This is probably why French residing author Edith Wharton chose lily of the valley as the embodiment of her heroine May Welland in The Age of Innocence, as referenced in more detail in our article about perfume in novels.

Indie perfumer Dawn Spencer Hurwitz has launched two lily of the valley fragrances to celebrate May 1st, Muguet de Mai for women and Muguet Cologne for men; or, as the mood strikes you, interchangeably. They're both light enough and delicious enough to be enjoyed by both sexes. The idea began by Trish who was curious about a botanical lily of the valley note and Dawn was set to task for this diffucult project: You see, lily of the valley does not yield its precious essence satisfactorily enough for perfumery! The problem has perplexed perfumers for long, ending up in LOTV recompositions, the most renowned being Diorissimo by Edmond Roudnitska for Christian Dior. Roudnitska even went so far as to grow his own lily of the valley in his garden and stooping to smell attentively the tiny blossoms at bloom and the soil underneath so as to capture the true essence of the elusive flower. I also love the real-life yet delicate feel of Del Rae Debut, incidentally composed by Michel Roudnitska, Edmond's son.

Dawn began by imagining how she would come up with a viable solution and tested several mods, out of which two pleased her most, enough to launch them as separate fragrances.

Muguet de Mai is a complex composition which goes beyond a simple soliflore, as I sense the perfumer was not trying to simply capture just lily of the valley, and which brings back a forgotten ingredient that constitutes the crowning grace of many classics: resinous galbanum with its bitter green note. Lovers of the classic vintage version of Vent Vert by Balmain know full well what I'm talking about: the bracing feel of galbanum, technically a bottom note of slow evaporation, but surfacing at the very top of a fragrance composition can be the thing that makes or breaks a formula thanks to its sheer power. At the same time, it aids structuring the scent, giving a skeleton on which to work: Preening the harsh edges, without totally annihilating them, mellowing the base, giving a citric jolt that compliments it and fanning it on precious flower essences. That is what Germain Cellier did for the Balmain.
Dawn injected her perfume with galbanum to give it the ambience of a truly botanical atmosphere, the grass and earth still clinging to the flower. She also looked into vintages, specifically Muguet Composé (c.1930′s) and Muguet des Bois (c.1940′s) by Francois Coty, Illusion oil, Lily of the Valley (c.1940′s) by Draille and of course Diorissimo by Edmond Roudnitska for Dior (c.1970′s), taking cues from the editions chronologically referenced. From those she's closer to the woodier Muguet de Bois, but she also went beyond that: You can instantly feel this is an all naturals scent, due to the very botanical profile of the flower essences, in which cassis buds gives off a slightly sour tinge, then mollified by the balsamic elements ~rather animalistic, like honeyed thighs~ that sweeten that effect alongside the (perceptible) linden blossom essence. A unique take on May's 1st traditional good-luck-charm!

Extrait de parfum version was chosen (I believe) to bypass the problem of the fleeting nature of several natural essences: The result is a tempered, tenacious but low-pitched scent.

Notes for DSH Muguet de Mai extrait de parfum:

Top: Bergamot, lemon, Tunisian neroli
Heart: linden, hay accord, violet leaf, cyclamen accord, hyacinth accord, orris rhizome, broom, jasmine sambac, rose, ylang ylang, jonquil, lilac accord

Base: galbanum, cassis buds, East Indian sandalwood, Virginian cedar, Tolu balsam, olibanum (frankincense), honey beeswax, styrax.

Muguet Cologne is a different animal, lighter in tonality but at the same time with a deeper, more spiritual feel thanks to the mossy-grassy elements. The two predominant elements for me were the bitter citrusy tang (which I imagined as a neroli-galbanum duet in my mind, a bit Eau de Cologne meets Vent Vert) and the vetiver grassiness undernearth. I almost imagined a faint frankincense in the base, influenced as I am by the effluvium that comes out of churches mingling as it does with the scents of spring. Green is its mantle and green are the dreams it inspires, a wonderful tribute to men's skin.
Muguet Cologne has great tenacity (it's technically an Eau de Toilette concentration) and projects at just the right pitch to be enjoyed by everyone around. I know I sure did on my very own skin!

