A special edition of the classic Nina Ricci scent L'Air du Temps code-named Cristal d'Or is issued, 15 ml of pure parfum (ie.extrait de parfum), in a limited edition 2009, numbered.
The press release mentions "the original juice. We know otherwise...
Retail price 400 euros, launches October 2009 in time for Christmas gifts planning.
Pic via auparfum.com who has a wise commentary on the news (in French)
The Mona di Orio line is something like the Meet the Parents' (the Fockers that is) "inner circle of trust": You have to really give your whole before you get past the distrurbing opening to see what lies beneath. What you do past that point is up to you, but the journey there is full of apocalyptic awe and a few surprises.
Ravaged ~on an almost personal level~ by Turania, who apparently paid so little attention that they even misunderstood the very name (Carnation being the one which "blooms not in a flower bed but on a woman's cheeck"), one would have thought that the perfume's and the perfumer's fate seemed sealed to belong to the 9th circle of Dante's Inferno. Perhaps this is an eminent case of the adage "there's no such thing as bad publicity" and "say whatever you want about me as long as you spell my name right" because Mona di Orio not only sufaced victorious ~after a distribution problem~ and is referenced in a gazillion of publications, but she is also producing new perfumes and has participated to great aplomb in the recent Firenze Fragranza No.7 exhibition (Another independent perfumer, Andy Tauer was very appreciative and vocal about it, which is so graceful and so him).
Part of the initial triptych including Lux and Nuit Noire from 2006, Carnation is meant to evoke a tender embrace after a day spent in the sun and although it's a very individual scent and one that probably gets some getting used to (and no doubt some of you won't get used to it no matter what), I find myself most fascinated by its almost leathery impression, despite the description of it being a floriental. It is a par excellence musky fragrance on far drydown, both "dirty" and delicate, more than a little carnal, with mildly spicy accents on a bed of cream (provided by the floral notes). Mona dedicated it to Colette, a woman very attuned to cosmetic and fragrant preparations as well as the sensual world (Her Flower and Fruits book is a good companion). Carnation's beauty lies in its "flaws": The initial spicy accent (resulting from the giroflée, the plant that produces cloves) is just a tad medicinal, which combined with the woodier elements and the kid's-glue-like complimentary styrax produces an arresting impression of a dentist's office nurse with the wickedly smiling face of Béatrice Dalle, her gap between front teeth an ironic exclamation mark on the artistry of said doctor. The lasting power is very good, sillage is pleasantly there but non intruding and it should fit both sexes and most seasons (hold August).
Although Mona sat with Edmond Roudnitska, it is true that her style does not necessarily reflect the same aesthetic choices or sparseness of style. She even proclaims herself that the siren of Serge Lutens lured her into a different path of orientalia that diverted from the classic French mold, on which Roudnitska has put his final seal. Her Italian/Spanish heritage might have something to do with it. People who have met her in the flesh comment on her sparkling personality and struggling English, so it might not be so easy to translate her Damascene metamorphosis. To my mind, her imaginative Lux and of course Carnation present opposing impressions of the same coin: luminosity and crepuscular shadows, one after the other in quick succession and prove that a little exploring of her creations is highly recommended to all.
Carnation is presented in the trademark cork-top faceted flacon of Mona di Orio's line in Eau de Parfum and is available for purchase in the US at Spafumerie: 2nd Ave. and 48th st, NYC. Tel: 212 644-9525 Email: thespa@spafumerie2.com Fax: 212 644-9529 In Europe Les Senteurs in London carries the fragrance ~as of this minute~ both in store and online, as does Aus Liebe Zum Duft.
A new site for Idylle by Guerlain (with a chinoiserie rendition of "Singing in the Rain" at the background) has launched and it's carefully orchestrated to reveal facets of the new perfume and its conception. The in-house perfumer at Guerlain, Thierry Wasser, talks (with English subtitles) about the concept, the choice of notes (strong emphasis on the rose as per him) and the image chosen for the newest feminine fragrance for mainstream distribution by Guerlain,Idylle, fronted by Nora Amezeder. Watch Wasser on this link. Ora Ito, the designer behind the flacon in the shape of a gold drop, talks here. I have to admit that the site is beautifully constructed. Perhaps the most mischievous thing on it however is the invitation to play online and enter to win a day at La Maison Guerlain.
A girl: "How come we aren't doing all this stuff? Another girl: "We didn't know." ~from "The Strawberry Statement"
Long before "world wide peace" became the finishing note in the pouting mouths of aspiring beauty queens in pageants across the world it was something less cliché, more noble. I wasn't born in the 60s and only have that strangely appreciative feeling that later generations too will have for that romantically delusional and missteppingly optimistic decade (Historical research suggests things were much grimmer than populary thought of). Someone once said that the 1960s as an "idea" didn't really begin till May '68 (Paris May) and it ended in August '69 at the Summer of Love in Woodstock. I vividly remember watching The Strawberry Statement/ Strawberries and Blood (a 1970 film) on state-television as an impressionable teenager. Simon's tiny apartment worked as a time capsule in retrospect: the "2001: A space Odyssey" soundtrack, the Robert Kennedy photo on the wall, Neil Young's "Down by the River"... The (how ironic!) paean for peace by John Lennon at the final sit-in was waving like the rowing gestures of the quiet hero in my mind for months. Almost 40 years later it still has resonance. (It would take an even more touching, more nuanced film to lightly smudge the impressions in my mind: Johny Got his Gun...)
