Tuesday, January 29, 2013

Rouge Bunny Rouge Chatoyant, Vespers, Lilt: fragrance reviews

I had promised you in my Best of 2012 in Perfume & Style recap late last year that I would return with my views on the very new Rouge Bunny Rouge fragrances, because they're quite promising for a make-up brand. Indeed, the cultish brand -known for excellent products with a fairy-tale sprinkling- doesn't disappoint in delivering credible jus despite the hyperbolic ad copy on the site.  All three of their fragrances, Chatoyant, Vespers and Lilt, wear well and convey attention to detail. They might not instigate wilder fantasies of some of the Lutens, but they don't smell like the chemical mess of many contemporary mainstreams either, straddling in fact a few tropes of niche (the fig scents) and clutching onto a few of the modern classics' strings too (the Narciso-begat "nouveau chypres"). All in all, not bad at all!

Source: google.com via Kristi on Pinterest


Instantly attractive, Chatoyant is a rich blend with a mix of floral, woody and fruity aromas that draw attention and at the same time glow with the sweet attraction of brocade in warm shades. The creamy core of Chatoyant, lightly vanillic, creamily woody with a discernible coconut touch, seemingly composed of lactonic (from the Latin for milk) notes, makes it a lightly sweet mantle, an aura on top of one's being, what the French call à fleur de peau. The rich rosiness smooths the composition, giving the other floral impressions, notably the powdery orchid "note" something to adhere to.

The creamy and yet bitterish fig leaves and milky sap impression of Lilt is tender and green, a fantasy of shaded moments of tranquility, of human skin, of repose, of calm. Fig scents are one of my favorite genres for several reasons. Their reference speaks to the Mediterranean in me with the pang of sweet nostalgia, the promise of an eternal summer, of careless days spent under the shady solace of the fig tree which these fragrances recreate with almost photorealistic accuracy. The apricot-y, coconut-y nuances are lightly sweet in nature and their creaminess makes them extremely simpatico to the natural scent of human skin, which is rich in apocrine glands partly exuding a comparable aroma. The intimacy of the serene woodiness of Lilt, peppered by the more angular notes of the fig leaves with their dusty, citrusy tang and indelible bitterness, is wrapped in other skin-compatible notes such as musk.

The cool, elegant sex-appeal of Vespers reminds me of the shimmering beauty of Narciso for Her. The intensely musky woodiness at the heart of this fragrance is only momentarily obscured by the lightly peppered bouquet of abstract, indefinable flowers opening under the snow. The juxtaposition of cool and warm notes, with the austerity of pencil shavings and the fuzz of Cashmeran, is the secret behind this scents' lure. As a dedicated fan of the genre it wasn't difficult for me to like Vespers and if you're a fan of fragrances like Narciso, SJP Lovely, Lanvin Rumeur, or Guerlain Idylle, with their marrying a floral note (like rose, orange blossom or lily of the valley) that is clear and crystalline with the woody sweetness of a non-heady patchouli, chances are you might like this one too; it's within those parameters without smelling exactly the same.

Alas, it has been rather difficult to access longevity and sillage in the Fragrant Confections line, as the amount I received for reviewing purposes was either so tiny or it had significantly evaporated in transit, that it only allowed me to test these for a single wearing. The cards sprayed with the fragrances however did retain the scent for days (though you realize we're not made out of paper.)

All Rouge Bunny Rouge fragrances are available on the official site. I believe Zuneta in the UK might cater (if they don't already) to those who are not covered by the shipping by the brand directly.


In the interests of disclosure I was sent samples via PR.