Notes for DSH Muguet Cologne:
Top: white grapefruit, chamomile, coriander
Heart: galbanum
Base: Australian sandalwood, patchouli, oakmoss, vetiver

Below is pricing information for the two DSH fragrances, both very limited edition.

Muguet de Mai perfume extrait concentration
5 ml antique presentation: $125
1 ml vials: $22

Muguet Cologne
1 oz muguet cologne: $98
10 ml muguet cologne $45
1 ml vials: $5.25

For our readers, I have 2 samples of Muguet de Mai extrait and 3 samples of Muguet Cologne I'm giving away. Please let me know what lily of the valley does to you in the comments and I will pick the winners.

Please visit the other participating blogs for more impressions on DSH's Muguet editions:

IndiePerfumes (Lucy)

The Non Blonde (Gaia)

CaFleureBon (Ida)

Scent Hive (Trish)

DSH Notebook (Dawn)

Artwork by Dawn Spencer Hurwitz, used with permission.

Disclosure: Samples sent directly by the perfumer.

Scent for a Royal Wedding: The Fragrance of Kate Middleton on her Happiest Day

Friday's royal wedding of Kate Middleton to Prince William raised several questions as to what the bride and groom chose for their attire and the ambience of their memorable day. Among those, perfume aficionados were extra curious to find out Kate Middleton's (or shall we say Catherine, Duchess of Cambridge) personal fragrance. We had discussed how Kate used to enjoy Dune by Christian Dior in her student days before, a fragrance choice that showcased her special style and discerning taste. And hundreds of companies were clamoring for her attention. Floris went as far as creating a scent called Wedding Bouquet: "Created exclusively to celebrate the marriage of Prince William to Miss Catherine Middleton, Wedding Bouquet draws inspiration from the most acclaimed Floris wedding fragrances of the past whilst introducing a modern twist using a white flower theme." And so did Grossmith with Bethrothal, as we reported previously on these pages.

But for her special day Catherine Middleton chose White Gardenia Petals by Illuminum, a quite recent release, according to Michael Donovan of Illuminum's PR Company. The fragrance is described "As fragrant as a bouquet of white flowers, quivering in the gentle April breeze, this is a delicate and nuanced scent. The top note of stately gardenia evokes classicism, whilst heart notes of ylang ylang, muguet and jasmine bring a trio of frivolous white flowers into play. Amber wood underscores this light, fresh bouquet, adding depth and deep rooted tradition." It is available at Roullier White.

For the decoration and scenting of the Westminster Abbey and the guests' and VIP bathrooms, the PR team from Jo Malone informs me that they went with their room fragrances & candles (Orange Blossom, Grapefruit and the perennial favourite Lime, Basil & Mandarin)

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Fragrance Choices in Relation to Character & Ambience Delineation in Novels

"He had been before in drawing rooms hung with red damask, with pictures 'of the Italian school'; what struck him was the way in which Medora Manson's shabby hired house, with its blightened background of pampas grass and Rogers statuettes, had, by a turn of the hand, and the skillful use of a few properties, been transformed into something intimate, 'foreign', subtly suggestive of old romantic scenes and sentiments. He tried to analyse the trick, to find a clue to it in the way the chairs and tables were grouped, in the fact that only two Jacqueminot roses (of which nobody ever bought less than a dozen) had been placed in the slender vase at his elbow, and in the vague pervading perfume that was not what one put on handkerchiefs, but rather like the scent of some far-off bazaar, a smell made up of Turkish coffee and ambergris and dried roses."
~Edith Wharton, The Age of Innocence

I have been re-reading Wharton's masterpiece and noticing page after page the meticulous care with which the author has created a vivid universe of that crumbling world of social conventions. I follow the eyes and thoughts of late 19th century young gentleman Newland Archer, about to marry the perfect girl of his New York circle, May Welland, but who nevertheless ~out of a rebellion of his inquisitive spirit~ ends up in a frustrated, unfulfilled love story with her cousin, the Countess Olenska; a woman who inwardly snubs conventions, but seems eternally trapped by them in a pre-arranged world of genteel suffocation. No detail has been spared by the author in delineating the mores, the customs, the rites and rituals of a disappearing world and, within it all, one of the most characteristic seems to be the one hinting at smells; such as the above passage, recounting the house in which the Countess Olenska stays, a house she has decorated herself and which reflects her rebellious, cosmopolitan and free nature.