So what's an essentially political post doing in a perfume blog? But I have long opined that basically everything is political, more or less! Everything we do, the views we have, the actions we perform have impact and they make a difference: To us certainly, but also to the world. The very etymology of "political" comes from the Greek word πόλις which means city-state (the formation of choice in classical Greece) and in that concept the citizen is the one who forms the essence of the city ("it is men who stand as the walls of the city") and is keenly aware and participant in everything that surrounds his/her life, embodying the city and the world around spiritually. The ideal of participating in common affairs was simple yet wise: if the city/world goes well, so will the citizen!
On a related thread I was contacted a few days ago by independent artist and perfumer Roxana Villa, who has created a special fragrance for the International Peace Day: developed specifically to help raise funds for an annual worldwide telecast concert of Superstar musicians performing Sacred Music from the most mystical concert venues on the planet. The perfume is officially unnamed due to the squatting on words perpetuated in the fragrance industry these days...but the Peace sign dangling leaves little doubt; and it rang a bell.
Let's leave Roxana explain the concept in her own words: "This fragrance is very much like the concept music albums that came out in the 60's when the Peace movement became part of mass consciousness. This perfume began with the intention of supporting a friends vision to create a global chant for peace as a series of concerts in sacred sites all over the world. His vision has not yet manifested. I intend that this perfume will facilitate manifesting that vision, just as Q facilitates manifesting consciousness for the California coastal live oaks. The illustrated image, the illumination, was created by my husband Greg. He is an award winning visual artist who has worked both in illustration (Time, Sports Illustrated) and in film (Narnia, Golden Compass). We choose a shade of burgundy from my palette as the color harmony for this fragrance based on the pigments in the image".
The perfume was orchestrated like a symphony with three complex chords of base, middle and top notes. Each chord contains up to seven different essences which come from all parts of the world and what I personally get is an earthy floriental (with a delectable neroli and possibly petit-grain with coriander/ginger opening? Roxana didn't specify but it's piquant!) on a smooth, smoky tobacco-vanillic woods aftertaste (sandalwood? and probably also rosewood in the middle?). It consolidates my faith in Roxana's woody blends and seems like a great, sweet fit for moving into the autumnal season.
Perfume launches September 21st, the United Nations International Day of Peace. The fragrance will give a portion of the proceeds from each of the 7 gram liquid perfume flacons and solid compacts to the POE (Project Peace on Earth) organization to facilitate their vision of a global prayer concert for Peace. Join the celebrations for peace on the International Day of Peace link and learn about the non-profit project Peace on Earth here. The perfume will be available as a pure, perfume extract and a solid natural perfume unguent. Visit Illuminated Perfume for purchases and Roxana's Journal for a chance to win two liquid samples.
....for Magnolia Nobile is Olfacta! Please mail me with a shipping address so I can send this out to you to try out. Thanks to everyone who participated!
I will be announcing the winner of the naturals scents set too soon.
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Ravaged ~on an almost personal level~ by Turania, who apparently paid so little attention that they even misunderstood the very name (Carnation being the one which "blooms not in a flower bed but on a woman's cheeck"), one would have thought that the perfume's and the perfumer's fate seemed sealed to belong to the 9th circle of Dante's Inferno. Perhaps this is an eminent case of the adage "there's no such thing as bad publicity" and "say whatever you want about me as long as you spell my name right" because Mona di Orio not only sufaced victorious ~after a distribution problem~ and is referenced in a gazillion of publications, but she is also producing new perfumes and has participated to great aplomb in the recent Firenze Fragranza No.7 exhibition (Another independent perfumer, Andy Tauer was very appreciative and vocal about it, which is so graceful and so him).
Let's leave Roxana explain the concept in her own words: "This fragrance is very much like the concept music albums that came out in the 60's when the Peace movement became part of mass consciousness. This perfume began with the intention of supporting a friends vision to create a global chant for peace as a series of concerts in sacred sites all over the world. His vision has not yet manifested. I intend that this perfume will facilitate manifesting that vision, just as Q facilitates manifesting consciousness for the California coastal live oaks. The illustrated image, the illumination, was created by my husband Greg. He is an award winning visual artist who has worked both in illustration (Time, Sports Illustrated) and in film (Narnia, Golden Compass). We choose a shade of burgundy from my palette as the color harmony for this fragrance based on the pigments in the image".
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