Sunday, January 27, 2013

Dries van Noten par Frederic Malle: new fragrance & draw

Frédéric Malle has a few tricks up his elegant sleeve for catering to jaded perfume lovers still. In a new project involving collaborating with various designers, offering his editorial skills and his liaisons with the best perfumers in the business, I learned that Malle is going to launch a line of eponymous designer scents that go off the beaten path. The first fruit of this collaboration is a fragrance for Dries Van Noten, one of the pioneers of the Antwerp "School of Six". The collaboration isn't that out of the blue as one would think: Van noten distributes fragrances in the Éditions de Parfums Frédéric Malle in his boutiques for some time now; Dries Van Noten par Frédéric Malle is the natural outcome.





Although the formula was being developed for the past year and was originally set for an autumn 2012 launch the perfectionism of Malle prevailed and the launch is set for February 15th. But that's not all.

Not only is the collaboration with a fashion designer news, it's also an innovation on the formula front, as the new Malle perfume is touted to be inclusive of a new, natural Indian sandalwood from a sustainable source. Indian sandalwood, for those who didn't know, had essentially been eradicated from perfumery in the last 20 years or so, due to concerns and regulations on the sustainability of the Mysore sandalwood. The news therefore is a leap of hope for the industry in general and sure to create a real peak of interest in the heart of every perfume fan out there. The new fragrance is an oriental woody, smooth and polished like the designs of Van Noten.

The composition has been undertaken by rising perfumer Bruno Jovanovich of International Flavors and Fragrances (IFF) The fragrance notes for the upcoming Dries van Noten par Frédéric Malle are citron, sandalwood, guaiac wood, saffron, Spanish jasmine, tonka beans, Cashmeran/blonde woods, vanilla and musk.

As you can see the presentation of the bottle is also different than the rest of the Malle portfolio, as this is a separate line.

A lab batch sample is trickling my way and after a percursory sniff I'd love to offer it to one of our readers before its official launch. Please enter a comment with any of your thoughts on the Malle line or on sandalwood, or anything perfume related and I will draw a winner on Thursday.

Friday, January 25, 2013

82 New Allergens in Perfumes: The Death Toll on Fragrances as we Know Them

Although I'm not one for the sensationalist approach,  the escalation of concerns for the potentially allergenic properties of perfumery compounds looks very grim indeed for every perfume lover out there. The classic Miss Dior, Shalimar, Mitsouko and many Guerlains, Angel, Opium, Bellodgia, perfumes with tonka beans and anything with lots of citral (look out for lemon and tangerine "notes") are to be irrevocably changed. If there is something that you absolutely love (and get no adverse reaction from) in its current -already reduced- state, better stock up, because within 2013 lots of fragrances are in for a major rehaul.

via lefigaro.madame.fr

If you thought that oakmoss only, i.e. evernia prunastri, was the crux of the matter, you're in for a major surprise. Treemoss, i.e. evernia furfuracea (which acted as mossy note in the post-2008 reformulated chypres that demanded it) is coming into axing and the low-atranol versions of oakmoss have not really managed to convince perfumers of its ability to pose convincingly for what is lost in translation from the older formulae.

Of course one could argue that some classics are already semi-ruined: The classic 1947 Miss Dior (now sold as Miss Dior L'original) is already sent to the back-burner Peoria of limited distribution, but its upstart (the renamed Miss Dior Cherie) isn't safe either; the youthful cheekiness has been effaced and the best-selling Dior smells more like Chanel's Coco Mademoiselle than its own self. The famous YSL Opium, already in transvestite gear, is set to become a eunuch, due to the eradication of eugenol and isoeugenol, spicy molecules naturally present in cloves, mace, bay leaves, rose oil, basil and other plants. As to Chanel No. 5, which raised the flag of the press, thanks to its constant on the front of everyone's mind when thinking "perfume", the truth is it has been so attenuated through the years that any claim on Grasse jasmine and adherence to the 1921 formula sounds perfectly ridiculous to anyone who has some vintage bottles stashed in their fragrance closet. If a shiver of fear went down your spine reading that jasmine and rose are to be restricted as well, fear not: most commercial perfumery (even the very best brands) just use hedione and phenyl ethyl alcohol with citronellol for those two notes respectively, with a garland of something else to boost them this way or that; I have already stated how the industry uses the same 20 ingredients over and over resulting in fragrance sameness....It's no accident.

