If the winter doldrums have taken their toll on your mood and it needs to be alleviated, we have a little cheering up for you: The director's cut of the new commercial for Christian Dior's Miss Dior Chérie fragrance in a high quality video-clip is here on Perfume Shrine for your delectation! Directed in a deliriously and infectiously happy mood by Sofia Coppola ~of "Lost in Translation" and "The Virgin Suicides" fame~ it features model Maryna Linchuk and the song "Moi Je Joue" (=me, I play) by Brigitte Bardot. One of the few Bardot hit-songs not written by Serge Gainsbourg by the way. (You can watch the original song with pics of Bardot here).
The super cute spring-like feel of traipsing through the cobblestone roads on a bike wearing a pastel dress makes me yearn for my spring break while the displayed macaroons in every shade of the rainbow with the Dior bottle as a comparable delicacy amongst them makes it hard to follow a strict dietary regimen (not that Maryna Linchuk needs it!). As if to consolidate the idea of whose designer house the fragrance is, we also get to watch Maryna trying on dresses in bright, upbeat hues in the Christian Dior couture house.
The balloons remind me of the airborne hot-air balloon in the commercial for Yves Saint Laurent Paris fragrance. Obviously Paris in the collective subconsious of cinematographers is tied to balloons! Let's hope not to air-headness (hot or otherwise) though, because it would be completely unjust. It's interesting to note that in this clip the Miss Dior Chérie bottle rests atop a 60s-styled issue of Vogue magazine on the dresser, its pedigree and artistic history a subtle allusion to the history of Dior's house as well. Even though the travesty of emblazoning a semi-old name (Miss Dior is the classic of classics perfume of Christian Dior) on a completely novel scent is confusing to the 9th degree, you have to admit!
The old school cinematography more than makes up for it, nevertheless, recalling a more colourful take on sixties New Wave French cinema making me almost close to revisiting the tooth-achingly sweet fruity floral of Miss Dior Chérie: Who said advertising is not an art-form?
Previous, less successful in my opinion, commercial clips for Miss Dior Chérie can be found here (with Reiley Keough) and here (a making of, with Lily Donalson).Notice a hair-colour pattern throughout? Just saying!
Related reading on Perfume Shrine: Advertising series, Christian Dior series.
Clip originally uploaded by aymarius on Youtube. Pics via fashionphotography.blogspot.com
Thursday, December 18, 2008
Christmas '08 Gifts Ideas part 2
We're just one week away from Christmas (how time flies!), so this is your last-minute guide to shop for gifts at the nick of time for those loved ones we want to see have a smile on their faces as they unwrap their packages or look into their stockings on the fireplace or even ourselves. (USPS guarantees that orders submitted today will make it on Christmas' Eve).
Since we have already posted ideas on perfumed gifts as well as a guide to help you through wading the shelves in stores in search of a fragrance gift. I thought today I might include some alterative ideas that do not focus on specific fragrances but do relate to olfaction and the pleasures of the nose.
Perfume books should be high on any perfumista's wishlist, so here are my two best recs: The Essence of Perfume by fragrance connoisseur Roja Dove; a coffee-table-sized book with lots of basic and not so basic info and luscious photographs to make you swoon. And Avery Gilbert's What the Nose Knows: The Science of Scent in Everyday Life; A scientific and fun exploration on how our sense of smell works, how we're being fooled and the unknown facts around olfaction you wished you knew when you started this hobby! You can read my review of Roja Dove's book and Avery Gilbert's book clicking the links.
Pampering for the body never hurt anyone and the holiday season presents its own stresses anyway. So this is the perfect time for a little mssage oil applied with long strokes (preferably by someone special): Weleda is an excellent German brand of high quality skincare products that are distributed through pharmacies. Their Wild Rose Body Oil is especially fragrant and luxurious, using the aromatheurapeutical properties of wild rose, the scent is fit for both sexes and the price is right. The ritual of powdering is a forgotten practice, but it's worth resurecting to embrace your inner Hollywood diva during the holiday season. It's also more economical than splurging for a new bottle of fragrance. Ladies, this classic Maja dusting powder by Spanish brand Mururgia is calling your name, while Coty Wild Musk powder is such a wonderful, inviting smell I wonder why it sits at the lower end of the market! Gentlemen will feel like their feet are featherlight by putting a little powder in Taylor of Old Bond Street Sandalwood before slipping on their socks.
