Orange Blossom week: part 2 - sexy aromas

What is it that links orange blossom to sexy aromas? Many of the interpretations of this note in perfumery take advantage of the naturally lush and sexual aroma of the blossoms and in our investigation of this subject we have come up against many interesting tidbits of information that might help elucidate why and how.

The use of perfume as an enhancement and not concealement of genitalia and hormone odours has been in practice till ancient times. It was the knowledgable ancient Egyptian women who used Kyphi rolled in miniscule balls, placed in the vulva. They also used amber mixes and civet. The Hindus also used the smell of female genitalia as a classification point for women, in which no one is left unappareciated. In Shakespeare's times it was common for men and women to offer apples to the object of their affection that had been saturated in the sweat of the armpit. That was meant to be a signification of desire and perhaps an early attempt at judging whether the prospective lover's pheromones would intermingle well with their sensibilities.
In the Memoirs of Casanova, we come across an observation that there is a hidden something in the air of a lover's bedroom that would make it very easy to choose between it and Heaven itself. So much is the infatuation that a beloved's body produces in the soul. And on that note who can forget the infamous epistle of Napoléon to Joséphine when he passionately wrote to her: "Je réviens en trois jours; ne te lave pas!" (I return in three days, don't wash yourself)
Anais Nin and Henry Miller were no strangers to the alchemical nature of the odorata sexualis of a lover that can be enhanced by perfume and Nin's personal choice of Caron's Narcisse Noir (a fragrance rich in orange blossom)and Guerlain's Mitsouko shows an appreciation for blends that enhance a person's natural sexual aroma. Beaudelaire, Flaubert (who kept the mittens of his mistress on a drawer for sniffing purposes), Goethe and Reiner Maria Rilke are also literature figures that occupied themselves with the fragrant nature of seduction.
Even in our more pedestrian times the allure of the erotic has been used to great effect in advertising. From Schocking by Schiaparelli to Ambre Sultan by Lutens to Boudoir by Westwood, many perfumes have claimed to capture in fragrant droplets the odorata sexualis of a woman for seduction purposes. Last olfactory example of this being Tom Ford' attempt at it when he proclaimed that his last fragrance Black Orchid was supposed to smell of a man's crotch. I think not, but hey, you have been warned!

Of course like a plethora of things in life much of the effect of something relies on context. Meaning that leaving youself unwashed would not shill your charms to potential lovers necessarily if some particular smell is not pleasant to them or the sweat is rank. It all has to do with delicate proportion and adjustment. In a fascinating experiment by Paul Jellineck, recounted in Essence and Alchemy, people had been asked to smell versions of well-known frags such as Quelques Fleurs by Houbigant and a traditional eau de Cologne with and without the addition of neroli. In the former case the neroli just mingled with the other floral substances adding a fresh note and balancing them, whereas in the latter it seemed sultry and rich and therefore erotically nuanced. This goes to show that although there is a clear cut path to lust and sexuality, eroticism in perfume as in any other area is complex and subtle, dependent on context and associations that need a delicate hand in placing them there.

So how orange blossom is linked to all these exciting observations? Let me shock you a bit in case you were unaware of the fact. Orange Blossom (as well as jasmine) is filled with the fascinating indole.
According to Encyclopedia Brittanica:

Indole, also called Benzopyrrole, is a heterocyclic organic compound occurring in some flower oils, such as jasmine and orange blossom, in coal tar, and in fecal matter. It is used in perfumery and in making tryptophan, an essential amino acid, and indoleacetic acid (heteroauxin), a hormone that promotes the development of roots in plant cuttings. First isolated in 1866, it has the molecular formula C8H7N.

It is this base ingredient that is so abundant in white florals -among them orange blossom to a moderate degree- that apparently gives a nod to the human aspect of our existence and reminds us of our primeval objects in life: to have sex and procreate. In this context it is no accident that orange blossom is traditionally used in wedding wreaths, as discussed yesterday.
Therefore if a catcall to carnality is your objective, yet you want to go about it more discreetly than resorting to civet (the pungent extract of the anal glands of a species of the Viverridae shaped like a small fox and native to Abysinnia, Java, Borneo, Sumatra and Bengal and farmed in Ethiopia for perfume purposes), orange blossom can be a Heaven sent destined to confine you in the abyss of Hell.

