Serge Lutens Boxeuses: fragrance review & draw

I wouldn't hesitate to think of the latest Paris exclusive fragrance by Lutens , going by the insolent name Boxeuses, as Féminité du Cuir instead. What do feminine pugilists (the true meaning of Boxeuses, pronounced box-EHz, in French) have to do with the delicate and mysterious affair of perfume? And why did Serge choose that name?

Plenty it appears and Lutens isn't one to go by conventional names anyway. This enigmatic woody leather is molded after a soft kid's leather glove that hits all the sweet spots for any ardent Lutens fan, that's why! After all French perfumery did arise through scented gloves, didn't it? Unlike the green fairy of Bas de Soie with the icy sensuality that demands kinky behaviour to unhinge itself, Boxeuses goes straight for the jugular, playing on the familiar, original codes of the Lutensian universe: violet-tinged woods, plummy fruits, somptuous spices...

To those who are intimately familiar with the Lutensian opus, Boxeuses can't fail but instantly remind them of Féminité du Bois and in fact the whole Bois series it spawned for the launch of Les Salons du Palais Royal back in 1992 (Bois de Violette, Bois et Fruits, Bois et Musc, Bois Oriental). Much like them, Boxeuses is full of the woody backdrop of Iso-E Super and violet methyl-ionones, plus a good dosage of plummy nuance redolent of Arabian desserts which perfumer Chris Sheldrake elevated beyond manière into Art. To those who are not, Boxeuses could be the love-child of a Cuir-de-Russie-type (notably Chanel's offering with its luxurious feel) due to the birch tar material anchoring it and Rochas Femme with its Prunol base; the latter in all its cuminy sexy glory, thank you very much. Of course the lineage might be de trop to mention: Féminité du Bois does owe some of its genius in the sexiness factor of Femme, but pushing the envelope further thanks to its sombre spiciness of cinnamon and cardamom which couple with woods reminiscent of a box of lead pencils; unheard of at the time.

If Cuir Mauresque (his other "leather" and this year's limited edition export of the Paris exclusives, scheduled for a late 2010 launch) recalls a "Peau d'Espagne" or Cuir Ottoman sensibility, Boxeuses is restrained enough in its opulence to be closer to a Cuir de Russie type or Tabac Blond (the pyrogenic coupling of acidulous notes and styrax with birch) and similarly genderless, despite the name. The leathery and spicy facets of Boxeuses come to the fore immediately, on one hand an anisic tinge recalling licorice and classic French perfumery, on another an incensy feel with cinnamic facets recalling Serge Noire. The sticky plum surfaces next, not sacharine but shaded with violet, rounding out the fragrance alongside smoky woods and milky soft musk with a smidge of dark cocoa, sustaining that impression with medium sillage for a long time.

To those forlorn, after the launch of Nuit de Cellophane, then L'Eau Serge Lutens and even of Bas de Soie, claiming Serge was "softening" and much like Alexander the Great allowing himself to adopt the customs & sensibilities of a completely foreign aesthetic, Boxeuses is a punch in the nose. Like Australian boxing film sensation Girlfight (2000) proclaimed, Lutens attained the unexpected through the most expected way: "Prove them wrong!"

For our readers, 5 samples of the exclusive Boxeuses will be given out of my own personal bottle. Tell us WHY this scent sings your name in the comments and I will pick 5 winners. (Draw is open till Friday 24th midnight).



Notes for Serge Lutens Boxeuses:
Birch tar, styrax, incense, spices, cade oil.

Serge Lutens Boxeuses forms part of the Paris exclusive line, available as 75ml of Eau de Parfum in the bell bottles. The packaging has been slightly changed (ever since the launch of Bas de Soie last July actually) and the bells are not sealed so as to protect contents from spillage and tampering. It retails for 120 euros at Les Salons du Palais Royal in Paris.
Related reading on Perfume Shrine: Serge Lutens reviews & news, the Leather Series

Photos of female boxers via the Hulton Archive. Photo of Lutens Boxeuses bottle © by Elena Vosnaki

Amouage & C.Chong at Bergdorf Goodman's

Christoper Chong, art director of ultra-luxury Oman-based niche brand Amouage, is making a personal appearance at Bergdorf Goodman's women's store at the perfume department in NYC on 30th September from 4 to 6 pm. The occasion is scheduled for the launch of Amouage Memoir pour Homme (man) and Memoir pour Femme (woman) duo of fragrances.
Read more on the upcoming Amouage Memoir fragrances here.
Bergdorf Goodman: 754 5th Ave, New York - (212) 753-7300
Call now for further inquiries.

Related reading on Perfume Shrine: Amouage house reviews & news

Sissel Tolaas: Smell Anarchist

The woman who has described herself saying "I’m a professional provocateur" gives an exclusive interview to Extrait.it at Pitti fragrance exhibition in Florence.

Lancome Tresor Diamant Noir: new precious bottle

To mark the 20th birthday of Trésor (issued in 1990 and fastly becoming an enduring best-seller), Lancôme is launching an exclusive, limited edition named Trésor Diamant Noir. The most precious stone of them all, the black diamond, was the inspiration for this anniversary bottle which looks like a faceted and polished black diamond which hides the ambery-coloured juice inside. The bottle neck is decorated with a ring of crystal and ebony black hematite. The box is pitch black and engraved. The fragrance inside remains the same.

Lancôme Trésor Diamant Noir will be available from October 2010 in only 20 bottles, exclusively at Lancome Institute with the price per bottle at 2000 euros ($2575).

photo bia luxurylaunches

Christophe Laudamiel on How Smell Works

How does our brain pick up scents? Fractally it seems and not even trained noses get everything at once. As acclaimed perfumer Christophe Laudamiel says:
"[Smell perception of fragrant molecules] is processed like patches, like facets. And even the best experts can smell only five to eight facets at a given time," explains Laudamiel during his Big Think interview. "For the brain to register a facet, you have to have at least several components for each facet which together are going to give this signature that then you will recognize as coffee. But you won't be able to recognize the different things that you would see in coffee. Some of them, if you take them one-by-one... smell like raw potato, another one is going to smell like smoke, another one like toasted bread, another one like earth, and et cetera." And goes on to add that when creating Aura for the Thierry Mugler coffret he composed for the issue of novel-adapting film "Perfume, Story of a Murderer", asked to recreate the scent of a virgin, "he focused on the scents of milky elements like rice and the soft and velvety scents of water lily and apricot skin. Of course, to add a little human je ne sais quoi to the fragrance, he also added an a few aldehydes, which helped to mimic the notes that our decomposing skin emits regularly".
Read the rest of the article on the Big Think link.


Pic from the film "Perfume, Story of a Murderer" via jdnightghobhadi/livjournal