What about a little flavourful something to help make something wonderful in the kitchen these holiday season or to offer when invited to a guest house? This Taste of Italy gift basket by Wine Country Gift Baskets won't break the bank and looks luscious: "Bring the tastes of Italy to any home or office with this hearty basket; contains everything needed for a great Italian meal. Start off with extra virgin gourmet olive oil, bread dipping herbs, roasted garlic bread mix, mozzarella crackers, mixed green and black olives, twice-baked roasted garlic crackers, cheese knife set and a bread dipping bowl. Rigatoni pasta and garlic pasta seasoning make up the main course while Lanzetti fruit candy and vanilla biscotti complete this authentic basket". I can't help thinking that the comparable Breakfast in Bed basket is especially indulgent for this holiday season when my weary self will need a little pampering...
If the History of Saffron article has raised your curiosity on this golden spice, might I suggest you get some for your cooking! Princesa de Minaya Saffron (Azafran) by LaTienda is whole stigmata of pure saffron to add to your rice pilaf or fish or to infuse as an aromatic beverage by itself or mixed with tea. Touch of India Saffron Spices mixes paprika, turmeric, coriander, red pepper, black pepper, cardamom, and saffron for dishes that promise to being an exotic flavour to your table this Christmas. There is a price level for every budget.
If cost is generally your concern (and whose isn't these days), yet you want the elusive luxury that truffles, those odorous mushrooms bring to your dishes, yet can't fork out the cash for it, do try a little truffle-aromatized oil instead: This Italian Extra Virgin Olive Oil is infused with white truffle to be used as a finishing touch on delicate dishes that demand an earthy touch and is just 12$! Take it as a gift to a host who loves to cook and you will have their heart (and invitations to subsequent dinners) for ever after.
And because culinary escapades on Perfume Shrine couldn't finish without quality chocolate and a touch of Greece, please take a look at this glorious Greek-founded chocolaterie, Leonidas, who produces Belgian-style chocolates in various flavours and shapes, filled with whatever your fancy desires. 1lb will set you back 34$ and several thousand calories behind your scheduled ratio, but it's sooooo worth it!
Have fun choosing your gifts!
Pics via Amazon.
Since we have already posted ideas on perfumed gifts as well as a guide to help you through wading the shelves in stores in search of a fragrance gift. I thought today I might include some alterative ideas that do not focus on specific fragrances but do relate to olfaction and the pleasures of the nose.
Perfume books should be high on any perfumista's wishlist, so here are my two best recs: The Essence of Perfume by fragrance connoisseur Roja Dove; a coffee-table-sized book with lots of basic and not so basic info and luscious photographs to make you swoon. And Avery Gilbert's What the Nose Knows: The Science of Scent in Everyday Life; A scientific and fun exploration on how our sense of smell works, how we're being fooled and the unknown facts around olfaction you wished you knew when you started this hobby! You can read my review of Roja Dove's book and Avery Gilbert's book clicking the links.
Pampering for the body never hurt anyone and the holiday season presents its own stresses anyway. So this is the perfect time for a little mssage oil applied with long strokes (preferably by someone special): Weleda is an excellent German brand of high quality skincare products that are distributed through pharmacies. Their Wild Rose Body Oil is especially fragrant and luxurious, using the aromatheurapeutical properties of wild rose, the scent is fit for both sexes and the price is right. The ritual of powdering is a forgotten practice, but it's worth resurecting to embrace your inner Hollywood diva during the holiday season. It's also more economical than splurging for a new bottle of fragrance. Ladies, this classic Maja dusting powder by Spanish brand Mururgia is calling your name, while Coty Wild Musk powder is such a wonderful, inviting smell I wonder why it sits at the lower end of the market! Gentlemen will feel like their feet are featherlight by putting a little powder in Taylor of Old Bond Street Sandalwood before slipping on their socks.
What about a little flavourful something to help make something wonderful in the kitchen these holiday season or to offer when invited to a guest house? This Taste of Italy gift basket by Wine Country Gift Baskets won't break the bank and looks luscious: "Bring the tastes of Italy to any home or office with this hearty basket; contains everything needed for a great Italian meal. Start off with extra virgin gourmet olive oil, bread dipping herbs, roasted garlic bread mix, mozzarella crackers, mixed green and black olives, twice-baked roasted garlic crackers, cheese knife set and a bread dipping bowl. Rigatoni pasta and garlic pasta seasoning make up the main course while Lanzetti fruit candy and vanilla biscotti complete this authentic basket". I can't help thinking that the comparable Breakfast in Bed basket is especially indulgent for this holiday season when my weary self will need a little pampering...
