An open fire… The soft drift of smoke… Where sensuality rises after the light has gone. This is how niche fragrance brand Le Labo introduces their latest release, Santal 33, based around the myth of the American West and the beckoning scent of wood.
SANTAL 33 is the second addition to the classic perfume collection since the creation of Le Labo in 2006 and was inspired by Santal 26, the brand's cult candle scent.
The main ingredients/notes entering Le Labo's Santal 33 are Australian sandalwood (NB. this is a different variety with a different scent than the traditional Indian Mysore wood), papyrus, cedarwood, cardamom, iris, violet, ambrox and a leather accord.
The new scent is presented in a 30% concentration of essential oils, classified as an Eau de Parfum but it could be considered as an extrait.
But what inspired the new scent, you ask, wondering on my mentioning the American West on top? Here's what they have to say: "Do you remember the old Marlboro ads? A man and his horse in front of the fire on a great plain under tall, blue evening skies - A defining image of the spirit of the American West with all it implied about masculinity and personal freedom. This man, firelight in his face, leaning on the worn leather saddle, alone with the desert wind, an icon so powerful that every man wanted to be him and every woman wanted to have him...
From this memory is born SANTAL 33: the ambition to create an olfactive form inspired by the great American myth still a source of fantasy for the rest of the world...A perfume that touches the sensual universality of this icon... that would intoxicate a man as much as a woman... that introduces our use of cardamom, iris, violet, ambrox which crackle in the formula and bring to this smoking wood alloy (Australian sandalwood, papyrus, cedarwood) some spicy, leathery, musky notes, and gives this perfume its unisex signature and addictive comfort."
I would have loved to mention the ingenious mock-tweets that the Le Labo PR machine has sent along (one of them includes a well-known ~among perfume circles~ authoring duet who smashed the rest of them with a bludgeon and which implies they'll do so for this one a priori), but I suppose lawyers would be working overtime in that eventuality. They're hilarious though, I had a belly laugh; great job, chaps!
The new Le Labo is a Colette exclusive until May 15th for €110 for 50ml/1.7oz. Later on it will surface at the usual suspects.
info via press release, photo by Jen Dessinger via Le Labo manipulated by me
Monday, April 25, 2011
Demeter Fragrance Library Wisteria: fragrance review
Demeter Fragrance Library hides many little gems: from the convincing ivy green note of mysterious evil of Poison Ivy to the exact replication of the ionically charged and just outright lovely wet scent of a baby's humidifier caught in Rain, the line never fails to present one with small epiphanies and delighted coos of small discoveries where you least expect it (They have things like Laundromat, Belladonna, Sex on the Beach, referencing the cocktail....an endless pit of joyful playing around). So I wasn't really astounded to find their Wisteria cologne was actually good.
Wisteria by Demeter goes where upscale fine fragrance doesn't go, who knows for what inexplicable reason: It creates the beautiful, utterly gorgeous scent of the mauve hanging grappes of wisteria (glycine), perched like bunches of decadent grapes over terraces, latticework and verandahs in early spring. A fusion of spicy goodness reveals itself from the core; a middle road between peppery twinkle, clovey note, and carnations, with a side of a somewhat oily green nuance reminiscent of hyacinth and lilacs. All these facets are surprisingly caught in Demeter's Wisteria, a soliflore that is lush and rich like the natural flower.
The scent starts a little alcoholic at first but the progression into an intense spicy floral is more than enough to compensate. Sadly presented only in Eau de Cologne, but with rather good lasting power nonetheless. If you like spicy florals, carnation scents or just love the mauve blossoms themselves, there are good chances you might like Wisteria by Demeter.
At 20$ for 1oz it is an unmissable bargain. If you know of European based online outlets for this, do let me know in the comments.
photo via armchairfrance.com
Wisteria by Demeter goes where upscale fine fragrance doesn't go, who knows for what inexplicable reason: It creates the beautiful, utterly gorgeous scent of the mauve hanging grappes of wisteria (glycine), perched like bunches of decadent grapes over terraces, latticework and verandahs in early spring. A fusion of spicy goodness reveals itself from the core; a middle road between peppery twinkle, clovey note, and carnations, with a side of a somewhat oily green nuance reminiscent of hyacinth and lilacs. All these facets are surprisingly caught in Demeter's Wisteria, a soliflore that is lush and rich like the natural flower.
