Wednesday, May 8, 2013

White Noise Fragrances: More than Random Frequencies to Adapt to All Acoustics Conditions

Obviously the term "White Noise Fragrances" doesn't really exist; I just coined it, same as I had coined "parfums lingerie" in the past, in the hopes it catches on. The nomenclature of perfumery and -what's more, perfume use- is still in its embryo state compared to other fields of science and art, which have centuries of literature behind them, so I feel relatively safe and reckless enough (the scientific principle is proven anyway) to propose new terminology for effects we're all familiar with. Or aren't we?

via _esire @deviantart

Contrary to "skin scents", a term loosely used by numerous perfume aficionados to denote either a subtle scent that hover over the skin or mimics the latter's living, heaving aura, White Noise Fragrances do not attempt to appear any more "naturally occurring" than static. You can perceive them all right, they expand and detract minimally, just like an equal power signal with fixed width, always at the realm between comfort and annoyance. But contrary to the visual spectrum reference, they're not "white" as is the blaring light of some aldehydic florals, such as Chanel No.22, Lauder White Linen or the modern interpretation Tauer's Noontide Petals. Those are rays of sun eclipsing everything in their wake. These They are a constant buzz like the sound of a bubble-bee on a summer's morning; at the realm between comfort and annoyance, once again. But what we haven't quite admitted is that this can be a good thing, as it offers the experience of wearing perfume and at the same time accommodating the surrounding scenery; in a small way the definition of ωραίος in Greek, something which is in accordance (rather than discordance) to the time and place it applies, at once a broader and narrower, certainly more intelligent definition than "beautiful".

White Noise Fragrances can be exemplified by such cute little things like Cacharel's Noa and indeed it was a reader's query to fragrances similar to Noa, which put me into this thinking track and made me question just what makes such stuff oddly appealing despite their seeming lack of "character". If by character we mean an Al Pacino role where he claims the character through a spontaneous bout of angry shouting (increasignly trademarked by said actor), we're missing the mark. Fragrances such as these tend to be performing in varied degrees of histrionics, such as diva-esque tuberoses or shrill florals announcing their message from the rooftops. They do not possess the sophisticated quirk of an Elena Anaya either, the way a green chypre or a woody oriental would. Additionally, if you have always longed for your fragrance to make a statement, to be smelled as if embodying a hybrid between an object and a person, White Noise Fragrances won't appeal; they're too abstract and indeterminate. Yet they're one of the surest compliment getters; people just register them as "pleasant".
White Noise Fragrances aren't too imperceptible either, contrary to say some of the skin scents which recede and only surface when the skin is heated, such as the infamous Molecule 01 (Escentric Molecules), Narciso Rodriguez Musk for Her or Eau de Merveilles by Hermès. They're light, but they're not transparent.

No, White Noise Fragrances project at a steady, perceptible, above the skin volume which you can almost taste, but their buzz is sotto voce, unwavering, yet forceful like an inner bleeding that is pouring with no apparent source and no outlet. I just love them and frequently use them and it hadn't occurred to me till now what was the appeal besides their typical inclusiveness of various musks (smells which I adore). Now I have put my thoughts into a pattern I can see how it all makes sense. And I can propose a list of fragrances sharing those enviable qualities of Noa with all the necessary nuance to please different tastes within the genre.  White Noise Fragrances are not necessarily feminine-smelling in the traditional sense, though they're usually marketed to women, for some inexorable reason, and anyone could borrow them effortlessly. They're great for first dates, for office wearing (assuming your office doesn't have an outright ban on perfumes) or casual weekends, because even though they are detectably  fragrant they do not imprint themselves the same way as more traditional fragrant approaches do.
Though they include musk molecules in their composition (and Iso-E Super and Ambroxan most of the time), they're not tautologous with the "drugstore musk" fragrance type most are familiar with; indeed they can take a few elements of assorted accords. They also come in various price points, though they mostly abound in the mainstream market, since niche usually exalts the statement-making or the really transparent (in which case we're reverting to "skin scents").

Here you will find my suggestions. Feel free to augment the list with your own in the comments.


Mainstream Buzz 

Estee Lauder Pure White Linen

Donna Karan Cashmere Mist

See by Chloe

Bvlgari Eau Parfumee au thé blanc

Bvlgari Omnia Crystalline

Cacharel Noa

Gucci Eau de Parfum II

Estee Lauder Pleasures in the Garden (a limited edition trio)

Terre d'Hermès

Prada Infusion d'Homme

Dior Homme

CK Be

A bit harder to find but worth it

Voyage d'Hermès

Rochas Tocadilly (discontinued)

Chanel Les Exclusifs Beige

Serge Lutens L'Eau Froide

Chanel No.5 Sensual Elixir


Posh Indulgences

Guerlain Cruel Gardénia

Frederick Malle Angeliques sous la pluie


Alternative circuit

Oriflame Elvie

Zara White Jasmine



Tuesday, May 7, 2013

Design with Scents

Kingston Univesity in London is offering their “Design With Scents” course for a second time around and invite all interested parties in participating in this workshop that should please both designers and perfume aficionados alike.



 After the success of the 2012 edition, the interactive 5-day workshop returns at Kingston University London 8-12 July 2013. Designers and fragrance lovers will discover how scent is a powerful communication tool at both work and home, this year with an added panel of guest speakers.
Through a multi-sensory study programme, participants develop new design skills, explore the sense of smell, experiment with blending oils and receive their own personal fragrance kit. ‘Design with Scents’ is open to students and professionals from across all creative industries who will benefit from enhancing their projects and learning to communicate an idea to an audience.

