Laduree Villes Porte-Bonheur: Scented Candles Inspired by the Metropolis

The four new limited edition candles by patisserie brand Ladurée, Villes Porte-Bonheur, are the stuff of dreams celebrating 150 years of the house; not only delicious smelling themselves, but also jet-setting you into four major international destinations: London, New York, Paris and Tokyo.

London candle 
The atmosphere of an English club where leather and wax scents reign. The evocation of an early twilight, nestling in a majestic Chesterfield sofa! The masculine chic with inimitable and unshakeable English spirit..."

New York candle
A strong and vivacious scent, an apple bite, the signature of a city, an homage to New Yorkers and their insatiable appetite for life.

Paris candle
A bewitching scent of tuberose, that of a femme fatale, as disturbing and unforgettable just like this beautiful and eternal city.

Tokyo candle
The subtle fragrance of tea, an indefinable delicate flavor, blending refinement and preciosity , the mysterious Japanese touch.
"Cities as a good luck charm"then, as the name denotes. A limited edition and priced at 48 euros each. Four scented candles enclosed in jars of black, pink, green and blue, each accompanied by a beautiful jewel box with drawings emblematic of the house.

Perfume-Makers Fear EU Legal Blow to the Industry Due to New Restrictions

"(These ingredients are) the spine of about 90 percent of fine fragrances," said Pierre Sivac, Chairman of the International Fragrance Association (IFRA), whose members include America's International Flavors & Fragrances and Switzerland's Givaudan. [source thanks to T.Sanchez]

Perfume-makers fear EU legal blow to the industry and the fear of restrictions is increasing:“All citizens are entitled to the same protection,” SCCS Working Group chairman Ian White, said. It recommended restricting the concentration of 12 substances – including citral, found in lemon and tangerine oils; coumarin, found in tropical tonka beans; and eugenol, found in rose oil – to 0.01 per cent of the finished product. And it proposed an outright ban on tree moss and oak moss, which provides distinctive woody base notes in Chanel’s No.5 and Dior’s Miss Dior."

“It is essential to preserve Europe’s olfactory cultural heritage,” LVMH said in an e-mailed statement, stressing nonetheless the well-being of consumers was a “major concern”.

What's more important is this: Any new laws curtailing the use of natural scents would also impact fragrance-producers such as Givaudan and Firmenich as well as Germany’s Symrise, Japan’s Takasago and Robertet in France’s scents-producing town of Grasse. Basically all the bulk buyers of raw materials, making the growers and developers of the banned essences obsolete and irrelevant in the market game.

Industry sources say they expected regulatory proposals by January 2014. However, the Commission declined to comment on a time frame for possible legislation. Trade associations including IFRA and Cosmetics Europe, whose members are perfume and cosmetics companies such as LVMH, are aiming to submit a joint industry proposal to the Commission by the end of 2012.

Of course it needs to be pointed out that the classic Miss Dior is nowhere to be found (at least on the mainstream circuit, it's still visible on the official site under Miss Dior L'Originale tag) in favor of the re-named Miss Dior Cherie (which circulates as simply Miss Dior now, so a marketing decision sounded the death knoll rather than the formula itself) and Chanel No.5 has been changed as well through the years.

Fragrant Combinations for Fall: From the Rustic to the Spiritual

The art of scent combining is a fine and precarious one at once. A delicate blend can be completely overtaken by a more forceful presence, while a rich, hefty aroma can become overwhelming when mixed with another scent, creating more of a stuffy atmosphere than a delicious, inviting one. When dealing within these parameters it's probably an art best left to the professionals or to indulge with simple/single-note scents, but some gentle guidance can end up prompting you to experiment with good results. After all, it's nothing inescapable, right?

via self.com

Diptyque offers a small guide of scent combinations of its famous candles for scenting your space -a sort of olfactory landscaping- reminiscent of the autumnal season, all burnished gold and rust. The combinations are calculated to bring on a third presence, often vaguely familiar or reminiscent of specific fine fragrances which I will quote below and urge you to sniff to try and catch their nuances anew. Actually Diptyque have championed the art of scent layering since their very beginning.