The scent starts a little alcoholic at first but the progression into an intense spicy floral is more than enough to compensate. Sadly presented only in Eau de Cologne, but with rather good lasting power nonetheless. If you like spicy florals, carnation scents or just love the mauve blossoms themselves, there are good chances you might like Wisteria by Demeter.
At 20$ for 1oz it is an unmissable bargain. If you know of European based online outlets for this, do let me know in the comments.
photo via armchairfrance.com
Sunday, April 24, 2011
Christos Anesti
The music piece "Christos Anesti" (Resurrection) is performed by Vangelis and sung by actress Irene Papas. Released as part of the 1986 Vangelis CD "Rapsodies". Music & lyrics based on the Greek-Orthodox easter hymn Christos Anesti ("Christ is Risen").
[Originally uploaded by Babylonianman on Youtube].
May you all feel a regeneration in your soul this spring!
The music piece "Christos Anesti" (Resurrection) is performed by Vangelis and sung by actress Irene Papas. Released as part of the 1986 Vangelis CD "Rapsodies". Music & lyrics based on the Greek-Orthodox easter hymn Christos Anesti ("Christ is Risen").
[Originally uploaded by Babylonianman on Youtube].
May you all feel a regeneration in your soul this spring!
Friday, April 22, 2011
The aromata of Greek Easter & a Recipe
It's no hyperbole to say there is no celebration more joyful, more optimistic, more heart-wrenching, in its way, in all of the Greek calendar (and it is already full of those) than Orthodox Easter. The awakening of spring, which sheds its pagan archetypes shining upon everything, is walking hand in hand with the tradition of a pious Christianity that is nevertheless smiling, instead of morose, and lenient, instead of boasting a stern Biblical face.
In the processions of the Holy Week, especially in the sunny, picturesque countryside and on the numerous islands, I can still witness the joie de vivre that can exist only in cultures that have been deprived for long; it is only then that people can appreciate the smalleest pleasures, the generosity of nature itself, the simple human contact that needs no social agenda whatsoever. Man is enjoying life, much like he did in the classical era, because he's not entirely convinced there will be a better one, even though the prospect of one delights his soul through the promise of spring's and Christ's resurgence. In Greece where the National Revolution also symbolically sprang along with the first throes of spring, resurgence takes on a loaded nuance: the soul fills with renewed courage for every hardship ahead.
The spring air is aromatized with fragrant effluvia from trees and plants, an intoxicating bouquet that is hard to forget: bigaradiers with orange blossoms in full bloom, bushes of lilacs (called Πασχαλιά/Pashalia in Greek because they bloom exactly during the month of April, when Pasha is celebrated), violets in deep shades but also stocks (Mathiola longipetala) with their spicy, skatole-rich, intense aroma. Dill, thyme, spearmint and humble chamomille are beginning to make the countryside smell like a giant pasture or one enormous kitchen herbs cabinet.
And of course food, glorious food: from red Easter eggs, which make households smell of vinegar and onion peel (traditionally used to "anchor" the dye on the hand-painted egg) as they're prepared on the eve of Good Friday, to the succulent, sweet, cardamom-laced Eastern bread which whets the appetite for the feast of Sunday.
Greek Easter is a Dionysian celebration...
The following recipe, characteristic of spring herbs and traditions in Greece, is of Tzeeyerosarmades/Τζιγεροσαρμάδες: Tzeeyeri means internal organs and is a Turkish word, metaphorically used as an affectionate term for children, as those come indeed from a mother's insides. Sarmas (pl. sarmades) is anything closed up in a small handful "pocket" container, a cook term that is quite usual in other recipes of the Mediterranean region as well.
The dish is cholesterol ahoy, full as it is with lamb organs and animal fat, but its aromatic bouquet of the herbs of Greek spring, dill, spearmint and fresh green onions, is mouthwatering. I suggest you accompany it with a good dry red. As it is a mainstay in our family's Eastern table, our usual coupling is with a tannin-rich full-bodied Xinomauro variety from where the recipe originates from: the northern extremeties of Greek soil, the plains of southern, Greek Macedonia.
