The new print ads for Chanel No.5 with its latest face are starting to spread over the glossies. Audrey Tautou, the French actress who stars as the young Gabrielle Chanel herself in the film "Coco before Chanel", of which we talked in detail here, divulged: “The feature film enabled me to learn a lot more about Coco Chanel. She was an innovator, ahead of her era. The fact that she created a fragrance in the 1920s that could just as easily have been created yesterday reflects the standard of excellence that applied to everything she did in her life. By playing Coco and getting to know her, I understood, even more, just how unique N°5 really is.”
The film commercial for No.5 with Tautou has been a resounding success ( Watch it here if you haven't yet). Can the new print ad compete with the previous representations? It all depends...
In discussing the visual style of the advertisement with my collaborator AlbertCan, we zeroed in the shots of Krzysztof Kieslowski's flou artistique in "La double vie de Veronique" (1991). The other references are there too if we take into consideration the commercial for No.5: The window pane, the missing element, the deja vu impressions, even the beauty ideal that Audrey Tautou and Irène Jacob both represent (not implying they're doppelgänger): elfin, dark, delicate but thoughtful. After all, as I had written in the past (scroll for "Perfumes in Dialogue with One Another"), there is a thing called intertextuality, which is none the less brightly running through the course of perfumery and the visual arts that accompany it.
The focal point in La double vie de Veronique was the existential question of free will or fate. Without resorting to such elaborate and antithetical to the premise of luxurious abandon that perfume should evoke, isn't Chanel No.5 winking at us through its commercials and advertisments, as well as their egeries, that there is a reason behind every choice we make and the choice has but one name, that of Chanel?
Audrey Tautou redefines the new path that the Chanel No.5 woman is travelling, a younger, less haute and less poised one ~away from the couture of Kidman or the world-wise beauty of Deneuve. Alone, with the inner reflection of herself, a point of departure for a journey to the inner side, the one which wants to be reunited with the past and the future. Her eyes, looking at us through the hazy contours of the window reflection, seem to speak to us of the above. The luxury we have come to expect from Chanel is there, in the form of the diamond starfish hanging from Audrey's neck, but her tousled hair, the emblematic little black dress taking an almost casual air on her and her expressive mien, speak of an effort on the part of the new direction of Chanel to speak in a language that is audible to a new clientele. This new introspection is the reflexes of a quick-pulsed team who monitor the recessive perfume market and are replying by a more modest but perhaps also more esoteric approach to the visualisation of what in essence is but a dream...that of perfume!
And perhaps to further the thought that cinematically started my musings "Each of us is matched somewhere in the world, by our exact double - someone who shares our thoughts and dreams". Perhaps one of you is that someone who shares those thoughts and dreams through No.5?
Pics frill.com and thestylophile.blogspot.com
Showing posts with label audrey tautou. Show all posts
Showing posts with label audrey tautou. Show all posts
Sunday, October 4, 2009
Tuesday, May 5, 2009
She Spoke about Perfume in a Very Unconventional Way
The Chanel commercial we have been waiting and commenting on previously is finally here, the magic enfolding aboard the Orient Express en route to Istanbul. Directed by Jean-Pierre Jeunet, starring French actress Audrey Tautou and mole model Travis Davenport on the soundtrack of Billie Holiday's "Im a fool to want you".
Please be sure to check out the official link of Chanel as well as it presents the back-story and the details on the making of as well as commentary by Taurou and Jeunet.
According to the director Jean-Pierre Jeunet:
"I've always loved night trains and their magic: its the perfect opportunity to create an encounter in suspended time. I really liked the idea of a woman meeting a man. They both think about each other, but continue on with their own lives, left with the regret that they didn't make contact with the other person. I love to play with destiny and coincidences... I knew that the story would revolve around the mesmerizing effect of the scent in the womans wake. We had to give voice to the intangible."
Excellently done and we will return with another Chanel post with commentary very soon!! In the meantime, you can read more on Chanel on Perfume Shrine following this link.
