Monday, December 9, 2013

A Fragrance Anecdote with IFF Evaluator & Author Karen Gilbert

I conducted a really direct, honest interview with Karen Gilbert, whose recent perfume book "Perfume: the Art & Craft of Fragrances" I reviewed on Perfume Shrine the other day. [The full interview is found on Fragrantica on this link.]

During our back & forth Gibert intimated the following interesting anecdote, which if nothing else proves that fragrance development is in reality far from what the average perfumista think it is. Let's give it to Karen.
Pic provided by Karen Gilbert for use on PerfumeShrine

"My role at the UK [IFF] office was to service projects which often had a very short turn around time. Sometimes we would only get a week or 2 (or less) to submit fragrances for a brief and we were juggling many different projects at a time. Unless it was for a huge launch like Lynx or Unilever or for a product that had technical challenges like a new type of antiperspirant base a perfumer wouldn’t even get the project – we would submit from what we call “shelf” fragrances which are collections developed for particular trends and already tested in product bases. I remember one particular brief for a mass market eau de toilette fragrance that we had no time on and the only suitable submission I had was a showergel fragrance that was less than half of the budget price we were given. I knew it would work but the client wouldn’t pick it if it was too cheap so I just altered the price to be in line with the other submissions. It won the brief and as far as I know it’s still in the fragrance market today, which goes to show that cost doesn’t always give an indication of quality."

Now, this is what I call honesty! Thanks, Karen!


Friday, December 6, 2013

Best Woody Vanilla Perfumes (Vanilla Series)

I've said it before and I'll say it again. For vanilla lovers (I mean the fragrant kind and they're legion) every little twist has the potential to make them want to sample and exhaust their repertoire. It's not enough to have dessert-like baking type vanilla fragrances while dark, smoky vanilla perfumes can be too serious and demanding sometimes. For men this presents an even greater problem: in the kakistocracy of cheap, syrupy vanillas addressed to air-headed teenagers popping bubblegums, i-Pods super-glued to the ear and slouchy PVC bags dragged above butt-crack revealing jeans, finding something that excels and is gentlemanly at the same time becomes an exercise in futility.

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So, yes, a more sophisticated category playing on the register of B flat minor is apropos: appearing calm, composed, unruffled, though there is something more volatile hiding under the lid.
(If you'd like to see some E-flat minor vanillas -I feel weird just typing that, can vanillas ever be eccentric?- you have to wait for the next installment in the Vanilla Series.)

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Annick Goutal Vanille Exquise: angelica and guaiacwood make this vanilla very unusual with a melancholy backdrop
Ava Luxe Vanilla Musk: though purported to be musky, this isn't funky, but rather woody, milky and with a nice coziness that is not foodie
Bvlgari Black: brawny, with rubber notes that become gentle very soon
Dior Homme Intense: a masculine vanilla, with a nice elegant background that keeps it from becoming nauseating sweet
Kiehl's Vanilla and Cedarwood: austerity meets vanilla, there you go little miss!
Korres Vanilla Freesia Lychee: don't mind the "components" on the label, this smells of chypre-woody with a slice of Coco Mademoiselle
L'Artisan Parfumeur Dzing: this is the smell of antique, used book stores, soft and animalic and very very intelligent indeed. A cult favorite composed by Olivia Giacobetti.
Le Labo Vanille 44: this Paris city exclusive is poised between a delicate French madeleine and smoky black tea
Montale Boise Vanille: many of the Montale fragrances are orientalized, but this is maybe the most approachable.
Parfumerie Generale Cadjmere: the Mediterranean woods of myrtle and cypress join Brazilian rosewood to put a decidedly sombre feel to vanilla (one of the beloved ingredients for Pierre Guillaume).
Rochas Man: a unisex take on woody vanilla with a hint of coffee, marketed to men but enjoyed by women as well, and composed by calorific "dishes" master chef Maurice Roucel
Serge Lutens Un Bois Vanille: the reference woody vanilla, it infuses the woody spicy blend of Feminite du Bois with a silky veil of vanilla fondant.

Do you like woody vanillas? Which are your favorites?


Thursday, December 5, 2013

Optical Scentsibilities: Genie Blue with Stopper Red, Hooved it Twice and Then it Bled

Sometimes a genius idea is the result of a coup de foudre; a lighting crashes and you get that little bulb light over your head, like Benjamin Franklin. Sometimes a genius idea is the result of knowing where to "steal" from; all creative people are magpies, amassing an inordinate amount of data, processing it in the brain, sometimes even losing track of the reference as the idea matures and gains wings. The bottle of Cacharel Loulou, a potent 1980s fragrance, quite the success in its day, is a magnificent case in point.