Tzigerosarmades (Tzee-ye-ro-saMA-des) from Greek Macedonia
You will need for 6-8 persons:
the internal organs of 2 lambs (offal, but essentially liver, spleen, heart, lungs, kidneys and throughly cleansed~with a knitting needle~ intenstines; you might skip the intestines if it makes you uncomfrotable)
the peritonium of 2 lambs, removed by a skilled butcher with much care (you want it to be as uniformand unbroken as possible)
3 whole eggs, preferably free-range
1 egg yolk for smearing at the finish
1 dry onion, chopped in small pieces
3-4 bunches of "fresh green onions"/shallots with their stems
3/4 cup of Karolina rice (a variety used in "gemista" or substitute with parlboiled rice)
1 small bunch of fresh dill
1 small bunch of fresh spearmint
salt and pepper to taste
a couple of spoonfuls of extra virgin olive oil
Optional, to accompany the dish: a few potatoes for roasting and dry oregano, chopped garlic and lemon juice for the potatoes
1. Put the carefully cleansed intenstines, liver, spleen, lungs and kidneys of the lamb into boiling water and let them boil for a few minutes, until relatively firm.
2. Drain and chop finely (not bigger than a small hazelnut) all of it. Put aside.
3. Take a large, deep pan and put a couple of spoonfuls of extra virgin oil in it, over low fire. Put the two kinds of onions/shallots finely chopped in it. Put the finely chopped dill and spearmint as well. Stir for a little while until they become transparent.
4. Put the chopped livers etc., the rice, salt and pepper and let the mix cook on low stove until the rice is cooked thoroughly.
5. In the meantime, put the peritonium membrane in warm weather so it expands and softens and becomes pliable like an elastic membrane (which it is essentially). When ready, drain and open up on a clean surface. You want to cut pieces of it, as large as your palm or a small hankerchief.
6. Return to the pan and break the 3 eggs and stir gently. Leave it on the stove for a minute more, then withdraw.
7. You are now ready to fill the little "pieces" of the membrane. Put about a spoonful of the mix in each and gently close them with ends tucked on the underside. They should resemble round patties of about 8-10 cm circumference. Put one by one in a big ovenproof pan and very gently brush them with egg yolk diluted in a few drops of water (this will give a fine glaze!).
Optional step: If you want you might put some chopped potatoes around or in the middle, salted & peppered and sprinkled with chopped garlic, dried oregano and lemon juice; they accompany the dish just fine. They don't need any cooking oil, because the fat from the meat will nicely get into their flesh and make them "honied".
8. Roast the dish slowly in the oven at no more than 150C mark until the membrane has become golden and lightly crisp. If you have put potatoes in, the potatoes might need a bit more time to get done, so put a piece of aluminum foil over the tzeeyerosarmades in case they dry up too much in the process.
Serve hot with sprinkled lemon juice or accompany with strained Greek yoghurt, which provides the essential backdrop of something cool and tangy. Accompany with a good, dry red wine rich in tannins to cut the "fat" and possibly a fresh strawberry dessert that will cleanse the palate, toasting to the gods of Greek hospitality. And resist the urge to lick your fingers!
Photo of Spring in ancient Olympia in the Peloponnese, Greece by azbeen, via wooz.gr. Photo of sarmades via argiro.gr
In the processions of the Holy Week, especially in the sunny, picturesque countryside and on the numerous islands, I can still witness the joie de vivre that can exist only in cultures that have been deprived for long; it is only then that people can appreciate the smalleest pleasures, the generosity of nature itself, the simple human contact that needs no social agenda whatsoever. Man is enjoying life, much like he did in the classical era, because he's not entirely convinced there will be a better one, even though the prospect of one delights his soul through the promise of spring's and Christ's resurgence. In Greece where the National Revolution also symbolically sprang along with the first throes of spring, resurgence takes on a loaded nuance: the soul fills with renewed courage for every hardship ahead.