Clip originally uploaded by ROPtv on Youtube
Please be sure to check out the official link of Chanel as well as it presents the back-story and the details on the making of as well as commentary by Taurou and Jeunet.
According to the director Jean-Pierre Jeunet:
"I've always loved night trains and their magic: its the perfect opportunity to create an encounter in suspended time. I really liked the idea of a woman meeting a man. They both think about each other, but continue on with their own lives, left with the regret that they didn't make contact with the other person. I love to play with destiny and coincidences... I knew that the story would revolve around the mesmerizing effect of the scent in the womans wake. We had to give voice to the intangible."
Excellently done and we will return with another Chanel post with commentary very soon!! In the meantime, you can read more on Chanel on Perfume Shrine following this link.
Clip originally uploaded by ROPtv on Youtube
Tuesday, March 10, 2009
Iconic Chanel in the Power of Two
On the heels of a telefilm by Christian Duguray starring Shirley MacLaine as Coco Chanel after the War, two cinematographers are very busy into their own visions of how the eternal Mademoiselle of fashion built her fascinating life from her humble beginnings of being raised by seamstress nuns and her iconic career ~her indomitable perfumes forming a large part of her glory and occupying a place at every perfume lover's collection.
Coco Avant Chanel is the first one, set to screen on 22 April, and it stars Audrey Tautou along with Benoît Poelvoorde, Marie Gillain, Alessandro Nivola and Emmanuelle Devos. It is based on the book by Edmonde Charles-Roux's "L'irrégulière/mon itinéraire Chanel ". Directed by Anne Fontaine, the film examines the life and career of the renowned fashion designer in her formative years and early triumphs, leaving the darker Nazi collaboration and espionage charges which were at the nick of time alleviated with the help of Churchill and the Royal family as well the difficult return after years on the fashion scene left unsaid.
The focus of the biopic Coco avant Chanel as might be surmised by the title seems to be the modernisation of design and the liberation of women from the constrictions of La Belle Epoque mind-sets. I am proud to present you the trailer and preview pics.
On the other hand, the second film named Coco Chanel et Igor Stravinsky, is centered around a six-week period in which the renowened designer and the iconoclastic composer were believed to have had an affair.
Coco Chanel and Igor Stravinsky is starring Greco-French actress and Chanel model (you should have seen her in the Allure Sensuelle ads) Anna Mouglalis with Danish actor Mads Mikkelsen as Stravinsky. The film will open in autumn 2009, but these photos are meant to give you a little amuse bouche!
Which actress do you prefer for the role?
Pic svia allocine.fr, vanity fair via screeninglog, lightcamerahistory.wordpress.com and fashionfork.blogspot.com
Coco Avant Chanel is the first one, set to screen on 22 April, and it stars Audrey Tautou along with Benoît Poelvoorde, Marie Gillain, Alessandro Nivola and Emmanuelle Devos. It is based on the book by Edmonde Charles-Roux's "L'irrégulière/mon itinéraire Chanel ". Directed by Anne Fontaine, the film examines the life and career of the renowned fashion designer in her formative years and early triumphs, leaving the darker Nazi collaboration and espionage charges which were at the nick of time alleviated with the help of Churchill and the Royal family as well the difficult return after years on the fashion scene left unsaid.
The focus of the biopic Coco avant Chanel as might be surmised by the title seems to be the modernisation of design and the liberation of women from the constrictions of La Belle Epoque mind-sets. I am proud to present you the trailer and preview pics.
On the other hand, the second film named Coco Chanel et Igor Stravinsky, is centered around a six-week period in which the renowened designer and the iconoclastic composer were believed to have had an affair.
Coco Chanel and Igor Stravinsky is starring Greco-French actress and Chanel model (you should have seen her in the Allure Sensuelle ads) Anna Mouglalis with Danish actor Mads Mikkelsen as Stravinsky. The film will open in autumn 2009, but these photos are meant to give you a little amuse bouche!
Which actress do you prefer for the role?
Pic svia allocine.fr, vanity fair via screeninglog, lightcamerahistory.wordpress.com and fashionfork.blogspot.com
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