For this purpose there is no better choice than the rich, sultry, lush and totally feminine with a capital F Fleurs d'oranger by Serge Lutens. Luckily a part of the export line, but also available in a beautiful bell jar in the exclusive Palais Royal for Shiseido line of scents, it is the essence of classy sexiness captured in a bottle. Like a woman of mature wiles sitting under an orange grove contemplating serious romance and seduction it is multi-nuanced with precious essences of white jasmine and indian tuberose that enhance the indolic aspect to magnificent proportions, laced with the sprinkle of fiery spice like cumin and nutmeg rolled in tangy citrus peel, all the while exuding aromas of muskiness and floralncy in alrernative overlappings like the tongue of a skillful lover. The inclusion of rose and hibiscus seeds consolidates the velours aspect of a base that never really leaves the skin, reminding you of happy romance even after it is just a distant memory in the farthest corners of your mind.


Next post will tackle another aspect of orange blossom.

Art photography by Spyros Panayiotopoulos, courtesy of eikastikon.gr

Orange blossom week: part 1- true renditions

Orange blossom is one of the most usual floral notes used in perfumery and its glorious slightly fruity, sweet and pervasing yet fresh scent has been brandishing its charms in traditional colognes and eaux de toilette for centuries.
Although an unmistakably floral in tone aroma it does hint of the fruit to come in a very elegant way that aromachemicals cannot mimic satisfactorily.

The word "orange" comes from Sanskrit "narang" or Tamil "naraththai". Another theory pertains that it is tied to a Dravidian root meaning "fragrant".
Oranges originated in southeast Asia in fact which is not unrelated to etymology (in India, Vietnam or southern China). The fruit of Citrus sinensis is called sweet orange to distinguish it from Citrus aurantium, the bitter orange.
Some languages have different words for the bitter and the sweet orange, and one of them is indeed Modern Greek which differentiates bettween bitter (nerantzi) and sweet (portokali which derives from Portuguese). The reason for these differences is that the sweet orange was brought from China to Europe during the 14th century for the first time by the Portuguese. For the same reason, some languages refer to it by "Applesin" meaning "Apple from China".
It is common to come across mentions of "arancia" or "arancio" ~deriving from latin~ on perfume bottles in italian as well as "zagara", "naranja" in spanish while in hebrew the name is "Zohar", also reflected in the portugeuse language.


Bitter orange is trully the pig of perfumery as it gives us so many aromatics for perfumes: the essential oil of the blossom, the heady and viscous absolute from the flowers that is rendered through a solvent extraction, cool neroli from a different method of manipulation of the flowers (distillation) that gives an aroma that is tangier, slightly more bitter and thus a little more atsringent and fresher, bitter orange oil from the rind of the fruit with its sweet-bitter scent, and the more masculine in tone, greener petit-grain from the distillation of twigs and leaves.

Orange blossom absolute is a miracle to behold both in terms of cost and its elusiveness. Some can even smell rank if not of the proper quality and only the real, quality thing can be the heady touch that turns heads and makes you weak in the knees as if catching a whiff of it passing a sunny orange grove in April.
The includion of orange blossom is de riguer in many oriental mixes, although its role is not limited to those: it features as a protagomist in many eau de colognes along with its sidekick neroli as well as in chypres and elegant florals.
Termed a white floral for its small white, slightly waxy petals, it is one of the loveliest blossoms to adorn a homemade bouquet and it has long been the state flower of Florida. The blossom is also emblematic of Riverside in California, famous for its Navel or Washington variety of oranges.
It is traditionally associated with good fortune and for that reason it was popular in bridal bouquets and head wreaths for weddings for some time. Even now in Greece and the Mediterranean it is customary for wedding taking place in villages or by the sea to adorn the head of the bride with simple small blossoms, which is very becoming especially on the naturally darker hair of those women. Folk songs have been composed drawing parallels between the bushy, fragrant head of a bitter orange tree with the head of a lovely lady.
The petals of orange blossom can also be made into a delicately citrus-scented version of rosewater, called "anthonero" (flower water). Orange blossom water is a common part of Middle Eastern and Mediterranean cuisine and it features in both sauces and in pastries. One such is the famous kourambiedes, an Easter and Christmas cookie that is made with rich butter and crushed almonds, rolled into dust sugar and gloriously eaten with coffee after meals. You can see a recipe for them here.
Orange blossom honey is a variation of honey that is not unusual in those areas of the world either: it is produced by putting beehives in the citrus groves during bloom, useful for agriulture as well as it pollinates seeded citrus varieties. Orange Blossom honey is highly prized for its peculiar, delicate like orange taste that differentiates it from aromatic honeys from thyme blossoms or pines.
Orange blossom even gives its touristic nickname to the Costa del Azahar ("Orange-blossom coast") in Valencia, a place that provides lots of orange fruit throughout Europe.

