The winner of the draw...

....for a deluxe Ubar sample is Lian! Please mail me with your particulars using the contact email in profile, so I can get this out in the mail for you soon.

Thank you all for your participation and stay tuned for the next one!

Who Wants to Gag the Blogosphere?

Today's post comes with a bitter aftertaste. It was with surprise and alarm that I was informed by Octavian Coifan, the blogger of 1000 fragrances, that his blog was reported to Blogger regarding his recent posts about the relationships and possible "borrowing" between the new Guerlain Idylle and Coty's previous work from 1922 of the same name.
Apparently the legal team at LVMH decided that the postings were too accusatory and decided to bring out the big guns, reporting said postings and demanding they're taken down; otherwise Octavian's account would get deleted by Blogger.
Octavian has posted about the incident and about his decision on his blog, but I wanted to bring some questions to you, hopefully igniting another stimulating discussion:

1.The function of reporting a blog on Blogger exists for the following reasons: pornographic content without prior warning (non applicable in this case), copyright infringement (non applicable in this case) and libel/defamation. It's the last bit that was considered applicable according to LVMH but non applicable according to my humble opinion and here's why. The Merriam Webster definition of libel states: "A written or oral defamatory statement or representation that conveys an unjustly unfavorable impression. A statement or representation published without just cause and tending to expose another to public contempt." Nota bene the "unjustly unfavorable" and "without just cause". But the thing is Octavian posted info and photos of the comparison! Besides Idylle by Coty is mentioned in Art & Fragrance Rapport Annuel 2007 as well as in Perfume Intelligence Encyclopedia. Therefore it's nothing new, it's in the public domain for long and he was the one connecting the dots. Does it transpire an adage of the "let sleeping dogs lie" nature? Is this a case of "all is well if no one points it out for others to see"??

2.Other people in the French blogosphere, such as Jeanne from auparfum.com and Mechant Loup of Olfactorum, had posted the preview of the new Idylle bottle and presentation before the original release (Grain de Musc reports the original source was Les Échos owned by LVMH! Stratégies, a business monthly) and were asked by mail to take them down, which they obligingly did {edit to correct: Mechant Loup just informed me that he had the picture taken down through no action of his own, apparently through direct intervention of Blogger itself!}. Octavian was more drastically met. Why is that? Did he go too far in his pointing out the shorcomings of recent LVMH offerings and general practices? It can be argued that he has also greatly contributed to the grandeur of the perception of Guerlain from the perfume-loving community with both his appraisals of older scents as well as newer ones. And the gravitas of the praise is exactly in place due to the existence of criticism where it's due!
Besides, how far is "too far"? And most importantly WHO decides on that last bit? As a Greek by birth, the place where democracy was originally conceived and founded, this is deeply scathing to my very ethos, to my very core. In times where E-democracy is manifesting itself, when the Internet and the blogosphere are viewed as a platform and delivery medium for tools that help to eliminate some of the distance constraints in direct democracy, this is deeply against the times and denotes lack of grasping of current sensibilities. Which brings me to my next question.

3.Who in their right minds thought that such an action was a sensible move in PR terms? The likeable madame Sylvaine Delacourte, artistic director of Guerlain, has been receiving lots of flack for the recent creations of the house (and I admit although I personally liked some, I didn't like all of them) but she was unaware of the Blogger intimidation and to her credit she has confirmed so publicly on Octavian's blog! Why is there such a lack of communication and handling within the firm? This makes a highly placed person feel like a puppet and all the rest of us like viewers of a train-wreck and I am sure she does not appreciate it, nor do we. This also shatters the wonderful prospects we have tried to establish between the blogosphere and the historic house, starting a dialogue in which for once we could be heard!
After all, brands do read us and since Guerlain recently copyrighted the name Loin du Tout just after our review (I am eagerly expecting Lancôme to follow with Kypre), then it means that we blogggers can provide some sort of direction even inadevertedly. Is it worth losing that?

4.What is most alarming is not that big firms have gone after bloggers. No, this has happened again with Pere de Pierre and some objection regarding the authoriship of Lutens fragrances; this has happened to The Non Blonde when she posted about receiving some intimidation from PR companies regarding a lipstick; and there is also the infamous incident of independent perfumer Liz Zorn and her scent name "Peace" objected to by Bond No.9 and their own copyrighted "Scent of Peace". What is most alarming is that it was Blogger involved, a Google platform that has happily catered to the lion's share of blogging writers who wanted to self-publish due to its ease, good infrastructure and free publishing status. Accepting grosso modo a complaint without some logical delay in fair evaluation of the reported blogger and his specific posts equates accepting the word of the behemoth (or anyone really) against the little guy. And this means that there is a shortcoming of democracy once again...I find that last part most devious, most obscure and ~aside any overdramatisation~ truly alarming!

Let me terminate in a very American parable: As Benjamin Franklin was exiting after writing the U.S. constitution, a woman asked him "Sir, what have you given us?"; he responded "A republic ma'am, if you can keep it".

If we can keep it...

Eau Flirt: Can a Perfume make you appear more attractive?