For instance, their recommended combination of Feu de Bois and Pomander brings to mind the Christmas festivities with their smoky, log-fire note coupled with the orange & cloves spice of the classic pomander. It's a layering of notes that reminds me of Noir Epices by Frederic Malle with its intense clove and darkness, of Coup de Fouet and Poivre by Caron as well as of the classic, pre-reformulation Opium by Yves Saint Laurent.
Opoponax and Maquis brings on the softness of the resinous note of opoponax (that hazy flou so compelling in Guerlain's Shalimar and Habit Rouge and indeed in Diptyque's own home spray Opopanax) alongside the rustic tonality of the countryside with its woody aroma full of everlasting flowers, rich like maple syrup oozing off a hungry spoon. The combination echoes the newest fragrance issued by Diptyque, Volutes, inspired by a memorable voyage the founder took from Marseilles to Saigon.
Roses and Patchouli of course is a time trusted combination, almost a classic, the two smelled together creating the impression of dark, leafy roses unfurling to eternity...The melange is explored in the pre-empting Voleur de Roses by L'Artisan Parfumeur as well as many other modern fragrances, from Lady Vengeance (Juliette has a Gun), Portrait of a Lady (F.Malle) and Hippie Rose (Heeley) to Idylle Duet Rose Patchouli (Guerlain).
Cyprès and Myrrhe are evocative of a Mediterranean spot darkened by the bitterish tinge of the resinous, Middle-Eastern myrrh. The common resinous quality of the cypress wood and the -prized since antiquity- "tears" combine into an ambery-woody scentscape that is introspective, grounding and spiritual. Molton Brown makes a hand wash combining these two notes with musk, making for a little Persian exoticism in your bathroom.

The season is full of opportunities for scented adventures and a little playfulness goes a long way. On a subsequent post I will reveal what the staff at the Diptyque boutique suggest as scent combinations for creating quite another mood... ;-)

Home for the Holidays: Home Fragrance Project

The holiday season means it’s cold outside and everyone is spending more time indoors, with the windows and doors closed. It’s time to feature beautiful natural scents to highlight the festive spirit.

The Natural Perfumers Guild members are dedicated to using 100% natural aromatics, and for this season, members of the Natural Perfumers Guild created ambient fragrance for the home and office, using incense, candles, room sprays and wax melts. Eight Guild perfumers and associates have independently created lovely ambient scent products to celebrate “Home for the Holidays” 2012.
 The natural scents work hand-in-hand with the idea of fragrant Christmas trees, boughs and wreaths fragrancing the homes and offices. The Guild members were matched up with eight scent bloggers, several of whom have never previously reviewed ambient fragrance products.

The rationale behind the idea makes sense, as it's supremely difficult to find natural-sourced products for home use. "We in the Guild thought this was a great challenge, and love the idea of being the first to introduce them to this scenting concept. Many homes are awash with synthetic room scents, from plug-ins to automatic spritzers. How lovely, we thought, to keep in the spirit of the holidays, when pine and cinnamon and frankincense, all natural aromatics, in addition to our creative takes on indoor fragrance, can be introduced!"

The scents in which Anya's Garden presents her home fragrance wax melts in are:
Outlaw Perfume (named after the challenge to the government regulations on perfume allergens back in 2010 the perfumer took) - Oakmoss, bergamot and lime! Believed to be the first oakmoss/chypre room fragrance
Lemon Vetiver - Lemon myrtle with its lemon candy/herbal scent pairs with woodsy vetiver
Bay Rum and Honey - Oh, honey, so yummy - like a tropical night, and surprisingly, a holiday scent, too.
Each scent variation is available in 6-8 pieces 3oz. hand-poured and costs 30$.

I was sent sample wax melts to try, presented in a lovely purple pouch, obviously hand-poured with love into cookie and candy "molds" that resemble fleur de lys (or small platypus feet, it all depends on your level of humor!) and as soon as I opened the sachet I was greeted by a delicious waft of assorted freshness and spiciness.

They're all good, but my favorite has to be Bay Rum and Honey. It has that aromatic spiciness with that clove-like tinge which I adore. The throw is very good and it avoids that pitfall that many "sensual" scents get trapped into: too much sweetness to the point of nausea (though it is sweet, but in a good way). If you're bringing this to the bedroom or the living-room while entertaining you won't have people thinking some random cable melted or that you forgot something sweet on the stove! It also has an outdoorsy nuance that is not common for this genre, Christmas-y, like pine or fir. It smells delicious!
Lemon Vetiver emphasizes the fresher, brighter and vivid aspects common on both materials. These two also have other, differently nuanced facets, aromatic for lemon myrtle (which should not be confused with either lemon the citrus or with myrtle, it is backhousia citriodora and it's technically a spice) and licorice for vetiver, which are not explored here. The Lemon Vetiver wax melts would be very popular for de-stuffying a room naturally, sort of actually opening the window; it's a head-clearing, alert scent that would go down very well for a working environment or a home office, it seems to bring on a dynamism and energy to it.
Outlaw Perfume is perhaps the most outdoorsy of them all, an oxymoron for fragrance intended for the home. Its mossy, green, even slightly soapy scent from some angles invites contemplation, novel reading in overcast days when the rain pits-pats on the window pane and a foreshadowing of the good, long walk into the woods that comes after everything is properly washed down after the storm...