If the History of Saffron article has raised your curiosity on this golden spice, might I suggest you get some for your cooking! Princesa de Minaya Saffron (Azafran) by LaTienda is whole stigmata of pure saffron to add to your rice pilaf or fish or to infuse as an aromatic beverage by itself or mixed with tea. Touch of India Saffron Spices mixes paprika, turmeric, coriander, red pepper, black pepper, cardamom, and saffron for dishes that promise to being an exotic flavour to your table this Christmas. There is a price level for every budget.
If cost is generally your concern (and whose isn't these days), yet you want the elusive luxury that truffles, those odorous mushrooms bring to your dishes, yet can't fork out the cash for it, do try a little truffle-aromatized oil instead: This Italian Extra Virgin Olive Oil is infused with white truffle to be used as a finishing touch on delicate dishes that demand an earthy touch and is just 12$! Take it as a gift to a host who loves to cook and you will have their heart (and invitations to subsequent dinners) for ever after.
And because culinary escapades on Perfume Shrine couldn't finish without quality chocolate and a touch of Greece, please take a look at this glorious Greek-founded chocolaterie, Leonidas, who produces Belgian-style chocolates in various flavours and shapes, filled with whatever your fancy desires. 1lb will set you back 34$ and several thousand calories behind your scheduled ratio, but it's sooooo worth it!
Have fun choosing your gifts!
Pics via Amazon.
Wednesday, December 17, 2008
The Golden Sunshine of Saffron 1: The History
Saffron, ζαφορά, زَعْفَرَان ...However you decide to call it, the yellowish-red stigmata of saffron spice have mesmerised people and their imagination for millenia rendering it perhaps the costliest spice by weight in the world, its worth comparable to the gold-like hue it imparts to anything it touches. Prized for its contribution of both colour and flavour in food and drink (especially wine) as well as in the preparation of various unguents and cosmetics its history is lost back in civilizations lost under the ashes and the sand of long ago. The resourceful Cleopatra of Egypt used saffron in her warm bath for its colouring and cosmetic traits, but also before encounters with men, believing that saffron would give lovemaking more pleasure. Less venereally-predisposed people scattered saffron threads across beds and mixed into hot teas as a curative for bouts of melancholy. But what is this mysterious saffron spice and how did it became the stuff of legend, war and the coveted item of every connoiseur on the planet?
Saffron is nothing less than the three stigmata (Greek plural for stigma) of each saffron crocus blossom (Crocus sativus), a species of crocus of the Iridaceae family. The word originates from the 12th-century Old French term safran, which itself derives from the Latin safranum (The modern Italian zafferano and the Spanish azafrán comprise natural linguistic evolution). The Arabs called it aṣfar (أَصْفَر), which means "yellow," via the Persian paronymous zaʻfarān (زَعْفَرَان)and it was thus transported to the Greek as zafora/ζαφορά. The wild precursor of domesticated crocus was Crocus cartwrightianus, native in Crete, Greece, and it seems that human cultivators bred wild specimens selecting them for their long stigmata. The result was that a sterile mutant form, the afore mentioned Crocus sativus, emerged in late Bronze Age. The beauty of the Minoan frescoes in the Cretan palaces and the mansions at the nearby colony island of Santorini is a glimpse into a happy civilization that luxuriated in peace and harmony with nature. The "Saffron Gatherers" fresco appearing on the walls of Xeste 3 building (1600–1500 BC) at the Akrotiri site, Santorini, depicts women one with a shaved and dyed head, another with thick black curls in colourful robes that leave their whitechests free from constraint gathering saffron blossoms and stigmata for aromatizing and therapeutical purposes.
In the Minoan palace of Knossos, the famous Crocosyllektis/Κροκοσυλλέκτης (=saffron-gatherer) fresco of a blue monkey (erroneously re-assembled as a man by Sir Athur Evans, but later re-instated in its true form) reminds us how much vivid the cultivation was in people's consciousness. Another fresco on Santorini has a Goddess supervising the harvesting of saffron, her unerring eye intent on the gatherers, while a woman close by is trating her ailing foot with saffron. The volcanic eruption of Thera/Santorini buried the frescoes into ash for the safe-keeping of centuries to come, leaving legends recounting tales of brazen sailors embarking on perilous voyages to Soli in Cicilia in the hunt for saffron to use for ointments and perfumes. In one of the most tragic tales, reprised by Ovid in his Metamorphoses, the handsome youth Crocus sets out in pursuit of the nymph Smilax in the woods near Athens. But despite her initial interest, Smilax soon bores of him and transforms Crocus into a saffron crocus flower, the radiant stigmata the only manifestation of his virile and passionate desire for Smilax. It is therefore no coincidence that saffron was widely associated with professional courtesans, known in Greek as heterae/ἑταῖραι who used saffron for igniting passions. Even primitive mascara was coloured and aromatized with saffron to render eyelashes more alluring. The intense hay-like scent of saffron with its slightly metallic edge also made it a perfect deodoriser, prompting townsfolk in the island of Rhodes to wear pouches of the spice on their person in order to mask the presence of malodorous fellow citizens during outings to the theatre.