"Another Harvey Prince perfume, to be released this fall in Canada, claims to be able to make women more attractive to men. Called Eau Flirt, its formula is based on widely published studies conducted by neurologist Alan Hirsch at Chicago's Smell and Taste Treatment and Research Foundation. He measured penile blood flow in men in response to particular smells, and found the most effective combined the scents of lavender and pumpkin pie.
The press material for Eau Flirt describes its scent as a blend including "sweet and fruity top notes, floral and spicy middle notes, woods and musk bottom notes, combined with vanilla and pumpkin essences"--sort of the perfume version of pumpkin pie and lavender.
A third scent to launch in 2010 is called NYC 10021, the New York postal code of the rich and successful, a la Beverly Hills 90210. Ramani calls it "the sweet smell of success."
You can read the rest of the interesting article by Marta Gold on Canada.com here.

Might I remind you that Harvey Prince & Co. is the company which brought us Ageless Fantasy, the fragrance which purpotedly makes you be perceived as roughly 7 years younger; and wondoursly enough has people on the payroll checking blogs whenever it's mentioned and reply as "casual" commenters to its defense...(It's been done).

But the real question is: Is perfume merely an aspirational thing that like the proper shade of blond or the right size implants should make us conform to a "predigested" ideal of how we should be perceived? (Young, attractive, successful, whatever...). If it is truly a work of art, shouldn't it hold only aesthetic values and not be dumped down to pragmatic goals?
This is a major discussion and I am inviting you to share your views in the comments.

Crazy Libellule and the Poppies Les Garconnes: new fragrances

Crazylibellule and The Poppies, the company that brought out those cute solid perfumes in carton cases like lipstick is launching a new set of solid perfumes this July, also encased in similar packaging. The new line is an homage to fabulous ladies of the Roaring 20s, thus nicknamed Les Garçonnes (after the novel La Garçonne which ignited the "flapper" vogue). Although I would not venture to call them "proper perfume", they do present a fun and cute way of carrying around a scented little something in your bag without the risk of spilling or staining and their Encens Mystic was even worthy of being featured in my Incense Series, so it's got some pulling potential to be sure! And at $16.00 for 5gr they're very inexpensive.
"The freedom of the 1920's is the inspiration behind the universe of the brand’s new collection "Les Garçonnes". A modern ode to femininity and audacity and a few grammes of sensuality, these seven creations pay homage to the independent, seductive and positive women who changed their era: Joséphine, Gabrielle, Louise, Tamara, Jeanne, Rose and Pompon. Famous or beautiful strangers? Can you guess who they are?" (via press release)

The new Les Garconnes line from Crazy Libellule and the Poppies will include:

*Chère Louise ~ notes of hyacinth, rose, pepper, iris, saffron, patchouli and gaiac wood.

*Hommage à Gabrielle ~ notes of jasmine, peony, ozonic flower, cedar, incense, leather, vanilla and elemi.

*Pompon Gardenia ~ notes of lime, watermelon, lily of the valley, gardenia, amber, tobacco and heliotrope.

*Rose à Saïgon ~ notes of mango, rose, jasmine, gaiac wood, ylang ylang, passion fruit, vetiver and patchouli.

*Jeanne Voyage ~ notes of bergamot, mandarin, iris, musk, violet leaves, nutmeg, heliotrope, amber and rose.

*Joséphine Jonquille ~ notes of lemon, ginger, cardamom, tiare, jonquil, jasmine, patchouli and chocolate.

*Tamara Charleston ~ notes of peach, mandarin, fresh cut hay, absinthe, jasmine, lisylang (molecule by Robertet), gardenia and amber.

Check out the brand on the official Crazy Libelllule and the Poppies site. Available at Beautyhabit and B-glowing in the US.

Estee Lauder Private Collection Jasmine White Moss: fragrance review

Private Collection Jasmine White Moss will be the "closing chapter" of the Private Collection series which includes Tuberose Gardenia and Amber Ylang Ylang, a collection above and beyond the run-of-the-mill fragrances of the mainstream sector while at the same time remaining unintimidating and utterly modern in feel. The series managed to inject an upscale touch to the Lauder giant with its limited distribution and its ornamental bejeweled flacons & solids compacts, yet it is the essences hidden inside that prove it's still possible to produce quality jus in those days of rationing and dumping down of the market at large.

While Tuberose Gardenia went for a remarkably alive white floral with gardenia unfurling its waxy petals in front of your very eyes and Amber Ylang Ylang enhanced the familiar amber's unguent with soft lappings of powdery sexiness, Jasmine White Moss goes for the kill and proposes a nouveau chypre. Much maligned as a term that last bit might be however, the resurgence of the august family of chypre fragrances is a market fact: The mossy earthy bases (focused on vetiver & patchouli, often along with synthetic Evernyl, cedar and treemoss) in several fragrances launched in the last few years prove its durability as a genre, even in altered states. Estée Lauder herself seemed deeply enchanted with the abstract harmonies of the typical chypre formula, supervising several in her lifetime: Azurée (1969), Alliage ~also spelled Aliage for the US market~ (1972), Private Collection (1973) and Knowing (1988).