Starting our exploration of orange blossom, we focus on the more realistic interpretations of this heady and fresh note as attested by the following fragrances:
Fleur d'oranger by L'artisan Perfumer, Jo Malone Orange blossom Côté Bastide Fleurs d'oranger and I profumi di Firenze Zagara.
All of them explore the fresher, tarter aspect of the note, in various degrees and nuances.

The golden standard is indeed Fleur d'oranger by L'artisan parfumeur, based on a single harvest of Nabel in Tunisia, in 2004 and basing its exclusive and unfortunately very ephemeral success on the quality of that exceptional crops that yielded its sweet and light aromas into the embrace of a master perfumer such as Anne Flipo (who was responsible for Verte Violette and La Chasse aux papillons in the L'artisan stable of thoroughbreds).
It launched in 2005 for a very limited number of bottles for a very costly price, encased in a wooden box like a vintage of precious wine. And it is indeed precious in its single-minded loveliness that wraps you in cool cotton sheets of luminosity and joy. Its crystalline appearence shimmers in the light like a precious Baccarat ornament and it enslaves you upon testing as the truest soliflore on orange blossom created. Although light in tone it has good tenacity which adds to its charms. It is a pity that when the distribution ends there will be no more...

Jo Malone's Orange Blossom is a sweeter rendition which lacks the crystalline aspect of L'artisan, however it is quite close to the actual blossom and is very realistic, denoting a high percentage of natural essences used. The opening is a but fruiter and has a hint of the zest but it soon develops into the white floral that is so beloved by people of the South. The marriage of clementine leaves (a comparable species) and water lilies gives a limpidity and airiness that transports this into sunny climates and white clothing paired with silver jewels worn on a casual walk. It is unaffected, elegant and very popular in Greece, proving to be the bestseller of Jo Malone's line during the warmer months according to my sources in the company.

Zagara by I Profumi di Firenze is a citrusy gregarious thing based on the tart and cool elegance of bergamot that segues into notes of the white flower restraining the sweetness and injecting happiness and joy. It is deliriously happy and cheerful and it can be relied upon to lift spirits and rejuvenate on hot days.

Côté Bastide's Fleurs d'oranger rendition is also exceptionally true and light with a hint of citrus and green tonalities that lend a slight bitter edge that is again reminsicent of the living tree and the surrounding air. It is its greatest strength and its stamp of approval. Eminently wearable in summer and highly recommended for stuffy offices and homes.


Next post will tackle a different interpretation of the orange blossom note.

Painting "Man in Hat" by greek painter Nicolaos Lytras courtesy of allposters.com.

Eau de Star by T.Mugler: fragrance review

When a fragrance has been instrumental to producing a spawn of successors that try to emulate or imitate or at least to bear a passing affinity with, you know you’re in the presence of greatness and innovation, even if said fragrance is such a powerhouse as to produce feelings of either love or hate.
Angel by Thierry Mugler is such a fragrance: polarizing, powerful, combustible, sensual, decadent, even a little bitchy on certain individuals.
Its exclusively synthetic nature exploring facets of airy notes such as hedione and helional coupled with the hay of coumarin, the bitterness of chocolate and patchouli and the deviousness of caspirene was paramount to it becoming an instant sensation that rocked the perfume world when it came out in 1992 in an era of limpid, watery creations of which L’eau d’Issey was the contestant with the greater pull. It took a while, yet Angel prevailed, introducing a whole new category of scents, the gourmands: oriental scents that rely on foody notes to evoke images of childhood and comfort or a playful sensuality a la 9 ½ weeeks that interjects food into sexual play.
It is no accident that it is le numero 1 in sales in France, capital of perfume in the world, even giving a jolt at the ribs to the classic Chanel no.5 with its iconic status.

The new Eau de Star is the latest feminine addition to formidable stable of Mugler, after the latest exploration of tinkering with the original formula in the forms of Garden of Stars, a collection of four exquisite bottles topped with a star with an angular point in various shades exploring the addition of a floral note to the singularly floral-less original Angel. Violet, Lys, Pivoine and Rose were the chosen blossoms and the results ranged from the almost pareil (Violet) to the friendlier and cozier cousin coming to visit for the holidays (Pivoine). Although the bottles were gorgeous as is always the case with the Mugler enterprise, none of the scents moved me enough to buy a new bottle for my collection, especially since I already had invested in the acquisition of the lovely Innocent: a softer take on Angel with the patchouli toned down and sugared almonds and meringues surfacing on an unexpected marriage of true minds lost in an everlasting reverie.
Incidentally, the Star association is not something out of the blue (pun intended) either. Mugler has considered stars his lucky charms ever since his first foray into designing those alien-like women with the sharp shoulder pads in the 1980s which had crimson lips and slashed lined eyes like amazones from Galactica. He wears the star symbol himself as a tattoo and a signature ring. However the lucky charm practice is not unheard of in the greater design world, from Christian Dior who put a lily of the valley blossom on every hem of couture to Coco Chanel who chose the number 5 as the one to signify her foray into perfumed business to coincide with her launching her couture on 5 May(fifth month)upon that fateful year of no.5's introduction.