Wax melts are a great value since they're also the ultimate recycleable fragrance product (you can stash the cooled melts in a closet or -as Anya suggests, but I haven't tried it personally- use as a polish on furniture).

Anya's Garden has offered us the option of a giveaway: To USA-based readers only, a Room Candy tin of the scent of their choice, plus a tea candle burner, a $40 value.
Enter a comment, saying what are you desires/concerns regarding home fragrance and you are eligible. Draw remains open till Sunday 4th midnight.

Products reviewed available at Anya's Garden site. There is a good value for money Starter Kit at 40$ which includes a 3oz. tin of wax melts, tea light burner (not sold separately) and one organic beeswax tea light.

Like mentioned above this is part of a greater project including natural perfumers (from Andrea Shanti to Elisa Pearlstine and Anita Casamento) and bloggers (for instance The passionate parfumista, Feminine Things and Perfume Critic) , so if you are really interested you can consult Anya McCoy's  blog page for reference and to see other links.

Interview with Perfumer Ramon Monegal of Ramon Monegal Perfumes

Ramón Monegal Masó is the perfumer and driving force behind prominent niche perfumes firm Ramón Monegal from Barcelona, Spain. Certainly among the best discoveries of 2012 and a collection with something for everyone, the line attracts attention for two main reasons: Ramón Monegal at once continues an honored craftsmanship tradition, that of Spanish brand Myrurgia (of the erstwhile Maja) ~where he tenured as Creative Director and later Vice President~ and preempts trends and ideas of the future in his own independent line. Personally I was very impressed by several of the creations, so naturally I sought to question the author himself. Here is an interview he kindly granted me, highlighting some of his inspirations and the thinking behind the new line.

Elena Vosnaki:  It is rather astounding these days to find a niche line that offers such quality, quantity and diversity within their portfolio. Fourteen scents seem almost too many for any line, yet you have produced several within it that are bound to become cult favorites (I'm just mentioning in passing Mon Patchouly, Mon Cuir, Impossible Iris, Cuirelle, Umbra...). How did the vision for the RM line begin and how did it expand into what it contains now? 

Ramón Monegal: My current collection is the consequence of a career that never had freedom of expression. Nowadays my perfumes are the result of my own experiences and my bigger desires that never saw the light and has been my “raison d’être”. Those experiences and desires plus my current freedom have made my first collection possible. How will my collection evolve? This is very difficult to answer because once I have seen the success of my perfumes I can affirm that I will go on through a path of the excellence and trying to get closer to art, which is my main goal.

EV: How does it feel getting out of the traditional, family-owned Myrurgia (now under Puig) into a separate sector that would be more personalized? 

RM: I feel a great responsibility to all those who gave part of their life to teach me, I feel proud to be the fourth generation of a family dedicated to perfumery, I am encouraged and excited to be able to show my work, and a great satisfaction to be able to train my children to give continuity to the family tradition.

EV: Do you feel that the Spanish perfume tradition has more to offer to the international scene than what is currently recognized as "prestige"? I'm asking because many perfume fans are aware of the French-school, the US-school, maybe the British or Italian "school" of perfume tradition, but not the Spanish; they relegate it solely to the Eau de Cologne type of scents and the classic Maja (of course!). What do you have to say to that? 

RM: That’s true! We should make them change their minds. Some years ago nobody thought of Spain when talking about haute cuisine. However nowadays Spain is ranked first in the field of haute cuisine! It was possible by imagination, risk-taking and the talent of a chef, Ferran Adria, who with his Restaurant “El Bulli” obtained worldwide recognition with his creations. I think today Spanish perfumery is second-rate and in order to leave mediocrity behind, we should go back to it true origin, approach the art with passion, imagination, talent, freedom, courage and good education. We need to look and find the true origins again.

EV: Is entering the niche field the only way of growing a reputable brand without the back-up of big conglomerates these days? Does it offer other competitive advantages? 

RM: I think the big groups restrict freedom with too many filters, and therefore the resources diminish in favor of Marketing. I sincerely believe that a small company like ours is more agile and able to adapt better and faster to new technologies. In a company like ours we hear the opinions of our direct customers and respect them, we are able to spend more on the development of the perfume, the perfumer is the true author and thus the values are authentic, the atmosphere is exciting and everyone feels they are participants, therefore perfumes are better. If we add the experience I think the benefits are huge compared to the disadvantages, especially the economic ones we suffer for not belonging to a large group.