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The extrait de parfum bottle was designed by artist designer Annegret Beier. According to lore "she wanted it to look like Aladdin's magic lamp and chose 2 totally unexpected colors for bottle and cap", to make it more eye-catching. (Yes, it is.)

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Behold nevertheless the original inspiration behind that magical elixir Loulou bottle from our younger days (both memorable and a little kitschy fabulous), Le Debut Bleu by Richard Hudnut, a perfume from the 1920s, discontinued and very rare today, but which managed to surface on Australian Ebay all the same a while ago. The similarities are more than apparent, maybe a case of tacenda.

via ebay.com.au


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I suppose this post is reprising the Optical Scentsibilities articles, a PerfumeShrine.com feature exploring art history and the images of perfumes as well as that of perfume design, that I had started back in November 2007 (wow! I just now realize how long this was an obsession with me) and which can be viewed in the link linked (If you're having trouble going back to the second page with older posts, after scrolling the first, visit this link and the third page of even older results can be found here)

Wednesday, December 4, 2013

Best Dark, Smoky & Boozy Vanilla Perfumes (Vanilla Series)

Despite "dark vanilla" sounding like an oxymoron, if there ever was one, the collective fantasy of just this trope suggests the dedicated quest for a powerful aphrodisiac; dangerous like a femme fatale, but at the same time tried & true like one of the few fragrance notes that can be universally picked with no great difficulty. Maybe "dark" is meant in the sense of sinister, a little evil, a little perverse. I can see that.
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Vanilla scents by their very nature tend towards the oriental fragrance family, more specifically the gourmand fragrance sub-genre, but this category of smoky, boozy vanilla perfumes with off notes of malt, whiskey, rum and pipe tobacco are more than any other marking their territory in the Orientals like it's nobody's business. For that very reason, they're recommended to lovers of resinous, balsamic fragrances who can thus learn to appreciate the merits of vanilla. If you always eyed vanilla perfumes as the bimbos of the perfumery world and considered yourself a languorous odalisque instead, this is a useful exercise, if only to divest yourself of certain prejudices; any material is pliable enough in the hands of a skilled and imaginative artist.

Guerlain is probably a necessary stop in this adventurous road; even master perfumer Ernest Beaux (working for Chanel) complained that his vanillas turned into creme anglaise, while Guerlain's turned into...Shalimar

The perception of darkness or booziness in vanilla versus chaste "vanilla" probably starts at the kitchen. In the United States cooking vanilla is sold as a liquid form extract that is diluting the white crystals of vanillin in carrier alcohol and other fillers such as burnt sugar (which usually color the liquid a welcoming caramelic shade). Furthermore, the naming of a certain type of vanilla as "Bourbon Vanilla" (after the Bourbon royal family of France who held a claim on the Réunion island where this is produced) further complicates the mind into believing one is smelling...bourbon whiskey!

It's here important to differentiate with amber fragrances (parfums ambrés in French) which, although traditionally built on labdanum and vanillin (a trope of the late 19th century), form a separate category, characterized by a powdery, softly enveloping and animalic quality. Both tonka beans and benzoin resin both have naturally vanillic aspects which are therefore put to the fore in that context. This confusion between "ambers" and purer "vanillas" makes no great practical difference to the wearer (one's interpretation is subjective), but it's something that needs to be mentioned from a technical point of view.

Here are some of the darkest and more suggestive vanilla perfumes you can ever dream of getting your hands on. Feel free to experiment!

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Cacharel Gloria: especially the body oil is a gloriously deep, nuanced vanilla (Though discontinued it's a good alternative to the super expensive Spirituelle Double Vanille -see below- and therefore to be pounced on when you see it for sale)
Dior Hypnotic Poison: a bitter almond laced vanillic elixir which is quite powdery. Cult best-seller, a bit thinned in recent edition, more of a fully fledged oriental than a simple vanilla
Chanel Egoiste: marketed to men, snatched by discerning women who like creamy notes of vanilla in a complex blend
Givenchy Organza Indecence: a spin to the original floriental Organza, this vanillic counterpart is flashier and has a rum & cola rather than a kir royal when out at night.
Guerlain Jicky: clearly this lavender fougere it's not all about the vanilla, but especially vintage renditions full of meowing civet make the note gain a mischievous facet that reminds me of the two faces of Janus (Its contemporary spin is Gris Clair by Serge Lutens).
Guerlain Spirituelle Double Vanille: THE reference for boozy vanilla fragrances, it encompasses all the treacle aspects of the genuine vanilla pods. But it's not about darkness, it's about luminosity, about sparkle, about golden incandescence, even if most would unimaginatively call it ...."dark".
Guerlain Shalimar Ode a la Vanille: a more approachable path to the classic of classics, Guerlain Shalimar, with more of a vanilla focus (Shalimar Ode a la Vanille au route de Madagascar and Shalimar Ode a la Vanille au route de Mexique are simply limited annual editions of the same perfume). Shalimar Parfum Initial is also a credible way to get initiated in the cult, as is (with a more lemony touch), Shalimar Light/Eau de Shalimar. 