Other fragrant details surface frequently too: May Welland receives posies of lilies of the valley daily ~ Diana-like, pure, beautiful, virginal and above board~ all through her engagement to Newland. As he shops for her bouquet he suddenly notices...

..."a cluster of yellow roses. He had never seen any as sun-golden before and his first impulse was to send them to May instead of the lilies. But they did not look like her -there was something too rich, too strong, in their fiery beauty. In a sudden revulsion of mood, and almost without knowing what he did, he signed to the florist to lay the roses in another long box, and slipped his card into a second envelope, on which he wrote the name of the Countess Olenska; then, just as he was turning away, he drew the card out again, and left the empty envelope on the box".

Such small details can create a whole scene! The lily of the valley stands as the symbol of the virgin bride who is spotless and seems frail, yet surfaces triumphant in the conventional approach to marriage she seeks in the end, much like the aroma of the tiny blossom is piercingly sweet and surpasses most others. The sun-yellow rose is more mature, more feminine in a retro, "full" way, symbolising the giving and open nature of Ellen Olenska, its delicate scent a crumbling beauty that is trampled by those whose trail travels farthest.

Perfume mentions in novels, whether by general description or by specific brand names is not new, but it always strikes me as poignant and significant in setting the mood and tone of the literary work at hand. Indeed, there are books in which it sets the very plot, like obvious paradigm Das Parfum by Patrick Süskind, À Rebours (Against the Grain) by J.K. Huysmans or Jitterbug Perfume by Tom Robbins. Then, they are those which use perfume references creatively, like The Petty Demon (Melkiy Bes) by Fyodor Sologub, chronicling Peredonov's ambition to rise from instructor to rural gymnasium to school inspector as well as the erotic dalliance between Sasha Pulnivok and Lyudmilla Rutilova.
Take White Oleander by Janet Finch as well, where every character signals a hidden side of them by their choice of fragrance: The biological mom looks stealthy if deliquent, but smells of shy, tender violets. The foster mom with the suicidal tendencies chooses L'Air du Temps, fusing her frail personality with the graceful and assured arc of the Nina Ricci's classic. The upscale hooker down the road wears steely and classy chypre Ma Griffe by Carven. Even the fragrant gift of the promiscuous neighbour to the girl heroine, Penhaligon's Love Potion No.9, is a plea and realisation for what the protagonist needs most: approval.

In Nancy Mitford's The Pursuit of Love the protagonist's wearing of Guerlain's classic Après l'Ondée elicits favourable reception. In Joanne Harris's Chocolat the depiction of all the village women wearing Chanel No.5, till the arrival of the trail blaizer heroine, is akin to a red flag of conventions-adoring set to be shred to pieces. In Dodie Smith's I Capture the Castle the scent that permeates the romantic atmosphere is Penhaligon's Bluebell; as British as you can get.
Sometimes scent in novels can even become an idée fixe:

"...and I could see Maxim standing at the foot of the stairs, laughing, shaking hands, turning to someone who stood by his side, tall and slim, with dark hair, said the bishop's wife, dark hair against a white face, someone whose quick eyes saw to the comfort of her guests, who gave an order over her shoulder to a servant, someone who was never awkward, never without grace, who when she danced left a stab of perfume in the air like a white azalea."

Thus writes Daphne du Maurier in Rebecca and continues:

"And then I knew that the vanished scent upon the handkerchief was the same as the crushed white petals of the azaleas in the Happy Valley." Or "The wardrobe smelt stuffy, queer. The azalea scent, so fragrant and delicate in the air, had turned stale in the wardrobe, tarnishing the silver dresses and the brocade, and the breath of it wafted toward me now from the open doors, faded and old."