Eau de Star comes now to make me re-consider whether I should purchase another one of that franchise of which Innocent has captured my heart for cozy and frolicky soirees. I haven't decided yet, as I think it merits more sampling first which I am planning to do in due time.
Not a limited edition, but a firm addition, to be followed by the complimentary Icemen for discerning males, Eau de Star is built around the word eau, aqua, water….The addition of such a word to something like Angel sounds like an oxymoron, as the denseness of the latter does not recall any body of the former in anyone’s mind. Yet the creative mind behind this new fragrance, namely
Louise Turner at Quest, managed to combine the limpidness of watery, aquatic notes -which usually make me shudder- with a floral heart and sensual patchouli base that is not the same as Angel yet retains a passing kindred spirit.
The fragrance begins on a tart and crystalline note of fruit that is intermingled with fresh notes like those used to render cucumber aromas in such scents as En Passant by Olivia Giacobetti for F.Malle. Although this might sound scary to perfume lovers of serious and deep perfumes, especially those who focus on classics, I assure you it is not something to make anyone run for the hills trying to catch their breath; on the contrary it makes for a sparkly, pleasant effect that upon spraying the new scent on my skin in the space of a couple of minutes two different individuals stopped and turned swiftly and asked me with some impatience what was that gorgeous scent I was wearing. (I call this a success. Don’t you?)
The succeeding stages do not disappoint, as the progression is to something vaguely floral coupled with unmistakable orientalised effluviums of patchouli and vanilla that manage not to become overwhelming but linger seductively with a sensuality that is reminiscent of the cuddly dry down phase of Innocent.
However the new scent is like neither, but holds its own ground. A flanker maybe (a term denoting the succeeding perfumes that capitalize on the success of one original scent), yet an individual creation that could be worn in warmer weather when Angel and Innocent do not often make one welcome in mixed company. A lighter, aqueous interpretation of a gourmand theme.

The bottle is a heavy glass affair of three sides with the signature star etched on the front, topped with a silver geometrical cap bearing the logo of the brand.
Eau de Star comes in Eau de toilette concentration in 25 and 50ml and a refillable bottle of 50ml (1.7oz)retailing at 41.8, 61.5 and 71.5 euros respectively.
Available at French Sephora and across Europe with plans to be introduced to the US later on alongside the masculine new scent Icemen (of which I will report later on).

The line is also accompanied by a transparent lipgloss that is called Gloss Lèvres Délicieuses (=delicious lips), perfumed with the notes of Eau de Star and encased in a rectangular tube with wand, retailing at 15.90 for 4.5ml at French Sephora. I haven’t tried this one yet, but if one is truly enamored with the scent I guess having it under one’s nose would provide their fix admirably.



Pic of bottle courtesy of Elle.fr and of gloss courtesy of Sephora.fr

Fragrant news: new Frédéric Malle scent

The following exciting info comes from Osmoz.com:

In May, Fréderic Malle will be launching a new fragrance designed by perfumer Pierre Bourdon and christened "French Lover". Frédéric Malle’s original idea was to create a fuller-bodied version of the scent Angéliques sous la Pluie. But the creator and the perfumer soon went beyond that concept to come up with a sophisticated men’s scent, ‘super-sensual, but not trashy.’ The ingredients include dazzling green notes of pimento and galbanum, iris, cedar, trimofix, angelica, frankincense and vetiver. Mosses, musks, ambroxan and karanal bestow ‘a kind of plant-based animal quality that immediately evoked the smell of a man’ [for the creators]. 1.7 fl. oz.: €90; 3.4 fl. oz.: €135.

Please note that this the third one in the line that will be named with an english name after Lipstick Rose and Carnal Flower.
Ambroxin is a synthetic amber note, while trimofix is a fixative with ambergris, mossy and vetiver-like tonalities and the karanal aromachemical has a woody ambery tone.

Sounds exciting and wily!