Guest speakers this year include Master Perfumer Christophe Laudamiel, Dr Jenny Tillotson, Reader, Sensory Fashion at Central St Martins, Will Andrews, Fragrance Scientist from Procter and Gamble, author of ‘Urban Smellscapes’ Dr Victoria Henshaw from Manchester University and the intrepid scent explorer Odette Toilette.

Course leader: Nicola Pozzani, founder of S Sense The Senses Of Perfume. He was trained by perfumer Jean-Claude Ellena at the Università dell’Immagine of Milan and worked for fragrance houses Symrise and LVMH. An ambassador for scents as enabler for innovation and wellbeing, Nicola consults and trains with individuals and cross-sector organisations. He has been a guest speaker, amongst others, for the Scent Marketing Institute and the British Society of Perfumers. www.ssense-perfume.com Guest tutors: Joanna Norman, graduate of the Royal College of Art, Lecturer at Kingston University MA Fashion, and John Ayres, whose professional pedigree encompasses research chemistry, fragrance creation, development, marketing and sales. They have over 50 years experience of the fragrance industry between them gained from leading roles within market leaders International Flavours and Fragrances and Givaudan. They are co-founders of the fragrance consultancy Pandora.

Design with Scents
5-day Workshop– 8-12 July 2013 10.00-4.00pm Tutors: Nicola Pozzani, Joanna Norman & John Ayres.
Course fee: £490, inclusive of perfume kit.
Book and pay online - www.kingston.ac.uk/designbookonline
Short Course Unit, Faculty of Art, Design & Architecture, Kingston University, Knights Park, Kingston upon Thames, Surrey KT1 2QJ. Tel: 020 8417 4066
Email: shortcourse.design@kingston.ac.uk website: www.kingston.ac.uk/fada
The course is non-residential, and limited to 12 places only. Accommodation can be provided at our Halls of residence by logging onto www.universityrooms.co.uk using the promotional code SCUSS2012.

Monday, May 6, 2013

The Mystery of Soft Youth Dew and the Perils of Cinnabar: Fragrance Sleuthing

It was too good to resist. When Brian of I Smell Therefore I Am (and the collaborator in the Tableau de Parfums series with Tauer) mentioned some interesting finds on Soft Youth Dew (an offshoot of the classic Lauder, experimented with during the 1970s) and its eventual progression (?) into Cinnabar, my antennae went right up, twitching with intense appreciation of the situation.
via etsy
 

Now that Brian has composed an essay on what he found out and the saga of the two Lauders is under way, it's a good time to link through to his post and offer a public service announcement. This is a case for the books; reader, go visit.

Friday, May 3, 2013

The Myrrh-Bearers Bedewed the Tomb with Myrrh




A most blessed regeneration of the spirit to everyone on this Good Friday 
and a happy Greek Orthodox Easter to those celebrating.



The ecclesiastical hymn "Axion Estee" sung by Triphono.
 The title of the post derives from the traditional lament of Good Friday "Oh my sweet spring" (Ω γλυκύ μου έαρ)
The painting depicted above is by Greek painter Theodore Rallis (1852-1090).


Thursday, May 2, 2013

Viktoria Minya Hedonist: fragrance review

It's rare that perfumes correspond to their names, but Hedonist by newcomer Hungarian perfumer (taught at Grasse) Viktoria Minya is the exception to that rule. If Leos Carax's passionately controversial film Pola X was shot again, I'm sure one of the props used would be this fragrance: Not only for its glamorous, French-chateau-evoking  visual introduction that drips of old world class and physical luminosity, but also for its raw, emotionally honest, unassimilated sex scene following the hero's descent into bottomless soul searching. This dark obsession needs its own olfactory track.

[that's another scene, actually]

Introducing a niche line has become an insurmountable task of difficulties by now: how to diverge and differentiate one's brand? It's less easy than it was in 2005 or so. Did I mention that creating a sexy fragrance is just as difficult? If not more? Well, it is. If you have followed perfume you know it's up there as desirable goal numero uno with manufacturers (not necessarily the people who love perfume, though!), but often the whole trial fails because, well, it doesn't work out. Imagine my surprise to find things that do work their magic. Not many but when they do.... ooh la la!!

There is already an interview with the photogenic Viktoria (who is a joy to communicate with) on Fragrantica, so what I wanted to add is just how EFFECTIVE her Hedonist is, in the sense mentioned above. In a previously anecdotal exchange between my significant other and myself, Ms. Minya's fragrance played a particularly decisive role. My man upon smelling it had a few ideas: "Let me see...smells a bit like coffee and honey, wait...that smells like the orange tobacco your cousin likes...some vanilla but not too much, eh? Tell me I'm right!" [My man is a perfumisto in the closet.] Myself I was sure this potent but ladylike potion had peachy-apricoty-citrusy nuances with lots of orange blossom rendered in an animalic fashion, lots of the voluptuousness of beeswax and yes, a super sexy feel! [No wonder he was aroused] I will spare you the carnal details to follow; I know Perfume Shrine's readers are possessive of a fertile imagination to rival Henry Melville's.

The handmade wooden box (with snakeskin leather look) opens to reveal a beautifully crafted bottle filled with hundreds of Bohemian crystals that sparkle in the champagne colored liquid, catching the light. I just wish that there were a way to own the perfume in perhaps a less glamorous presentation so as to cut down on the monetary overlay (195$/130€ for 45ml), but you can't blame a niche brand for wanting to stand out, can you?

Notes for Hedonist by Viktoria Minya:
Rum, bergamot, peach, osmanthus absolute, jasmine abolute, orange flower absolute, tobacco, vanilla, cedarwood, vetiver

Shopping info and more on Viktoria Minya's site.


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