Niche brand Byredo is introducing Encens Chempur, an incense fragrance inspired by Hindu temples. Byredo already had a now hard-to-procure room spray and candle in Encens, reminiscent of Eastern and Southern European Orthodox churches. Now, they're introducing an Eau de Parfum fragrance for personal use that travels even more eastwards.
"Originally a picnic spot outside of Mumbai, Chembur is the place where Ben Gorham's mother was born and raised. Ben visited Chembur many times as a child and returned after almost 15 years to find the area developed. Lingering still, however, was the evocative incense from a Hindu temple".
Notes for Byredo Encens Chempur:
Top: Bergamot, lemon, elemi
Heart: Ginger, temple incense, nutmeg
Base: Labdanum, amber, musk
Available in 50ml Eau de Parfum bottles for 95 euros and 100ml for 140 euros. The line is complimented by a soap set (2x100gr) retailing at 35 euros, a 300ml body lotion (45 euros) and 300ml body wash (35 euros).
Info & purchase on the official Byredo site.
Tuesday, December 7, 2010
Thursday, December 2, 2010
Tauer Bottle Giveaway & Thoughts on Perfume Writing
Andy Tauer of Tauer Parfums is having his Advent Calendar again this year for the length of December, countring down till Christmas. For the occasion he has prepared an all-naturals, all botanical limited edition fragrance, Le Cologne du Maghreb {sic} and today Perfume Shrine is honoured to host the giveaway of one 50ml (1.7oz) bottle of it to anywhere in the world*!
It is a classical cologne, with a woody baseline chord, "a firework of natural citrus notes, exploding into expensive sparkles, on a background with ambreine and cedarwood from the Moroccan High Atlas".
Like all colognes it is not made to last but it is a fragrant joy, living in the moment, leaving you with the finest veil of woods on your skin.
Ingredients: Citrus essential oils and absolutes (such as lemon, bergamot, clementine, mandarine, grapefruit, orange blossom absolute, neroli oil), rose absolute and oil, cedarwood, ambrein, cistrose and much more.
What you need to do to be eligible? Simple: Answer the question which follows this post in the comments section.
So, on with today's post! Where I bemoan the proliferation of perfume venues lately, because I feel like a fool nowadays. (NB: I'm NOT only referring to blogs, but also and mainly fora, Facebook pages, corporate sites with a blog appearence, Livejournal journals etc).
Mind you, I'm not really complaining: First of all, mine goes from strength to strength judging by numbers; and numbers don't lie. Plus I distinctly recall when five years ago there were only a handful of venues and publications in English to really read about perfume, beyond advertorials (Those who read French nevertheless always had ample material to choose from; even though it often entailed cajoling the ears with pretty stories, it also involved delving into serious & acclaimed books on the subject). Contrast with today where one is spoilt for choice and can pick what they read and where they draw their info from at the flick of a finger on the keyboard. Which is good!!
Want a shopping & new releases site? You've got it. Want a webzine with lots of contributors offering their views? There's more than one around. You want all the press releases amassed & archived? There's a data bank at your call. You want history, chemistry, opinions on the industry? You're catered for. Is there sheer awe in you in front of a "difficult" perfume and secret joy at discovering one that draws compliments? Numerous fans are there to share their own experiences and to identify with. Are you a novice searching for answers to questions? Someone did the dirty work and compiled primers.
Yet -and this is the crux of the matter- sometimes it seems everyone and their hamster is keeping a perfume journal which they share with the world, no offense to hamsters. The initiative is understandable; a new hobby injects a certain enthusiasm. What is perhaps less apparent is that so very often the echo of information that has been perhaps erroneously transferred into pixels or 0 & 1 signs (whichever way you prefer to look at it) is getting transmitted all over the universe and beyond; if Nasa's data is anything to go by. Information flows and this flow sometimes gets in the way of fact. It's one thing to entertain a rumour -as long as it's clear it's such- and another to actually transmit it as the absolute truth. Legend becomes reality and you have well-intended people criticizing an artistic video commercial for No.5 negating the Süskind-inspired idea and missing the point entirely by saying straight-faced and with conviction that No.5 was chosen for a name because it was the 5th pick by Coco from a series of mods. Who knew, right? Not me, I wasn't there. Of course, one might argue that perfume always relied on mythos. In fact its very core is its escapist quality that allows us to dream. Still, how do you differentiate? Where do you draw the line? What do you pick? And who authorised one version of this myth and not another?