Pillow of flowers by A.Martinez: fragrance review

To encounter perfumes that are vaguely inspired by masterful creations is one thing. To actually sample them to find out that they have a wonderful character of their own is another and it was that latter pleasant discovery that enthralled me recently when I sampled the latest creation by Armando Martinez, a fledging Nevada niche perfumer who is working with a great appreciation for the classics of long ago in his heart and a steady hand in dosage and composing in his creations. Since here at Perfume Shrine we like to give everyone talented an opportunity to get their message across and not just those who send out press releases and free bottles for the plucking, it was only natural that our interest was piqued by his newest release.
His first scent Maquillage which had been duly reviewed here on Perfume Shrine some time ago was a very successful rendition of that elusive and glamorous girly stuff that we put on our faces (and decadent décolletage sometimes) face powder: the old fashioned kind in the exquisitely gilded compacts applied with the great puffs of swan down in great big gusts like silver screen sirens used to. The imagery of a modern day Veronica Lake or Jean Harlow in her boudoir powdering herself was evoked by the delicate rosy undertone of Maquillage luring us into glimpsing the hidden aspect of the feminine mystique at its scheming stages.
Now comes Pillow of Flowers to evoke a less conniving aspect of the feminine process, none the less alluring though and with an added peel of complexity to make us delve a little deeper into Armando’s Martinez psyche and unearth images of glamorous ladies that have impressed him with their elegance and élan.

Armando admits that the inspiration behind Pillow of Flowers was the great aldehydic fragrance by Ernest Beaux, that Russian émigré working for Chanel, no.22.
An aldehyde is an organic compound containing a terminal carbonyl group, i.e., a O=CH- group attached to hydrogen or a carbon chain. This functional group, which consists of a carbon atom bonded to a hydrogen atom and double-bonded to an oxygen atom (chemical formula -CHO), is called the aldehyde group. They basically appear as strings of Carbon atoms that are named after the amount of the latter they contain.
Since they are organic matter, organic material may have them such as plants and in fact many do. But the aldehydes in perfumery are manufactured, in the lab. They were among the first synthetic ingredients used, most notably in the iconic Chanel no.5. Those with an interest in them can read more clicking here and here.

Chanel No22 shines like a lustrous moonstone with a touch of platinum mounting, illuminating the night with its mysterious and uplifting qualities and transporting the wearer to an era of flappers wearing long strings of pearls and bobbing their hair a la Fitzerald.

With such an ambitious prototype Armando put all his art into weaving chiffon-like textures into the manipulation of white florals such as jasmine, orchid, ylang ylang and tuberose along with the opulence of various kinds of rose (damascena and centifolia) and cassie (acacia farnesiana, that yellow pom-pom blossom) rendering a rich impression of being buried in an armload of blossoms. Synthesized notes of lilac and lily of the valley are also present, following the freshness of initial top note of bergamot and neroli (which do not appear flamboyantly but instead quickly leave the limelight to the real protagonists, the florals). The whole is lucidly balanced and supported by a lingering sparkling base containing aldehyde C11, an unusual touch in the base of a fragrance, contrary to the common perception that aldehydes are only top notes adding fizz like the bubbles of Veuve Cliquot; just a hint since it is quite a potent smell by itself. Armando is using his restrained hand to instil just a smidgeon, paired with the lightest touch of frankincense, which accounts for a retro feel that is eminently admirable without ever smelling obsolete. A clean element like French triple-milled soap is also responsible for the light feel it gives upon drying down which adds to the beauty of the whole, featuring light notes of vanilla and opoponax.
The slightly powdery bases that Armando Martinez uses are always soft and cuddly and remind one of the comfort of soft materials worn on bare flesh. This one lingers quite seductively without losing its core message which is one of nostalgia for a bygone era of great style.
In a market inundated with same old same old, this fragrance is cutting a quiet dash with its mesmerising elegance and its satiny façade that reveals the woman behind the perfume and not the other way around.
I am very eager to try out everything new this wunderkid is trying to accomplish next and wish him success upon his forthcoming presentation in premier site First in Fragrance.

The Pillow of Flowers fragrance notes are:
neroli, bergamot, jasmine, tuberose, roses (multi-varieties), lily of the valley, lilac, orchid, cassie, vanilla, vetiver, frankincense, opoponax and aldehydes (the magical component of the creation).

This scent comes in a 2 ounces (60ml) size Eau de Parfum spray bottle, lovingly put together for you upon request.

Purchase price: $65.00 a bottle
Perfumes by Armando Martinez can be purchased or sampled by contacting him through his blog Parfums d'Armando Martinez or by mailing him at mandocmartinez@yahoo.com.

I am sure you will be in for a great pleasant surprise. I assure you that no one will be smelling quite as lovely as you will.

Pic comes from film "Pillowtalk" with Doris Day.