Although the fervor with which the European Commission is inspecting scented products instead of some of its rotten political realities, which have effectively created a chasm between North and South and have posed a risk for the very solidarity of the European Union, seems misplaced, the issue isn't totally without scientific basis.

"Based on the review available and on multiple cases of allergy reported by dermatologists, the SCCS [Scientific Community on Consumer Safety] identified 82 substances (54 chemicals and 28 natural extracts) that can be categorised as 'established contact allergens' in humans, including the 26 that were already on the list." The document goes on to highlight that, based on the combined results from animal experiments and the analysis of their chemical structure, 26 other individual chemicals where categorised as “likely contact allergens”. The SCCS also reveals that in addition, 35 individual chemicals and 13 natural extracts were also categorised as “possible contact allergens” with three further specific substances recognized as being “potent allergens” and not considered safe in consumer products." [source: SCCS publishes fragrance allergen fact sheet]

The above showcases one common misconception concerning the restrictions of certain ingredients in perfume & scented products manufacturing (including skin care, detergents, hair dyes and the like), namely that it is natural extracts that are being axed due to reasons of high costs. This is plainly NOT the case. It's much more complex than that and litigation as well as technical problems within the industry, as mentioned before, factor in. As you can see above, by the numbers given, plenty of synthesized molecules (nature-identical or synthetic) are also being axed; in fact the synthetics to be eradicated outnumber the naturals greatly (54 to 28)!
What is most alarming is that this is showing no signs of stopping there: 26 other individual chemicals are categorized as "likely contact allergens". In addition 35 individual chemicals and 13 natural extracts are also categorized as possible contact allergens with 3 further specific substances recognized as being "potent allergens" not considered safe in consumer products.

Although ever since 2003 there has been a series of 26 individual ingredients which have been identified as allergenic and are required by law in the EU and in the US to be mentioned on the label (things like coumarin, hydroxycitronellal, Lilial, citronellol, etc), the percentage of people with some form of allergic sensitivity to consumer products with a scent is calculated to be 1 in every 3 Europeans.
Even though the usual repercussion of skin contact with these questionable ingredients in perfumes usually results in topical redness and a rash, it can escalate to eczema, a more severe allergic immune system reaction which even when treated can remain dormant for a lifetime, waiting to be re-triggered via another exposure to the allergen that first made it erupt. It is important to note that even though some ingredients do not cause a reaction in vitro, they can potentially do so in vivo thanks to the interaction with sunlight, air or even the body's own biological processes which turn them into allergens. But there is an inconsistency.

 ‘While I do think the consumer’s health and wellbeing should always be our first priority, imagine if Brussels authorised for all nut products to be banned or restricted because a few people are allergic,’ Roja Dove, a prime industry figure and a manufacturer of luxury niche fragrances, says. ‘Just look at basil. I have to list it on the back of packaging if I use more than a certain percentage because it’s one of the original list of 26 the European Commission decided must be declared. ‘But a chef can take a huge bunch of basil, chop it up and sprinkle it over food, and their hands will be covered with basil oil. There are no guidelines there.’

Thankfully it is claimed that an exposure level in cosmetic products of less than 0,01% (or 10 mg/100g of cosmetic product) would prevent allergic reactions in the majority of cases. As such, the use of kojic acid (a skin lightener for cosmetic use on melasma and age spots) for instance is considered safe in concentrations of 1% in compound of leave-on creams for use on face and hands.
According to The Times, the European Commission are expected to propose new regulations within the fragrance industry in January 2014, when considerations of both the economic importance of perfume (earning £1.5 billion a year for France alone) and the actual number of perfume-induced allergies occurring might be put into perspective. The sheer process of re-evaluating all the formulae currently on the market and reformulating all those perfumes at no monetary compensation should definitely sting for all the fragrance companies.