Of course if you're trying the above flankers of Shalimar, it would be a great injustice not to sample (in all its different concentrations and vintages) the ORIGINAL bronze-skinned deity that is the classic Shalimar. More of an amber oriental than a pure vanilla, however its vanilla component is twisted, romantic, mysteriously creamy and animalic smelling. Just so.

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Indult Tihota: an expensive vanilla that mentally conjures chestnut brown silk
L'Artisan Parfumeur Vanille Absolument (previously named Havana Vanille): a boozy and tobacco-laced vanilla that maintains a precarious equilibrium like a trapeze artist
La Maison de la Vanille Noire de Mexique: a more economical alternative to Tihota (see above), it highlights the geographical variety (as contrasted to Madagascar)
Martine Micallef Vanille: a not-for-young-girls vanilla blend, rich and nicely boozy, quite polished in the genre. In fact, and said in passing, Parfums M.Micallef have a whole line devoted to vanilla (M.Micallef Collection Vanille), so check their variations out.
Mona di Orio Les Nombres d'Or Vanille: spectacular, dark vanilla, dry and earthy with a bit of rum nuance, its spices in check, masterfully blended
Patricia de Nicolai Vanille Tonka: tonka beans have a natural vanillic facet, which is treated with a smoky note of frankincense given even citrusier facets by the addition of lime
Perlier Carribean Vanilla Coffee: coffee is a natural complement to vanilla, its roasted side keeping the sweetness in check
Tom Ford Tobacco Vanille: if you always sought a sweet, dense pipe tobacco scent but came to "close but no cigar" conclusions, this Tom Ford doesn't disappoint; just be careful with dosage, it's very sweet and potent, though curiously enough not overpowering
Yves Rocher Vanille Noire: like its name suggests, a darker vanilla, really well done on Rocher's part and among their upscale offerings

Do you like dark vanilla fragrances? Which are your favorites?


Tuesday, December 3, 2013

Arte di Profumi Harem Soiree: fragrance review

The ember glow of a dying fire shining through the window of the yalı, the iodine assault of intensely animalic ingredients brought in by the breeze, medicinal unguents resting atop a mahogany shelf at the darüşşifa, eroticism beyond coy or playful, an arrow heading straight to the heart, drama unfolded in one astounding act. The prelude of an unforgettable moment. Far too wild to be tamed and loaded with panache, its presence is unmistakeable. Its name? Harem Soirée.


Mala Fatra, Slovakia, 1963, Vilem Heckel. Czech (1918 - 1970)
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Harem means the forbidden and beyond the feverished Western Europeans'* dreams of physical love conducted in exotic locales of Eastern promise, it signified the living quarters of the Sultan and his family during the Ottoman rule, a place where no access was granted to outsiders.
[*such as J.A.D.Ingres, Pierre Loti or Lord Byron]

Harem Soirée is tied to ambergris (all Arte di Profumi Roma fragrances have a "star" ingredient featured on the label) but that's clearly not the whole story. Besides being profoundly animalic, the daring scent is full of the concentrated essence of labdanum, with only a very distant hint of that other "amber" ingredient, vanilla. The treatment of this iconic oriental chord is pitch black, resinous smelling, dark as the cloth of the night, dangerous and medicinal as if stemming from prophylactic pharmacopeia, vaguely reminiscent in mood of Ambre Sultan, but even darker and denser with bittersweet myrrh; cuffs of lead rather than iron. Its very austere and dramatic character, with no concessions to the fruity bowl or the dessert trolley, make Harem Soirée a perfect backdrop for discerning gentlemen or women with the rush of adventure fanning their wings.

The name is referencing the shows put by women dancers as well as the 1999 Turkish film by the same name (Harem Suare).

The perfume along the rest of the Arte di Profumi Roma line is available from Jovoy Paris and Ausliebezumduft online.


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