The spring air is aromatized with fragrant effluvia from trees and plants, an intoxicating bouquet that is hard to forget: bigaradiers with orange blossoms in full bloom, bushes of lilacs (called Πασχαλιά/Pashalia in Greek because they bloom exactly during the month of April, when Pasha is celebrated), violets in deep shades but also stocks (Mathiola longipetala) with their spicy, skatole-rich, intense aroma. Dill, thyme, spearmint and humble chamomille are beginning to make the countryside smell like a giant pasture or one enormous kitchen herbs cabinet.
And of course food, glorious food: from red Easter eggs, which make households smell of vinegar and onion peel (traditionally used to "anchor" the dye on the hand-painted egg) as they're prepared on the eve of Good Friday, to the succulent, sweet, cardamom-laced Eastern bread which whets the appetite for the feast of Sunday.
Greek Easter is a Dionysian celebration...
The following recipe, characteristic of spring herbs and traditions in Greece, is of Tzeeyerosarmades/Τζιγεροσαρμάδες: Tzeeyeri means internal organs and is a Turkish word, metaphorically used as an affectionate term for children, as those come indeed from a mother's insides. Sarmas (pl. sarmades) is anything closed up in a small handful "pocket" container, a cook term that is quite usual in other recipes of the Mediterranean region as well.
The dish is cholesterol ahoy, full as it is with lamb organs and animal fat, but its aromatic bouquet of the herbs of Greek spring, dill, spearmint and fresh green onions, is mouthwatering. I suggest you accompany it with a good dry red. As it is a mainstay in our family's Eastern table, our usual coupling is with a tannin-rich full-bodied Xinomauro variety from where the recipe originates from: the northern extremeties of Greek soil, the plains of southern, Greek Macedonia.
Tzigerosarmades (Tzee-ye-ro-saMA-des) from Greek Macedonia
You will need for 6-8 persons:
the internal organs of 2 lambs (offal, but essentially liver, spleen, heart, lungs, kidneys and throughly cleansed~with a knitting needle~ intenstines; you might skip the intestines if it makes you uncomfrotable)
the peritonium of 2 lambs, removed by a skilled butcher with much care (you want it to be as uniformand unbroken as possible)
3 whole eggs, preferably free-range
1 egg yolk for smearing at the finish
1 dry onion, chopped in small pieces
3-4 bunches of "fresh green onions"/shallots with their stems
3/4 cup of Karolina rice (a variety used in "gemista" or substitute with parlboiled rice)
1 small bunch of fresh dill
1 small bunch of fresh spearmint
salt and pepper to taste
a couple of spoonfuls of extra virgin olive oil
Optional, to accompany the dish: a few potatoes for roasting and dry oregano, chopped garlic and lemon juice for the potatoes
1. Put the carefully cleansed intenstines, liver, spleen, lungs and kidneys of the lamb into boiling water and let them boil for a few minutes, until relatively firm.
2. Drain and chop finely (not bigger than a small hazelnut) all of it. Put aside.
3. Take a large, deep pan and put a couple of spoonfuls of extra virgin oil in it, over low fire. Put the two kinds of onions/shallots finely chopped in it. Put the finely chopped dill and spearmint as well. Stir for a little while until they become transparent.
4. Put the chopped livers etc., the rice, salt and pepper and let the mix cook on low stove until the rice is cooked thoroughly.
5. In the meantime, put the peritonium membrane in warm weather so it expands and softens and becomes pliable like an elastic membrane (which it is essentially). When ready, drain and open up on a clean surface. You want to cut pieces of it, as large as your palm or a small hankerchief.
6. Return to the pan and break the 3 eggs and stir gently. Leave it on the stove for a minute more, then withdraw.
7. You are now ready to fill the little "pieces" of the membrane. Put about a spoonful of the mix in each and gently close them with ends tucked on the underside. They should resemble round patties of about 8-10 cm circumference. Put one by one in a big ovenproof pan and very gently brush them with egg yolk diluted in a few drops of water (this will give a fine glaze!).
Optional step: If you want you might put some chopped potatoes around or in the middle, salted & peppered and sprinkled with chopped garlic, dried oregano and lemon juice; they accompany the dish just fine. They don't need any cooking oil, because the fat from the meat will nicely get into their flesh and make them "honied".