Saffron-based pigments were found in prehistoric paint used in 50,000 year-old cave art found in today's Iraq, leading us to believe that crocus was transported to other regions very far back. And although the Sumerians did not cultivate it but imported it from the West they did use saffron as an ingredient in their remedies and magical potions. The first written documentation in the Middle East happens in a 7th century BC Assyrian botanical reference compiled under Ashurbanipal while it famously makes its appearence in King Solomon's Song of Songs. Dye works operating in Sidon and Tyre used saffron baths to give a less intense purple (ie.regal) hue to royal pretenders and commoners, by bathing the garments in one infusion of πορφύρα (a sea urchin giving an intense red-purple dye) and two dips of saffron instead of the original three of the former for royals. Ancient Persians used it as both a drug and an aphrodisiac and when the Greek king Alexander the Great campaigned in Asia, he used Persian saffron in his infusions, rice, and baths, thus having his troops mimicking him (saffron was considered an excellent cure for battle wounds) and bringing saffron-bathing back to Greece after centuries.
Phoenicians, the dynamic uber-merchants of antiquity took it upon themselves to spread saffron to the edges of the Mediterranean: Perfumers in Rosetta and medicine-men in Gaza bought their product and thus Romans later on embraced saffron as a panacea: Stirred it into their wines, strewing it in halls and streets as potpourri, and makeing scented offering to their gods. Emperor Nero entered Rome stepping on saffron stigmata and petals along the streets (one would shudder to think of the sheer waste of energy and money in this), doctors used it in the famous Mithridatum (an anti-poison remedy created by legendary king Mithridates VI of Pontus, who thus became immune to poisons), while the wealthy classes daily bathed in saffron-infused water. Although according to Willard (2001) Roman colonists transported saffron to southern Gaul whent they settled there, resulting in extensive cultivation until 271AD whereupon Italy was invaded by barbarian hordes en masse, other researchers such as Goyns (1999) claim saffron returned to France either with 8th-century Moors or with the Avignon Papacy in the 14th century. Of course the 14th century was literally plagued by greater concerns: The Black Death, an epidemic of bubonic plague that cost Europe one third of its population, raised the demand for saffron-based medicine. Importation was done via Venetian and Genoan ships from southern and Mediterranean lands such as Rhodes, Greece. When one shipment of the precious essence was stolen a fourteen-week long "Saffron War" erupted! From then on saffron cultivation spread throughout Europe, arriving in Norfolk and Suffolk, Engalnd. Even a whole town was named after saffron: Saffron Walden in Essex, the prime trading epicentre for saffron. Yet the influx of more exotic spices such as chocolate, coffee, tea, and vanilla from newly contacted colonies caused European cultivation and usage of saffron to slowly decline. But histry is full of irony and as tobacco, chocolate and potatoes were imported from the Americas, saffron was brought to them when immigrant members of the Schwenkfelder Church left Europe with a trunk containing saffron corms resulting in increasing cultivations in the state of Pensylvannia, surviving even to our days.
Less concrete is the history of the expansion of saffron in the Far East, as contradicting accounts of Kasmir and China sources claim Persian transplantation of saffron via the invasion and colonization of Kashmir (It's interesting to note however that the traditional saffron-hued robes of Buddhist monks in India after Siddharta Gautama's demise are not actually dyed with saffron, but with less expensive turmeric, another spice). Eevn to this day, the 17.8 m monolith of Gomateshwara, dating to 978–993 AD, is anointed with saffron every 12 years by thousands of devotees as part of the Mahamastakabhisheka festival.
Other sources attribute saffron's introduction to China to Mongol invaders by way of Persia. On the other hand, saffron is mentioned in ancient Chinese medical texts, such as the Shennong Bencaojing pharmacopoeia, a tome dating from 200–300 BC. Traditionally attributed to the legendary Yan ("Fire") Emperor Shennong, it documents hundreds of phytochemical-based medical preparations. It's contradictory to what the Chinese themselves however say, when they give saffron a Kashmiri provenance in the 3rd century AD.