Another problem with having innumerable venues for discussing perfume is that inevitably the mind tires and the eye skims. I can only read so much on any given morning, first thing before I sip the kaymak off my Turkish coffee and get down to fine tuning the details for the day's lecture. If someone who is professionally accustomed to reading exceedingly fast can't read more than a handful of sites, how can the average perfume lover who might have a boss breathing down their neck or kids dragging them around? Additionally, how can anyone comment intelligently? Whereas in the beginning discussion was conducted through comments on perfume fora and the comment section of blogs making it easier to follow syllogism & reasoning, it now seems that the discussion is conducted via blogs & venues themselves: Instead of commenting on someone else's blog or someone else's thread on a forum, people begin their own venue (their own blog, Live Journal, Facebook page etc.) and converse via them. It's not the people or the usernames doing the back & forth; it's the web pages doing it. You need a detailed manual to wade through (not to mention people are reluctant to put links & quotes to make you understand what they're talking about) and I often feel plain silly not knowing the whole background of the discussion. This polyphony -and indeed contrapuntal style- is not necessarily a bad thing; on the contrary! But it risks getting bypassed due to a flummox of words each vying for individual attention.
What do you think? What do you seek when reading about perfume?
ETA: I only now (see what I mean?) just read a post by Brian on I Smell therefore I Am (snarky & witty at the same time) which I urge you to read on this link. Thought-provoking!!
*NB: The prize will be shipped by Tauer Perfumes in Switzerland directly to the winner. The company states: "We ship to the address given to us and do not contact the addressee afterwards, nor will we use the contact information for any other purpose than sending the prize, nor will we forward the address to anybody else".
DRAW is open till Sunday 5th Dec. midnight.
It is a classical cologne, with a woody baseline chord, "a firework of natural citrus notes, exploding into expensive sparkles, on a background with ambreine and cedarwood from the Moroccan High Atlas".
Like all colognes it is not made to last but it is a fragrant joy, living in the moment, leaving you with the finest veil of woods on your skin.
Ingredients: Citrus essential oils and absolutes (such as lemon, bergamot, clementine, mandarine, grapefruit, orange blossom absolute, neroli oil), rose absolute and oil, cedarwood, ambrein, cistrose and much more.
What you need to do to be eligible? Simple: Answer the question which follows this post in the comments section.
So, on with today's post! Where I bemoan the proliferation of perfume venues lately, because I feel like a fool nowadays. (NB: I'm NOT only referring to blogs, but also and mainly fora, Facebook pages, corporate sites with a blog appearence, Livejournal journals etc).
Mind you, I'm not really complaining: First of all, mine goes from strength to strength judging by numbers; and numbers don't lie. Plus I distinctly recall when five years ago there were only a handful of venues and publications in English to really read about perfume, beyond advertorials (Those who read French nevertheless always had ample material to choose from; even though it often entailed cajoling the ears with pretty stories, it also involved delving into serious & acclaimed books on the subject). Contrast with today where one is spoilt for choice and can pick what they read and where they draw their info from at the flick of a finger on the keyboard. Which is good!!
Want a shopping & new releases site? You've got it. Want a webzine with lots of contributors offering their views? There's more than one around. You want all the press releases amassed & archived? There's a data bank at your call. You want history, chemistry, opinions on the industry? You're catered for. Is there sheer awe in you in front of a "difficult" perfume and secret joy at discovering one that draws compliments? Numerous fans are there to share their own experiences and to identify with. Are you a novice searching for answers to questions? Someone did the dirty work and compiled primers.
Yet -and this is the crux of the matter- sometimes it seems everyone and their hamster is keeping a perfume journal which they share with the world, no offense to hamsters. The initiative is understandable; a new hobby injects a certain enthusiasm. What is perhaps less apparent is that so very often the echo of information that has been perhaps erroneously transferred into pixels or 0 & 1 signs (whichever way you prefer to look at it) is getting transmitted all over the universe and beyond; if Nasa's data is anything to go by. Information flows and this flow sometimes gets in the way of fact. It's one thing to entertain a rumour -as long as it's clear it's such- and another to actually transmit it as the absolute truth. Legend becomes reality and you have well-intended people criticizing an artistic video commercial for No.5 negating the Süskind-inspired idea and missing the point entirely by saying straight-faced and with conviction that No.5 was chosen for a name because it was the 5th pick by Coco from a series of mods. Who knew, right? Not me, I wasn't there. Of course, one might argue that perfume always relied on mythos. In fact its very core is its escapist quality that allows us to dream. Still, how do you differentiate? Where do you draw the line? What do you pick? And who authorised one version of this myth and not another?
