Friday, January 25, 2013

82 New Allergens in Perfumes: The Death Toll on Fragrances as we Know Them

Although I'm not one for the sensationalist approach,  the escalation of concerns for the potentially allergenic properties of perfumery compounds looks very grim indeed for every perfume lover out there. The classic Miss Dior, Shalimar, Mitsouko and many Guerlains, Angel, Opium, Bellodgia, perfumes with tonka beans and anything with lots of citral (look out for lemon and tangerine "notes") are to be irrevocably changed. If there is something that you absolutely love (and get no adverse reaction from) in its current -already reduced- state, better stock up, because within 2013 lots of fragrances are in for a major rehaul.

via lefigaro.madame.fr

If you thought that oakmoss only, i.e. evernia prunastri, was the crux of the matter, you're in for a major surprise. Treemoss, i.e. evernia furfuracea (which acted as mossy note in the post-2008 reformulated chypres that demanded it) is coming into axing and the low-atranol versions of oakmoss have not really managed to convince perfumers of its ability to pose convincingly for what is lost in translation from the older formulae.

Of course one could argue that some classics are already semi-ruined: The classic 1947 Miss Dior (now sold as Miss Dior L'original) is already sent to the back-burner Peoria of limited distribution, but its upstart (the renamed Miss Dior Cherie) isn't safe either; the youthful cheekiness has been effaced and the best-selling Dior smells more like Chanel's Coco Mademoiselle than its own self. The famous YSL Opium, already in transvestite gear, is set to become a eunuch, due to the eradication of eugenol and isoeugenol, spicy molecules naturally present in cloves, mace, bay leaves, rose oil, basil and other plants. As to Chanel No. 5, which raised the flag of the press, thanks to its constant on the front of everyone's mind when thinking "perfume", the truth is it has been so attenuated through the years that any claim on Grasse jasmine and adherence to the 1921 formula sounds perfectly ridiculous to anyone who has some vintage bottles stashed in their fragrance closet. If a shiver of fear went down your spine reading that jasmine and rose are to be restricted as well, fear not: most commercial perfumery (even the very best brands) just use hedione and phenyl ethyl alcohol with citronellol for those two notes respectively, with a garland of something else to boost them this way or that; I have already stated how the industry uses the same 20 ingredients over and over resulting in fragrance sameness....It's no accident.

Although the fervor with which the European Commission is inspecting scented products instead of some of its rotten political realities, which have effectively created a chasm between North and South and have posed a risk for the very solidarity of the European Union, seems misplaced, the issue isn't totally without scientific basis.

"Based on the review available and on multiple cases of allergy reported by dermatologists, the SCCS [Scientific Community on Consumer Safety] identified 82 substances (54 chemicals and 28 natural extracts) that can be categorised as 'established contact allergens' in humans, including the 26 that were already on the list." The document goes on to highlight that, based on the combined results from animal experiments and the analysis of their chemical structure, 26 other individual chemicals where categorised as “likely contact allergens”. The SCCS also reveals that in addition, 35 individual chemicals and 13 natural extracts were also categorised as “possible contact allergens” with three further specific substances recognized as being “potent allergens” and not considered safe in consumer products." [source: SCCS publishes fragrance allergen fact sheet]

The above showcases one common misconception concerning the restrictions of certain ingredients in perfume & scented products manufacturing (including skin care, detergents, hair dyes and the like), namely that it is natural extracts that are being axed due to reasons of high costs. This is plainly NOT the case. It's much more complex than that and litigation as well as technical problems within the industry, as mentioned before, factor in. As you can see above, by the numbers given, plenty of synthesized molecules (nature-identical or synthetic) are also being axed; in fact the synthetics to be eradicated outnumber the naturals greatly (54 to 28)!
What is most alarming is that this is showing no signs of stopping there: 26 other individual chemicals are categorized as "likely contact allergens". In addition 35 individual chemicals and 13 natural extracts are also categorized as possible contact allergens with 3 further specific substances recognized as being "potent allergens" not considered safe in consumer products.

Although ever since 2003 there has been a series of 26 individual ingredients which have been identified as allergenic and are required by law in the EU and in the US to be mentioned on the label (things like coumarin, hydroxycitronellal, Lilial, citronellol, etc), the percentage of people with some form of allergic sensitivity to consumer products with a scent is calculated to be 1 in every 3 Europeans.
Even though the usual repercussion of skin contact with these questionable ingredients in perfumes usually results in topical redness and a rash, it can escalate to eczema, a more severe allergic immune system reaction which even when treated can remain dormant for a lifetime, waiting to be re-triggered via another exposure to the allergen that first made it erupt. It is important to note that even though some ingredients do not cause a reaction in vitro, they can potentially do so in vivo thanks to the interaction with sunlight, air or even the body's own biological processes which turn them into allergens. But there is an inconsistency.