Whatever the edge between truth and legend is, the sunshine spice of saffron is a fascinating exploration into the very core of history's fiber.
Realted reading on Perfume Shrine: the Saffron Series
Fresco "Saffron Gatherers" from Akrotiti, Santorini and "Saffron-gatherer" from Knossos, Crete, courtesy of Wikimedia Commons.
Saffron is nothing less than the three stigmata (Greek plural for stigma) of each saffron crocus blossom (Crocus sativus), a species of crocus of the Iridaceae family. The word originates from the 12th-century Old French term safran, which itself derives from the Latin safranum (The modern Italian zafferano and the Spanish azafrán comprise natural linguistic evolution). The Arabs called it aṣfar (أَصْفَر), which means "yellow," via the Persian paronymous zaʻfarān (زَعْفَرَان)and it was thus transported to the Greek as zafora/ζαφορά. The wild precursor of domesticated crocus was Crocus cartwrightianus, native in Crete, Greece, and it seems that human cultivators bred wild specimens selecting them for their long stigmata. The result was that a sterile mutant form, the afore mentioned Crocus sativus, emerged in late Bronze Age. The beauty of the Minoan frescoes in the Cretan palaces and the mansions at the nearby colony island of Santorini is a glimpse into a happy civilization that luxuriated in peace and harmony with nature. The "Saffron Gatherers" fresco appearing on the walls of Xeste 3 building (1600–1500 BC) at the Akrotiri site, Santorini, depicts women one with a shaved and dyed head, another with thick black curls in colourful robes that leave their whitechests free from constraint gathering saffron blossoms and stigmata for aromatizing and therapeutical purposes.
In the Minoan palace of Knossos, the famous Crocosyllektis/Κροκοσυλλέκτης (=saffron-gatherer) fresco of a blue monkey (erroneously re-assembled as a man by Sir Athur Evans, but later re-instated in its true form) reminds us how much vivid the cultivation was in people's consciousness. Another fresco on Santorini has a Goddess supervising the harvesting of saffron, her unerring eye intent on the gatherers, while a woman close by is trating her ailing foot with saffron. The volcanic eruption of Thera/Santorini buried the frescoes into ash for the safe-keeping of centuries to come, leaving legends recounting tales of brazen sailors embarking on perilous voyages to Soli in Cicilia in the hunt for saffron to use for ointments and perfumes. In one of the most tragic tales, reprised by Ovid in his Metamorphoses, the handsome youth Crocus sets out in pursuit of the nymph Smilax in the woods near Athens. But despite her initial interest, Smilax soon bores of him and transforms Crocus into a saffron crocus flower, the radiant stigmata the only manifestation of his virile and passionate desire for Smilax. It is therefore no coincidence that saffron was widely associated with professional courtesans, known in Greek as heterae/ἑταῖραι who used saffron for igniting passions. Even primitive mascara was coloured and aromatized with saffron to render eyelashes more alluring. The intense hay-like scent of saffron with its slightly metallic edge also made it a perfect deodoriser, prompting townsfolk in the island of Rhodes to wear pouches of the spice on their person in order to mask the presence of malodorous fellow citizens during outings to the theatre.
Saffron-based pigments were found in prehistoric paint used in 50,000 year-old cave art found in today's Iraq, leading us to believe that crocus was transported to other regions very far back. And although the Sumerians did not cultivate it but imported it from the West they did use saffron as an ingredient in their remedies and magical potions. The first written documentation in the Middle East happens in a 7th century BC Assyrian botanical reference compiled under Ashurbanipal while it famously makes its appearence in King Solomon's Song of Songs. Dye works operating in Sidon and Tyre used saffron baths to give a less intense purple (ie.regal) hue to royal pretenders and commoners, by bathing the garments in one infusion of πορφύρα (a sea urchin giving an intense red-purple dye) and two dips of saffron instead of the original three of the former for royals. Ancient Persians used it as both a drug and an aphrodisiac and when the Greek king Alexander the Great campaigned in Asia, he used Persian saffron in his infusions, rice, and baths, thus having his troops mimicking him (saffron was considered an excellent cure for battle wounds) and bringing saffron-bathing back to Greece after centuries.