It remains to be seen whether a subtle visual twist in packaging (as before) or an augmented list of allergens on the label will be the deciding factor in signaling the changed formula of any given perfume. At any rate, consider yourselves warned.

Thursday, January 24, 2013

M.Micallef Royal Vintage: new fragrance

At the beginning of February, French niche house Parfums M.Micallef launches a new fragrance for man, ROYAL VINTAGE. It is a perfume aimed for men with timeless, sophisticated elegance.


Head note: Pink berries and bergamot
Heart note: Cypress and leather
Base note: Patchouly and musk.
 “… For this atypical fragrance in our collection, I wanted to reinterpret the EXCLUSIVE bottle using the design codes of these beautiful vintage cars… " says Martine Micallef. "

The design of the ROYAL VINTAGE bottle was inspired by glamorous and iconographic images from the classic cinema universe: beautiful vintage cars adorned with glittering chrome bumpers. For this atypical fragrance in our collection, I wanted to reinterpret the EXCLUSIVE bottle using the design codes of these beautiful vintage cars, "says Martine Micallef. In the authentic French tradition of crafts and luxury, the M.Micallef Company gives priority to qualitative and natural ingredients in its fragrances and magnifies each bottle in its art studio. The glass bottle of ROYAL VINTAGE is covered with a chrome color metallization with a black ring hand affixed in the middle and is wearing a matte black metal cap.

quotes via press release 

Spray bottle in eau de parfum concentration, 30 and 100 ml retailing at 76 € and 175 € respectively.

Wednesday, January 23, 2013

M.Micallef Ylang in Gold: fragrance review

Does the mental association of airheads frying on the beach to attain a lizard-worthy tan, replete with tons of sweet oily stuff smeared within an inch of their lives come into your mind when you hear the word "coconut scent"?. Or is the scent of artificial "tropics" enacted via those atrocious derelict-cab-dangling "deo" yellowish pine-trees that are enough to only get a glimpse of for one's stomach to turn? Coconut-laced tropical floral scents are a risky affair lest they end up smelling vulgar. Luckily for all, Ylang in Gold by niche French brand M.Micallef not only isn't so, but passes muster on projecting as totally refined, golden, gorgeous and genuinely pretty.



The hints of boozy richness in Ylang in Gold recall saturated hues of rust and copper, done in a heavy silk drape, subtly changing with the play of the light upon the threads. I can feel—rather than see—the soft shimmer, like the trompe l'oeil of beige eyeshadow edged in taupe with a champagne highlighter gives the illusion of deeper, larger and more alluring eyes. This is a luxurious fragrance that is as delicious as a lemon-tinged vanilla pudding, taking a page off Casmir by Chopard, focused on the lusciousness of ylang in the floral heart.

The golden incandescence of Ylang in Gold lives up to the name, being a salicylate-rich floral (salicylate is that tropical floral element that is so prominent in the Ambre Solaire sunscreens) with a delicious floral tenacity that mysteriously intensifies the longer the perfume stays on skin. That treatment of ylang reminds me of the lily facets revealed by the subtle vanilla-salicylate accord of Vanille Galante by Hermes. Whereas there the vanilla thus emerged smelling like lily, here the vanillic tonality is a cross between milky sandalwood, suntan lotion and coconut water. Here the brûlée nuance is more "gourmand," a little thick, but done with elegance and restraint nevertheless. Without aiming to technically innovate or open new artistic pathways, the perfumer created a very pretty, very fetching fragrance to enjoy all year long. Its Orientalism is doe-eyed and contemporary enough to pull it through.
Source: perfume.org via Will on Pinterest

Notes for Ylang in Gold by M. Micallef:
Top notes: Tangerine orange, geranium, artemisia
Heart notes: Ylang-ylang, rose, sandalwood, lily-of-the-valley, magnolia
Base notes: Coconut, vanilla, musk.

This Month's Popular Posts on Perfume Shrine