EV: The RM line is full of interesting and novel takes on raw materials that are reference points for niche perfumes and for perfume aficionados. Was it a conscious choice (offer a new "spin" on old beloveds) or was it a process of going with the vision of a composition for each perfume which resulted in that effect? 

RM: The language of perfume is the language of ingredients and also of the perfumer. In my case I was lucky that my experience was not only in laboratories. Throughout my career I have had the responsibility to locate and evaluate materials purchased worldwide, which has forced me to be up to date, and given me additional knowledge of its nuances and values. When working on a budget you lose the freedom to use certain materials and certain proportions, but when you make a personal perfume, when part of your soul is within the perfume, you regain the right to use whatever you want and become duty to get rid of trade obligations and approach to art. Today we have fantastic pure natural materials as well as synthetic molecules with an extraordinary quality. In my opinion the author of the 21st century should be able to use them all, regardless of price, or provenance. All that matters is the quality and the fine nuances.

EV:  I noticed that you carry three "musk" types in the line: White Cotton, Agar Musk and Cherry Musk, each very different from the other. What was the rationale behind those? 

RM: Actually in my Barcelona’s shop I have up to 5, but for my international collection I have selected only 3. The perfume personality defines and at the same time attracts the environment. Musk molecules attract me and I'm addicted to them. They have the virtue of resembling human pheromones but are still noticeable, exciting, pure, delicate, gentle, and are an excellent base to combine with all kinds of chords and olfactory images, and was something I always wanted to play in my previous stage but they never let me do.

via stylelovely.com

EV: The packaging of the series is exquisite and very classy. Who do we have to thank for? How did the inkwell idea came about? 

RM: My initial training was architecture, which I left to train as a perfumer, and my training has always defined the basic structures of my perfumes and base plates. More recently another of my concerns, the literary, led me to write the novel "Perfumer" [ed.note: in Spanish], that I wrote in my period of reflection and I discovered the value of an inkwell: the container of a material, the ink, that in the hands of the writer can turn into any kind of story. When I thought of drawing my perfume container, in a volume that it could define and indentify to myself,  the idea of the inkwell came to mind: it could be a good container for any olfactory history and it could have an strong architectural volume, and that is how I drew my iconic flacon. Then I had to adjust the proportions to incorporate a valve to make it rechargeable, and I chose high-quality materials as the semiautomatic glass, zamack to the hinge (a metal alloy of zinc, aluminum, magnesium and copper) and bakelite for the lid and for the packaging.

EV: What are some of your favorite things: Favorite city, favorite food, favorite perfume note, favorite fabric, favorite color...? 

RM: My favorite city is Barcelona because it is on a human scale, bright, artistic, Mediterranean, intellectual and inspiring. I love the new gastronomy Ferran Adria deconstructed ingredients based on first order, also the Japanese-style raw fish, with young & fruity white wine. I like the flowers tuberose and jasmine, galbanum incense and resins, iris root and vetiver, cedar and sandalwood, the molecules of musk and amber. My favorite spices are pink pepper and nutmeg. My favorite fabrics are linen, silk and leather. And my colors, black and yellow together.

EV: Where can one find your perfumes in Europe and in the US? Do you have plans of expanding to other markets as well? 

RM: In the U.S. we are available at Bergdorf Goodman, Neiman Marcus and in a selection of the best independent stores such as Luckyscent. In Europe we are already in Spain, Germany, Italy and coming soon in Romania, Berlin, Vienna and Brussels. We have begun the expansion less than a year ago and our plans are going step by step, selecting only the best places all over the world.  

EV: Is there a special fragrance that has marked you while growing up or one which you admire a lot from another perfumer? Why? 

RM: The smells of childhood marked me a lot, especially those from the sea; also the pitch (tar and leather) used by a master in the art of caulk caulking boats, in a small fishing village located on the Costa Brava where I spent my summer vacation, the tanning from the leather bags of my mom and the leather smell from the Aston Martin’s seats of my father. I love the smell of incense in liturgical celebrations ... Later, and in my training period as a perfumer, I found that the smell of humid earth comes from its roots and fell in love with ginger and vetiver root, especially the unclassifiable iris from Fiorence, which I chose to create my first customized fragrance for the was going to be my wife, María, for the day of our wedding, 36 years ago.There are classics that I have studied thoroughly and I am still admiring nowadays perhaps more than ever, as for example the true Jacques Guerlain's Shalimar, the incomparable iris of Chanel No.19 by Henri Robert, the Cuir de Russie by Ernest Beaux, the extracts of East woods by Lucien Maisonier in Myrurgia, besides other and obviously not forgetting perfumers as Artur J. Pey, Pierre Bourdon or Marcel Carles .

You can discover the perfumes on the official site.

Reviews of Impossible Iris and Mon Patchouly on these links.