Phoenicians, the dynamic uber-merchants of antiquity took it upon themselves to spread saffron to the edges of the Mediterranean: Perfumers in Rosetta and medicine-men in Gaza bought their product and thus Romans later on embraced saffron as a panacea: Stirred it into their wines, strewing it in halls and streets as potpourri, and makeing scented offering to their gods. Emperor Nero entered Rome stepping on saffron stigmata and petals along the streets (one would shudder to think of the sheer waste of energy and money in this), doctors used it in the famous Mithridatum (an anti-poison remedy created by legendary king Mithridates VI of Pontus, who thus became immune to poisons), while the wealthy classes daily bathed in saffron-infused water. Although according to Willard (2001) Roman colonists transported saffron to southern Gaul whent they settled there, resulting in extensive cultivation until 271AD whereupon Italy was invaded by barbarian hordes en masse, other researchers such as Goyns (1999) claim saffron returned to France either with 8th-century Moors or with the Avignon Papacy in the 14th century. Of course the 14th century was literally plagued by greater concerns: The Black Death, an epidemic of bubonic plague that cost Europe one third of its population, raised the demand for saffron-based medicine. Importation was done via Venetian and Genoan ships from southern and Mediterranean lands such as Rhodes, Greece. When one shipment of the precious essence was stolen a fourteen-week long "Saffron War" erupted! From then on saffron cultivation spread throughout Europe, arriving in Norfolk and Suffolk, Engalnd. Even a whole town was named after saffron: Saffron Walden in Essex, the prime trading epicentre for saffron. Yet the influx of more exotic spices such as chocolate, coffee, tea, and vanilla from newly contacted colonies caused European cultivation and usage of saffron to slowly decline. But histry is full of irony and as tobacco, chocolate and potatoes were imported from the Americas, saffron was brought to them when immigrant members of the Schwenkfelder Church left Europe with a trunk containing saffron corms resulting in increasing cultivations in the state of Pensylvannia, surviving even to our days.
Less concrete is the history of the expansion of saffron in the Far East, as contradicting accounts of Kasmir and China sources claim Persian transplantation of saffron via the invasion and colonization of Kashmir (It's interesting to note however that the traditional saffron-hued robes of Buddhist monks in India after Siddharta Gautama's demise are not actually dyed with saffron, but with less expensive turmeric, another spice). Eevn to this day, the 17.8 m monolith of Gomateshwara, dating to 978–993 AD, is anointed with saffron every 12 years by thousands of devotees as part of the Mahamastakabhisheka festival.
Other sources attribute saffron's introduction to China to Mongol invaders by way of Persia. On the other hand, saffron is mentioned in ancient Chinese medical texts, such as the Shennong Bencaojing pharmacopoeia, a tome dating from 200–300 BC. Traditionally attributed to the legendary Yan ("Fire") Emperor Shennong, it documents hundreds of phytochemical-based medical preparations. It's contradictory to what the Chinese themselves however say, when they give saffron a Kashmiri provenance in the 3rd century AD.
Whatever the edge between truth and legend is, the sunshine spice of saffron is a fascinating exploration into the very core of history's fiber.
Realted reading on Perfume Shrine: the Saffron Series
Fresco "Saffron Gatherers" from Akrotiti, Santorini and "Saffron-gatherer" from Knossos, Crete, courtesy of Wikimedia Commons.
New Serge Lutens: Nuit de Cellophane (Night of Cellophane)
"Serge Lutens’ new fragrance, Nuit de Cellophane, will be launched in January 2009… Nothing is known as of yet about its composition – according to rumors, it could be based on the osmanthus blossom, whose apricot-suede facets are almost already a perfume in themselves. Is cellophane an allusion to transparence (which isn’t the predominant characteristic of lutensian compositions), or to the source of the material, wood (cellophane is manufactured with cellulose, the main constituent of wood)?" Thus muses Denyse Beaulieu who had the scoop.
What an intriguing and out there name, don't you agree? Cellophane is not exactly what one associates with fragrance, unless we're thinking of the outer packaging of course! Its allusion to the tactile is at odds with the olfactory, yet the protection of the cloak of the night being compared to a cellophane wrap that doesn't let anything out or anything in is poetic in its own terms. Cellophane was discovered by Dr Jacques Edwin Brandenberger, when the idea for a clear and protective packaging layer came to him in 1900, sourcing it via regenerated cellulose. Its low permeability to air, oils, grease, and bacteria is perhaps the reason why it evokes images of clinical austerity to our mind and why it's supremely fit for packaging food. Which poses another interesting question: Will Lutens use the concept to introduce an innovative gourmand that will juxtapose elements of woodiness to elements of culinary notes? Or will he eschew our preconceptions altogether to give a glimpse of osmanthus flowers through the diaphanous crispness of a protective -and rather fetishy- florist's crisp wrap?
Judging by his recent excellent releases, El Attarine and Serge Noire, the anticipation is high. This one looks to be an export fragrance too, judging by the time frame. We're only one month away from finding out for ourselves!