Another problem with having innumerable venues for discussing perfume is that inevitably the mind tires and the eye skims. I can only read so much on any given morning, first thing before I sip the kaymak off my Turkish coffee and get down to fine tuning the details for the day's lecture. If someone who is professionally accustomed to reading exceedingly fast can't read more than a handful of sites, how can the average perfume lover who might have a boss breathing down their neck or kids dragging them around? Additionally, how can anyone comment intelligently? Whereas in the beginning discussion was conducted through comments on perfume fora and the comment section of blogs making it easier to follow syllogism & reasoning, it now seems that the discussion is conducted via blogs & venues themselves: Instead of commenting on someone else's blog or someone else's thread on a forum, people begin their own venue (their own blog, Live Journal, Facebook page etc.) and converse via them. It's not the people or the usernames doing the back & forth; it's the web pages doing it. You need a detailed manual to wade through (not to mention people are reluctant to put links & quotes to make you understand what they're talking about) and I often feel plain silly not knowing the whole background of the discussion. This polyphony -and indeed contrapuntal style- is not necessarily a bad thing; on the contrary! But it risks getting bypassed due to a flummox of words each vying for individual attention.
What do you think? What do you seek when reading about perfume?
ETA: I only now (see what I mean?) just read a post by Brian on I Smell therefore I Am (snarky & witty at the same time) which I urge you to read on this link. Thought-provoking!!
*NB: The prize will be shipped by Tauer Perfumes in Switzerland directly to the winner. The company states: "We ship to the address given to us and do not contact the addressee afterwards, nor will we use the contact information for any other purpose than sending the prize, nor will we forward the address to anybody else".
DRAW is open till Sunday 5th Dec. midnight.
Labels:
andy tauer,
blogging,
giveaway,
news
Ineke Gilded Lily: fragrance review
Ineke Rühland follows a nifty idea concerning her niche brand: an ABC of fragrance so to speak, each new scent named after the next-in-line initial letter. So after some of her earlier work (reviewed here) and last year's Field Notes from Paris (click here for review), the latest fragrance is called “Gilded Lily” after G.
According to the press info which we had announced a while back: "When Ineke read about the scent of the Goldband Lily of Japan (lilium auratum), she felt compelled to order a few for her garden to study their fragrance. This note became the heart of Gilded Lily.[...] Gilded Lily’s "fruity chypre" structure opens with sparkling top notes of pineapple and rhubarb followed by the goldband lily, and closes with patchouli, oakmoss and amber".
I admit that as far as I'm concerned, Gilded Lily doesn't conjure a fruity chypre in the manner of classic Femme, Diorama, or Mitsouko to my mind (or even a contemporary fruity chypre like Esteban's Modern Chypre, YSL Yvresse or Chypre Rouge by Lutens), but rather a rather unisex floral demi-fougère. The former are peachy-plummy symphonies of creamy millefeuilles and golden light getting deflected from a window pane at the 6th arrondissement on a bright autumn afternoon when chic tailleurs are thrown in haste on a heap on the parqueted floor and ties are used as impromptu blindfolds... Gilded Lily is a cool blonde walking the streets towards the museum of Modern Art in New York City, her arms getting goosebumbs from the cool air holding a white lily with frothings of retro greenish shaving cream on its heavy petals in a papier-mâché vase, a Magritte-worthy scene.
What I mean: Although advertised as a lily chypre fragrance, I get no big lily bouquet, the kind of thing that I was used to receiving while giving piano recitals in my university days. Those were engulfing, very floral-spicy affairs and ~if inhaled too much~ they tended to give a migraine, despite their uncontested beauty. Nor do I get the dark mossy autumnal forest floor that I associate most with chypres. Gilded Lily needs no gilding in fact, nor is it particularly embellished. It's neither sweet nor too floral, but rather after a short floral-fruity top note (which is NOT like most of the mainstream swill at stores right now, thank heavens!) goes straight for a woody liqueur-like clean patchouli drydown of modern proclivities which would have men notice it and claiming as their own, even though it's touted as a feminine.
After seven fragrances Ineke emerges as possessing a distinct style of her own, a sort of "signature", which one either loves or dislikes; there's no in-between. Gilded Lily is certainly very much within that style and shares elements with other creations of hers. Fans will be pleased and the rest would know what to expect.
Gilded Lily is available as Eau de Parfum and along with the rest of Ineke's line (After My Own Heart, Balmy Days & Sundays, Chemical Bonding, Derring-Do, Evening Edged in Gold and Field Notes from Paris) are sold worldwide at the stores listed on her website, http://www.ineke.com/
Painting Les Amants by René Magritte
According to the press info which we had announced a while back: "When Ineke read about the scent of the Goldband Lily of Japan (lilium auratum), she felt compelled to order a few for her garden to study their fragrance. This note became the heart of Gilded Lily.[...] Gilded Lily’s "fruity chypre" structure opens with sparkling top notes of pineapple and rhubarb followed by the goldband lily, and closes with patchouli, oakmoss and amber".