 ‘While I do think the consumer’s health and wellbeing should always be our first priority, imagine if Brussels authorised for all nut products to be banned or restricted because a few people are allergic,’ Roja Dove, a prime industry figure and a manufacturer of luxury niche fragrances, says. ‘Just look at basil. I have to list it on the back of packaging if I use more than a certain percentage because it’s one of the original list of 26 the European Commission decided must be declared. ‘But a chef can take a huge bunch of basil, chop it up and sprinkle it over food, and their hands will be covered with basil oil. There are no guidelines there.’

Thankfully it is claimed that an exposure level in cosmetic products of less than 0,01% (or 10 mg/100g of cosmetic product) would prevent allergic reactions in the majority of cases. As such, the use of kojic acid (a skin lightener for cosmetic use on melasma and age spots) for instance is considered safe in concentrations of 1% in compound of leave-on creams for use on face and hands.
According to The Times, the European Commission are expected to propose new regulations within the fragrance industry in January 2014, when considerations of both the economic importance of perfume (earning £1.5 billion a year for France alone) and the actual number of perfume-induced allergies occurring might be put into perspective. The sheer process of re-evaluating all the formulae currently on the market and reformulating all those perfumes at no monetary compensation should definitely sting for all the fragrance companies.

It remains to be seen whether a subtle visual twist in packaging (as before) or an augmented list of allergens on the label will be the deciding factor in signaling the changed formula of any given perfume. At any rate, consider yourselves warned.

Thursday, January 24, 2013

M.Micallef Royal Vintage: new fragrance

At the beginning of February, French niche house Parfums M.Micallef launches a new fragrance for man, ROYAL VINTAGE. It is a perfume aimed for men with timeless, sophisticated elegance.


Head note: Pink berries and bergamot
Heart note: Cypress and leather
Base note: Patchouly and musk.
 “… For this atypical fragrance in our collection, I wanted to reinterpret the EXCLUSIVE bottle using the design codes of these beautiful vintage cars… " says Martine Micallef. "

The design of the ROYAL VINTAGE bottle was inspired by glamorous and iconographic images from the classic cinema universe: beautiful vintage cars adorned with glittering chrome bumpers. For this atypical fragrance in our collection, I wanted to reinterpret the EXCLUSIVE bottle using the design codes of these beautiful vintage cars, "says Martine Micallef. In the authentic French tradition of crafts and luxury, the M.Micallef Company gives priority to qualitative and natural ingredients in its fragrances and magnifies each bottle in its art studio. The glass bottle of ROYAL VINTAGE is covered with a chrome color metallization with a black ring hand affixed in the middle and is wearing a matte black metal cap.

quotes via press release 

Spray bottle in eau de parfum concentration, 30 and 100 ml retailing at 76 € and 175 € respectively.

Wednesday, January 23, 2013

M.Micallef Ylang in Gold: fragrance review

Does the mental association of airheads frying on the beach to attain a lizard-worthy tan, replete with tons of sweet oily stuff smeared within an inch of their lives come into your mind when you hear the word "coconut scent"?. Or is the scent of artificial "tropics" enacted via those atrocious derelict-cab-dangling "deo" yellowish pine-trees that are enough to only get a glimpse of for one's stomach to turn? Coconut-laced tropical floral scents are a risky affair lest they end up smelling vulgar. Luckily for all, Ylang in Gold by niche French brand M.Micallef not only isn't so, but passes muster on projecting as totally refined, golden, gorgeous and genuinely pretty.



The hints of boozy richness in Ylang in Gold recall saturated hues of rust and copper, done in a heavy silk drape, subtly changing with the play of the light upon the threads. I can feel—rather than see—the soft shimmer, like the trompe l'oeil of beige eyeshadow edged in taupe with a champagne highlighter gives the illusion of deeper, larger and more alluring eyes. This is a luxurious fragrance that is as delicious as a lemon-tinged vanilla pudding, taking a page off Casmir by Chopard, focused on the lusciousness of ylang in the floral heart.