EDIT TO ADD on 12/11: Preliminary whiffs confirm it is indeed osmanthus-based, rather mainstream for a Lutens fragrance, beautiful and fresh. We will return with a full review as soon as sufficient quantity ends on our lap.
EDIT TO ADD on 2/11: Read my full review of Nuit de Cellophane clicking this link.
Thanks to my friend Denyse (Grain de musc) for the news.
Pic by Tim Walker for a Vogue shoot, courtesy of telegraph.co.uk.
What an intriguing and out there name, don't you agree? Cellophane is not exactly what one associates with fragrance, unless we're thinking of the outer packaging of course! Its allusion to the tactile is at odds with the olfactory, yet the protection of the cloak of the night being compared to a cellophane wrap that doesn't let anything out or anything in is poetic in its own terms. Cellophane was discovered by Dr Jacques Edwin Brandenberger, when the idea for a clear and protective packaging layer came to him in 1900, sourcing it via regenerated cellulose. Its low permeability to air, oils, grease, and bacteria is perhaps the reason why it evokes images of clinical austerity to our mind and why it's supremely fit for packaging food. Which poses another interesting question: Will Lutens use the concept to introduce an innovative gourmand that will juxtapose elements of woodiness to elements of culinary notes? Or will he eschew our preconceptions altogether to give a glimpse of osmanthus flowers through the diaphanous crispness of a protective -and rather fetishy- florist's crisp wrap?
Judging by his recent excellent releases, El Attarine and Serge Noire, the anticipation is high. This one looks to be an export fragrance too, judging by the time frame. We're only one month away from finding out for ourselves!
EDIT TO ADD on 12/11: Preliminary whiffs confirm it is indeed osmanthus-based, rather mainstream for a Lutens fragrance, beautiful and fresh. We will return with a full review as soon as sufficient quantity ends on our lap.
EDIT TO ADD on 2/11: Read my full review of Nuit de Cellophane clicking this link.
Thanks to my friend Denyse (Grain de musc) for the news.
Pic by Tim Walker for a Vogue shoot, courtesy of telegraph.co.uk.
Tuesday, December 16, 2008
Cuir Beluga by Guerlain: fragrance review
"Beluga" in most people’s minds is tied to caviar associations, the richest and costliest variety actually, yet not the one on top of every gourmet’s list who often go for Sevruga with its more delicate, less fatty taste and smaller dark beads.
I was therefore surprised to find out that apart from Guerlain's exclusive fragrance Cuir Béluga , the name also refers to a species of small whale (Delphinapterus leucas) that is almost white in colour and completely endearing to watch. Beluga after all is white in Russian! The full name of course hints at some terrible cruelty that would have Brigitte Bardot up in arms, and justifiably so.
However no whale hide is necessary for the production of this scent and there is no other leather smell discernible to me or anyone else either. The chemical ingredient isobutyl quinoline that is most often used to render such a note is hard to miss, due to its bombastic character that has the ability to obliterate other scents. Even in Shalimar, the quinolines are there, under the plush. Thus, Cuir Béluga resembles a trompe l’oeil, the artistic effect of visually hinting at something that isn’t actually there; or even the manner of painter Magritte and his way of making us think in a completely different way than usual.
Created by Olivier Polge, son of famous Chanel nose Jacques Polge, the man who created such commercially successful numbers as Coco Mademoiselle and Allure, it promised the innovation and dare of a person who is young and willing to take a risk; the stance of someone who has artistic freedom to do as he pleases. However, regarding Cuir Béluga a risk it certainly does not take.
The Guerlain brief says about it: "A fragrance suggesting the absolute, contemporary luxury of leather. An initial burst of aldehydic mandarin orange, strengthened by everlasting flowers/immortelle contributes a luminosity all its own, then merges into deeper, sophisticated notes of leather, amber, heliotrope and vanilla".
The immortelle note, often compared to fenugreek, is nowhere near the omnipresence found in Annick Goutal’s Sables , the intense Middle Estern reference of El Attarine or even in the much tamer L de Lolita Lempicka. The hard, craggy Mediterranean beach cannot survive in the pedigreed salons of Paris, that’s understood. But neither is amber particularly present, never managing to make a full appearance on the dry down phase, making the composition somewhat linear.