And who can forget literary giant Honoré de Balzac when he describes down to the filthy detail and to the last minutiae the places where his heroes live and work in Père Goriot?

Fragrance references and scented descriptions add a whole different sublayer to a novel's charm and sometimes worth, by injecting it with a subtle nuance like nothing else. Simply put, the novel would be incomplete without referring that sense which makes up for so many of our memories, sentiments, preconceptions and aversions.


What about you? Do you enjoy fragrance references in novels or do they distract you? And which are your favourites? Share them in the comments.

Chanel extraits now available online

Oh glorious day for our American readers! The renowned Chanel extraits (No.22, Bois des Iles, Cuir de Russie and Gardenia) are now available online for buyers in the USA.


The company offers complimentary shipping ONLY for April 29th until 11:59PM EST.
And they won't be the only ones, it seems!! (may our wishes for 31 Rue Cambon and Sycomore extrait be granted)

I will be having another post coming up shortly, I have been getting late on some projects and working on those. Stay tuned for your feedback is wanted!

Cooking with Essential Oils: Perfuming Food with Tuberose and Dill

One of the greatest joys of being a perfume writer and an amateur cook is combining the appreciation of scents into fields that surpass their own boundaries and leep into peripheral matter. Whenever I pick up a fresh cucumber at the open market for my preparation of tzatziki dip I lean to smell its smooth peel, often asking the seller to cut one in half in front of my very eyes so I can judge by smell; and nary does a day of food shopping goes by that I am not reminded by the aromata in front of me of ingredients in fine fragrance. The same principle applies when picking up flowers to adorn my house at the florist's, the hothouse or just while trailblaizing in the countryside; succumbing to the grace of the scent bouquet that even the simplest blossom exhibits is akin to discovering the complexity of the cosmos.

Imagine my elation when I was asked by a perfumer who has been using, procuring and even harvesting her own aromatic essences for long to test her newly-launched essences for food. For a long time I thought I was the only one to use orange blossom hydrosol for my Christmas cookies, yuzu essence to aromatize my sponge cake and peppermint drops into the big vat of Mojito cocktail served on the verandahs when entertaining in the summertime. Apparently, I was not and now many more will find it easier still.


Anya McCoy who just launched this line assures us that the essential oils used are of the highest quality and tested for tolerance in use in food: "I've been using natural essential oils and absolutes to perfume my food and drinks since 1978. I have been sourcing quality oils since 1970, so please know that the oils I offer for the Anya's Garden food and drink line are of the highest quality. These are the same aromatic oils that I use in my perfumes. [...]These oils and absolutes are GRAS - Generally Recognized as Safe by the USDA. They may also be used for creating perfumes.".



In what is thought of as "oils" she also has several things to divulge: "Essential oils are made by steam- or hydrodiffusion of plant materials, in a process called 'distillation'. The "oils" aren't necessarily oils as we think of them, meaning the fixed oils. They're often much more ethereal than that, and many are lighter than water, and will float on water. However, water can also be used to disperse them, especially when the tiny amount you'll be using is placed in water. You can experiment with seltzer water, some simple syrup and ice."

The two essences with which I played extensively were tuberose and dill, tuberose being an essence I picked myself exactly because of its challenging nature which doesn't immediately produce thoughts related to food. And yet Tuberose Absolute (Polianthus tuberosa) is a must for anyone with an interest in perfumery, but also anyone with the desire to experience the complexity of nature, red in tooth and claw! Perfumes try to approximate with Beyond Love by Kilian and Carnal Flower being perhaps the truest to realism, although a few, such as Fracas or Tubereuse Criminelle, tend to overshadow some aspects in order to highlight others; butteriness and sweetness via copious orange blossom in the Piguet classic, menthol via camphoraceous notes in the Lutens cult scent.
My thinking about experiencing this marvel of nature in consumable form went around the facets of tuberose essence itself: Being familiar with Indian tuberose absolute I well knew the intensity of its deep, intoxicating aroma with rubbery and green tonalities over the lactonic sweet and "cheesier" ones.
My mind went into the route of cordials, long cool drinks that are always a refreshing and aromatic proposition welcome on our shores, to exploit the sweeter side of tuberose, but also giving an unexpected jolt that would create the effect that juniper produces in good gin: aromatic depth and crispness. The following recipe can be a good substitute of a Kir Royale or a Spritzer if instead of water you add some brut Champagne.
I'm also starting to think of what it might do to a decent Margherita!