Now comes Jasmine White Moss: Inspired by the spirit of Estée (née Josephine Esther Mentzer) and categorized as a floral, green chypre, being the closest of the trio in terms of fragrance family ties to the original Private Collection. Aerin Lauder, supervisor of the new scent and depicted in a white jersey vintage Halston dress with a white flower in her hair in the print ads says:

“…there is a lot of Estée in this project. We chose the blue stone accents [of white jade, dark and light lapis, sodalite, black agate, mother-of-pearl and blue lace agate] because blue was her favorite color; a basket weave design on the cap, since that was one of her favorite textures; her signature is on the lower right side of the bottle, and of course the juice began as her project.”

According to official press: "Private Collection Jasmine White Moss began as Formula #546AQ— conceived by Estée alongside the International Flavors and Fragrances (IFF) team in June 1989. Never completed in her lifetime, it remained untouched in the IFF archives for decades, until Aerin decided to revisit the juice a year and a half ago". (source)

First of all it is refreshing to see that in an age when divulging has become synonymous with the ad serviendum demand of the buying public the Lauder team admits that all those Estée Lauder scents, which have made fortunes and have catapulted the American perfumery tradition like no other, have been harboured by labourers of the prestigious IFF company and not by Estée herself as was the myth for years (Despite that, it is undoubted that she had a discerning and tasteful veto on the creations herself; after all she ranks among the 20 most influential business geniuses of the 20th century). Indeed American perfumer Josephine Catapano, working with Ernest Shiftan, is the true creator of the mythical and trend-setting oriental Youth Dew (her other well-known creations include Fidji for Laroche and Norell's Norell, later sold to Revlon); she also paved the way for Belarussian by birth Sophia Grojsman who in turn composed several Lauder fragrances to great aplomb (White Linen, Beautiful, Spellbound)!

While Tuberose Gardenia was composed by Firmenich's Harry Fremont, the baton is taken again by IFF for Jasmine White Moss injecting the fragrance with a new material of which they are having the exclusive rights: "white moss mist". The ingredient is quite elegant and provides much of the success of the soft and refreshingly mossy composition. Let me mention in passing that White Moss is also the name of a 1997 Acca Kappa fragrance (Muschio Bianco, although muschio means musk in reality) as well as a L'erbolario fragrance by the same name. The "white moss" ingredient has been fearured in I am King by Sean John (another IFF fragrance) while IFF perfumers have also added it to Estée Lauder’s new Michael Kors limited-edition scent ~Island Capri (source). It is intriguing to contemplate that in this frame there is a hybrid of the Rosa Damascena family called Quatre Saisons Blanc Mousseux, which is known in English as 'Perpetual White Moss' or 'Rosier de Thionville'. Its inclusion seems plausible, especially given the background that reminds me of Chanel No.19 with its powdery rosy greenness, delicate petals amidst the emerald plush, and IFF's headspace technology.

Azurée and the original Private Collection provide the consanguinity. Yet while I had included the original Azurée (NB this is NOT the recent beachy Azurée Soleil) to my Big Bruisers article, as part of my Leather Series, and while Private Collection can be said to be another handsome powerhouse of strident proportions, Jasmine White Moss proves easier to wear than both even with a distinct late 60s-early 70s vibe. However her dainty foot is firmly placed in the modern Jimmy Choo peep-toe of a fiercely smart secretary rather than the classic Roger Vivier pump of the coiffed boss. The opening is nicely old-fashioned, perfumey, comprised of a non-indolic jasmine which oscilates between freshness and tonic dryness. Concerns about regulations to the use of jasmine or moss shouldn't concern: the wizardry at IFF suggests everything is possible with judicious use of small amounts of naturals alongside man-made essences. Its aura of mossy depth appears at once luxurious and reserved. Jasmine White Moss is soft without appearing meek, elegant without pretence and would be the perfect introduction to even wilder, bitter arpeggios for those willing to take the plunge. The gratification from the latter course would be even greater!

Notes for Private Collection Jasmine White Moss by Estée Lauder:
Top: mandarin, black currant bud absolute, galbanum and bergamot
Heart: jasmin sambac absolute (Aerin’s choice), jasmin India absolute (Estée’s choice), violet, orange flower absolute, orris and ylang-ylang
Bottom: patchouli heart absolute, vetiver and white moss mist (the latter is an ingredient exclusive to Lauder.)

Lauder's Private Collection White Moss is available as 30 and 75ml of Eau de Parfum, as 30ml extrait de parfum and as a solid in pendant. It will be featured in 260 U.S. specialty doors in July, including Saks Fifth Avenue, Neiman Marcus, Bloomingdale’s, Nordstrom and Bergdorf Goodman. Internationally, the scent will launch at Harrod’s in August. Testers have already appeared at Saks Fifth Avenue and Nordstorms for those willing to test it.

Related reading on Perfume Shrine: Jasmine Series, Chypres Series, Lauder reviews & news.

Photography by Guy Bourdin via Life Lounge