Starting and finishing with a lullaby of soft suede-soft vanilla, with elements of slight bittersweet taste that is the heliotrope note echoing the minimalist composition of Eau d’hiver by Frederic Malle or Etro’s Heliotrope (but less sweet), it resembles the classic Hans Christian Andersen tale of the girl who sold matches: she glimpses the warmth of the rich house with the garlanded Christmas tree and the table full of delicacies, but it’s only behind the cold pane of glass. Never in my life have I smelled such an aloof vanilla. Although it has a very pleasant effect and is undoubtedly a delectable smell that would never become suffocating and heavy like many vanillic perfumes inadvertently do, it somehow cannot justify the cachet of exclusivity when it could just as easily sit on the shelf of a less exclusive store making gigantic sales by its lovely inoffensiveness. Wish it were widely available!
Notes for Cuir Beluga by Guerlain:
immortelle (everlasting flower), leather, amber, vanilla, mandarin, heliotrope
Cuir Béluga forms part of the L'Art et la Matière line sold exclusively at boutiques Guerlain and the Guerlain espace at Begdrof Goodman, in tall architectural bottles with the name on the side in a wide golden "band" and an optional bulb atomiser included (My advice on those is not to leave them attached on the bottle as they allow evaporation of the juice).
Related reading on Perfumeshrine: the Guerlain series, the Leather Series
Painting A couple by Fernando Botero via art.com. Pic of Beluga whale via wikimedia. Pic of bottles via Guerlain.
I was therefore surprised to find out that apart from Guerlain's exclusive fragrance Cuir Béluga , the name also refers to a species of small whale (Delphinapterus leucas) that is almost white in colour and completely endearing to watch. Beluga after all is white in Russian! The full name of course hints at some terrible cruelty that would have Brigitte Bardot up in arms, and justifiably so.
However no whale hide is necessary for the production of this scent and there is no other leather smell discernible to me or anyone else either. The chemical ingredient isobutyl quinoline that is most often used to render such a note is hard to miss, due to its bombastic character that has the ability to obliterate other scents. Even in Shalimar, the quinolines are there, under the plush. Thus, Cuir Béluga resembles a trompe l’oeil, the artistic effect of visually hinting at something that isn’t actually there; or even the manner of painter Magritte and his way of making us think in a completely different way than usual.
Created by Olivier Polge, son of famous Chanel nose Jacques Polge, the man who created such commercially successful numbers as Coco Mademoiselle and Allure, it promised the innovation and dare of a person who is young and willing to take a risk; the stance of someone who has artistic freedom to do as he pleases. However, regarding Cuir Béluga a risk it certainly does not take.
The Guerlain brief says about it: "A fragrance suggesting the absolute, contemporary luxury of leather. An initial burst of aldehydic mandarin orange, strengthened by everlasting flowers/immortelle contributes a luminosity all its own, then merges into deeper, sophisticated notes of leather, amber, heliotrope and vanilla".
The immortelle note, often compared to fenugreek, is nowhere near the omnipresence found in Annick Goutal’s Sables , the intense Middle Estern reference of El Attarine or even in the much tamer L de Lolita Lempicka. The hard, craggy Mediterranean beach cannot survive in the pedigreed salons of Paris, that’s understood. But neither is amber particularly present, never managing to make a full appearance on the dry down phase, making the composition somewhat linear.
Starting and finishing with a lullaby of soft suede-soft vanilla, with elements of slight bittersweet taste that is the heliotrope note echoing the minimalist composition of Eau d’hiver by Frederic Malle or Etro’s Heliotrope (but less sweet), it resembles the classic Hans Christian Andersen tale of the girl who sold matches: she glimpses the warmth of the rich house with the garlanded Christmas tree and the table full of delicacies, but it’s only behind the cold pane of glass. Never in my life have I smelled such an aloof vanilla. Although it has a very pleasant effect and is undoubtedly a delectable smell that would never become suffocating and heavy like many vanillic perfumes inadvertently do, it somehow cannot justify the cachet of exclusivity when it could just as easily sit on the shelf of a less exclusive store making gigantic sales by its lovely inoffensiveness. Wish it were widely available!
Notes for Cuir Beluga by Guerlain:
immortelle (everlasting flower), leather, amber, vanilla, mandarin, heliotrope
Cuir Béluga forms part of the L'Art et la Matière line sold exclusively at boutiques Guerlain and the Guerlain espace at Begdrof Goodman, in tall architectural bottles with the name on the side in a wide golden "band" and an optional bulb atomiser included (My advice on those is not to leave them attached on the bottle as they allow evaporation of the juice).
Related reading on Perfumeshrine: the Guerlain series, the Leather Series
Painting A couple by Fernando Botero via art.com. Pic of Beluga whale via wikimedia. Pic of bottles via Guerlain.
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