8. Roast the dish slowly in the oven at no more than 150C mark until the membrane has become golden and lightly crisp. If you have put potatoes in, the potatoes might need a bit more time to get done, so put a piece of aluminum foil over the tzeeyerosarmades in case they dry up too much in the process.
Serve hot with sprinkled lemon juice or accompany with strained Greek yoghurt, which provides the essential backdrop of something cool and tangy. Accompany with a good, dry red wine rich in tannins to cut the "fat" and possibly a fresh strawberry dessert that will cleanse the palate, toasting to the gods of Greek hospitality. And resist the urge to lick your fingers!
Photo of Spring in ancient Olympia in the Peloponnese, Greece by azbeen, via wooz.gr. Photo of sarmades via argiro.gr
Thursday, April 21, 2011
Frederic Malle Lys Mediterranee: fragrance review
On Good Friday
weary I shuffle my steps,
at the weary light of day.
Lilies of spring I bring you
and lay upon your cross ~
tear-soaked friend,
First among the first.
~Nikos Gatsos, Days of Epitaph*
A different lily, a wearable lily
The astrigent and almost aqueous, saline opening of Lys Méditerranée in the Frédéric Malle Editions des Parfums line is highly surprising for those who have been accustomed to florist type lilies; crystalline and stark in their cellophane, premature mummies in dolled up sarcophagi, looking at you sterny and haughty, like stuffed owls out of Psycho. But wild lilies in the basin of the Mediterranean sea are routinely sprayed by the salty spray of the deep blue sea, gaining an overlay of odour that is reminiscent of cured meats, and of the contrast of sandpaper-like fresh roughness against the nose beside the intense, waxy petals spiciness.
Issued in 2000 and composed by legendary perfumer Edouard Fléchier, in my opinion Lys Méditerranée is definitely among the masterpieces in the line, as evidenced by my impressive finishing of a whole bottle of it during last spring and summer. It is an impressionistic composition capturing a moment in time and place perfectly: Easter lilies in all their rustic splendor, an affair of freshness and lushness entwined, a shady terrace on some villa on Patmos island or the boardwalk in Nice. Checking the fragrance notes, we know they got the paysage references right: lilies, salty water, angelica, lily of the valley and water lily, orange blossom even: Pure Med! White lilies were cultivated in ancient Crete and Greece, as evidenced by the frescoes in Knossos. The lily was revered by the Greeks as sprouting from the milk of Hera, queen of the gods.
Scent Profile
The ginger spiciness in Lys Méditerranée perks the nose, imbuing the lily bouquet with a convincing life-like chord, ginger lilies staying on throughout the arc of the linear composition; those who have an aversion to spice might find it too much, too floral but I'm not among them. There is a huge orange blossom note hidden in there and strong salicylates (naturally inherent in lily) which manage to imbue freshness rather than excessive floralcy.
The base exhibits a balance of muskiness, a very thin line between not quite clean and borderline carnal, without excessive sweetness or cheap tricks. In fact the delicately, musky-vanillic vegetal theme recalls to mind the feeling of Vanille Galante in the Hermessences collection, also heavy on the salicylates. The style is comparable, even though Lys projects as a higher octave overall and seems to include jasmolactones giving an almost gardenia-like greeness. Comparing it with another pure lily scent, Serge Lutens's angelic and sublimely creamy Un Lys, I find that Lys Méditerranée is more intense, shimmering with a less cherubic cheek; less vanillic, muskier, saltier, a tad rougher if you will. And despite the freshness it lasts and lasts.
What is it that makes this great fragrance largely unsung then? Pure programmatic association. Perfume lovers have developed a keen displeasure against "marine" notes, vexed by the catapulting chords used on mainstream perfumery which hammered us with artificial "freshness" for years on end ~before giving way to tooth-decaying sweetness, that is! Time to ditch it for once, this is seriously great work.
Notes for F.Malle Lys Méditerranée:
Top notes: sea water, lily of the valley and ginger
Middle notes: angelica, lily, orange blossom and lotus
Base notes: vanilla and musk
Available as eau de parfum by F.Malle on their official site and at Barneys.
*translation by Elena Vosnaki
Fashion photo shoot on Patmos island, Greece, by photographer Camilla Akrans for T Style magazine of the New York Times, Travel supplement summer 2009.
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