I admit that as far as I'm concerned, Gilded Lily doesn't conjure a fruity chypre in the manner of classic Femme, Diorama, or Mitsouko to my mind (or even a contemporary fruity chypre like Esteban's Modern Chypre, YSL Yvresse or Chypre Rouge by Lutens), but rather a rather unisex floral demi-fougère. The former are peachy-plummy symphonies of creamy millefeuilles and golden light getting deflected from a window pane at the 6th arrondissement on a bright autumn afternoon when chic tailleurs are thrown in haste on a heap on the parqueted floor and ties are used as impromptu blindfolds... Gilded Lily is a cool blonde walking the streets towards the museum of Modern Art in New York City, her arms getting goosebumbs from the cool air holding a white lily with frothings of retro greenish shaving cream on its heavy petals in a papier-mâché vase, a Magritte-worthy scene.
What I mean: Although advertised as a lily chypre fragrance, I get no big lily bouquet, the kind of thing that I was used to receiving while giving piano recitals in my university days. Those were engulfing, very floral-spicy affairs and ~if inhaled too much~ they tended to give a migraine, despite their uncontested beauty. Nor do I get the dark mossy autumnal forest floor that I associate most with chypres. Gilded Lily needs no gilding in fact, nor is it particularly embellished. It's neither sweet nor too floral, but rather after a short floral-fruity top note (which is NOT like most of the mainstream swill at stores right now, thank heavens!) goes straight for a woody liqueur-like clean patchouli drydown of modern proclivities which would have men notice it and claiming as their own, even though it's touted as a feminine.
After seven fragrances Ineke emerges as possessing a distinct style of her own, a sort of "signature", which one either loves or dislikes; there's no in-between. Gilded Lily is certainly very much within that style and shares elements with other creations of hers. Fans will be pleased and the rest would know what to expect.
Gilded Lily is available as Eau de Parfum and along with the rest of Ineke's line (After My Own Heart, Balmy Days & Sundays, Chemical Bonding, Derring-Do, Evening Edged in Gold and Field Notes from Paris) are sold worldwide at the stores listed on her website, http://www.ineke.com/
Painting Les Amants by René Magritte
Labels:
gilded lily,
ineke,
ineke ruhland,
lily,
patchouli,
review
Create Your Own Signature Perfume: NYC opportunity
Internationally renowned Italian Handbag, Shoe and Accessories Brand, FURLA, invites you to Create Your Own Signature Perfume with The Perfume Studio presented by Scenterprises Ltd.
Join them at their Madison Avenue Boutique for a 'scent-ertaining' evening. Take a 'Fragrance Journey' with Fragrance Expert, Sue Phillips, to learn about the mystery and magic of fragrance. The interactive, creative, fun workshop begins with a discovery of 18 exquisite blends from which you select 3 or 4 as your custom formula. You name your signature perfume and it will be decanted into a lovely designer-color spray of your choice packaged in a gift box along with a Certificate of Registration. Gift Certificates will also be available.
Sue Phillips, President of Scenterprises Ltd. and distributor of The Perfume Studio, is known for creating TIFFANY fragrance for their 150th Anniversary as well as fragrances for Burberrys, Trish McEvoy and many others.
When:
Thursday December 16, 2010 from 6:00 PM to 8:00 PM EST
Where:
The FURLA Boutique
598 Madison Avenue
New York, NY 10022
Map on this link.
Join them at their Madison Avenue Boutique for a 'scent-ertaining' evening. Take a 'Fragrance Journey' with Fragrance Expert, Sue Phillips, to learn about the mystery and magic of fragrance. The interactive, creative, fun workshop begins with a discovery of 18 exquisite blends from which you select 3 or 4 as your custom formula. You name your signature perfume and it will be decanted into a lovely designer-color spray of your choice packaged in a gift box along with a Certificate of Registration. Gift Certificates will also be available.
Sue Phillips, President of Scenterprises Ltd. and distributor of The Perfume Studio, is known for creating TIFFANY fragrance for their 150th Anniversary as well as fragrances for Burberrys, Trish McEvoy and many others.
When:
Thursday December 16, 2010 from 6:00 PM to 8:00 PM EST
Where:
The FURLA Boutique
598 Madison Avenue
New York, NY 10022
Map on this link.
The winners of the draw...
...for the Sartorial sample it is Isa while for the Anya's Garden bottles are Lavanya and Carrie Meredith. Congrats and please email me with a shipping address using the email contact in Profile or About page, stating the relevant perfume prize in the title of your email. I will personally send the Penhaligon's sample to the winner and will forward your data to the perfumer for the other perfumes.
Thanks everyone for the participation and prepare yourselves for a BIG giveaway of a full bottle of niche fragrance by a beloved brand tomorrow! (Stay tuned!)
Thanks everyone for the participation and prepare yourselves for a BIG giveaway of a full bottle of niche fragrance by a beloved brand tomorrow! (Stay tuned!)
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