The golden incandescence of Ylang in Gold lives up to the name, being a salicylate-rich floral (salicylate is that tropical floral element that is so prominent in the Ambre Solaire sunscreens) with a delicious floral tenacity that mysteriously intensifies the longer the perfume stays on skin. That treatment of ylang reminds me of the lily facets revealed by the subtle vanilla-salicylate accord of Vanille Galante by Hermes. Whereas there the vanilla thus emerged smelling like lily, here the vanillic tonality is a cross between milky sandalwood, suntan lotion and coconut water. Here the brûlée nuance is more "gourmand," a little thick, but done with elegance and restraint nevertheless. Without aiming to technically innovate or open new artistic pathways, the perfumer created a very pretty, very fetching fragrance to enjoy all year long. Its Orientalism is doe-eyed and contemporary enough to pull it through.
Source: perfume.org via Will on Pinterest

Notes for Ylang in Gold by M. Micallef:
Top notes: Tangerine orange, geranium, artemisia
Heart notes: Ylang-ylang, rose, sandalwood, lily-of-the-valley, magnolia
Base notes: Coconut, vanilla, musk.

Tuesday, January 22, 2013

Andree Putman Preparation Parfumee: fragrance review

Andrée Putman's fragrance is not easy to review, exactly because it eschews traditional classification, much like the acclaimed designer opted to for her work as well. From home interiors to furniture to tableware, her work is sans pareil. It was only natural that her eponymous fragrance would be too; an aqueous woody with a different feeling of freshness than the screechy scratch of "marines", at a time of launch (2001) a mini revolution. Doubly so if one considers for a moment that it was she who was responsible for the renovation of the flagship Guerlain boutique at Champs-Elysées in 2005, replete with the luminous chandeliers which refract light in a million rays. Her eponymous perfume bears absolutely no relation with a classic Guerlain!

via habituallychic.blogspot.com

Damp woods are harmoniously paired to spices and refined notes reminiscent of dewy stems and petals in Preparation Parfumée; more of a protective amulet than a potion of seduction, as evidenced by the name too (i.e. scented preparation) The Andrée Putman fragrance was composed by Olivia Giacobetti, a perfumer known for her transparent, limpid accords and her quirky, individual style ~as showcased in Premier Figuier (1994), Drôle de Rose (1995), Thé Pour Un Eté (1996), Philosykos (1996), L’Eau du Fleuriste (1997), Navegar (1998), Dzing! (1999), Passage d'Enfer (1999), Hiris (1999), Tea for Two (2000), Essence of John Galliano, En Passant (2000) or Thé des Sables (2001). The building up to Preparation Parfumée Andrée Putman (2001) bears olfactory kinship with another perfume composed by Giacobetti, Navegar for L'Artisan Parfumeur, a scent of blanched pebbles and driftwood on a river's delta. No wonder that Putman OK-ed the austere and economical use of a few elements to convey a potent message; it was she who had famously said: "I love America, and I love American women. But there is one thing that deeply shocks me - American closets. I cannot believe one can dress well when you have so much."

Preparation Parfumée begins with a spicy top note that reminds me of bay leaves and their oil, although I know they are not listed, that slightly bittersweet & hot eugenol-rich spice that we use in lentils soup. The fragrance however is not heavy nor strong, never a singeing feeling. Then along with that a very aqueous accord follows retaining the earthy smell of petrichor for a long long time. It reminds me of wood branches washed on the shore of a river of gigantic proportions after a storm, drenched in mud and bog water. This earthy, elemental force is fundamental to its appeal. Rather than mountains and forests, due to lack of the resinous quality I associate with those, this image creates another kind of serenity.

Would that be a scent to dampen one's spirits though with all its damp wood and such? It depends….It’s not “pretty” for sure , neither “elegant” and "feminine" in the traditional sense, but it retains an air of mystery and nostalgic quality for those friendly to introspection.



Andree Putman: 1925-2013


Andrée Putman, the "grande dame" of design, died in the age of 87. Introduced to American audiences with the renovation of hotel Morgans on Madison Avenue, exhibiting her clear, astute, elegant style, Putman brought in a new modernity in the world of interior design. Her chief characteristics in her work were luminosity and spaciousness. Her aphorisms are inimitable. ""Unless you have a feeling for that secret knowledge that modest things can be more beautiful than anything expensive, you will never have style."

In honor of her opus, there is going to be a review of her eponymous fragrance Preparation Parfumée Andrée Putman on these pages shortly. Stay tuned!


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