Recipe for Lime and Tuberose Cordial
Ingredients

• Limes
• Sugar granulated
• Anya's Garden tuberose essence
• crushed ice
• fresh spearmint for decoration
  
• optional: Champagne, brut
  

Method

• Hand-juice as many limes as you like (I like the rougher "texture" of hand-juicing)
  
• Measure the juice using a measuring jug to determine sugar ratio
  
• For every litre of juice you will need 1 kilo of granulated sugar
• Put the juice and sugar into a large pan and heat very gently over low heat
  
• Stirring continually heat till the sugar is completely dissolved
• Add one drop of tuberose essence for every litre of juice when "cooking" has finished
  
• Let it cool, then add chilled water/champagne and crushed ice and decorate with spearmint
  

À votre santé!

Dill is another aroma with which I am intimately familiar. Fresh dill is a joy; small bunches of long, stamen-like delicate "leaves" that get routinely chopped off into soups, yoghurt pastes and cheese-pies, alongside shallots and fresh spearmint, or sprinkled onto fresh sliced cucumbers themselves sprinkled with salt. They aromatize the whole kitchen with the scents of springtime.
I also adore dill in hovmästarsås, the traditional Swedish sauce that accompanies gravlax, the cured hearty salmon dish. The fresh, slightly peppery, slightly wet aroma of dill mixes with sugary mustard and is cut by the saltiness of the fish.

To play with dill essence, I used it in something I make almost every week: tzatziki dip. This garlicky, thick paste is traditionally Greek and accompanies almost every variety of charcoal-grilled meat as well as several dishes of pasta, such as the famous Kahzak and Kyrguz recipe for Tatar Böregi (which the Turkish and the Greek who borrowed it call it "manti"). It's also the meanest dip for crudites! Just remember to brush your teeth and tongue afterwards to get rid of the garlic smell.


Recipe for Tzatziki Paste with Dill essence

Ingredients

• 2 fresh and aromatic cucumbers (do NOT buy if they don't smell fresh and green)
  
• 2 large pots of fresh, super thick strained Greek yoghurt with at least 8% solid fats (Fage is the widest distrubted brand and it's very good in 10% fat content, but if you have a local Middle-Eastern deli go and ask for fresh "strained yoghurt" served and packed by weight on cellophane)
  
• Anya's Garden dill essence
• 5-8 cloves of garlic (it's best to use raw garlic than powdered, it's more authentic)
  
• salt and lemon zest to taste
• a spoonful of extra virgin olive oil
• optional: capers and black olives for decorating
  

Method

• Empty the yoghurt into a big bowl and let it sit covered with a towel. It might have a little bit of water surfacing. Throw that out with a spoon carefully. You want it to be as thick and creamy as possible.
  
• Wash the cucumbers thoroughly and shred them in an onion hand-shredder/grater roughly
  
• Add the cucumbers into the yoghurt
• Clean and slice the garlic finely, you want it to be imperceptible, add to yoghurt
  
• Put 3-4 drops of dill essence into the mix
• Add lemon zest and salt to taste
• Decorate with the capers and olives and refrigerate. The longer it sits the richer it tastes.
• When you serve, spill the extra virgin olive oil on top. It makes the colours and flavours come alive!

Καλή όρεξη!


You can purchase the aromatic essences directly off Anya's Garden site. There will be more additions in the beginning of May. Tuberose is among them.

Other bloggers are writing about this too! Check out Anne's Food, Ca Fleure Bon, Better Baking, Bois de Jasmin and Stirring the Senses.

Educational Resource:
Guide to Career Education can assist amateur cooks with finding a good mix of art and cooking classes that will help you think outside the box when it comes to your cooking creations.

Disclosure: I was sent a sample of the essential oils by the perfumer.