Annick Goutal Nuit et Confidences: fragrance review

Nuit et Confidences is the most typically sensual, sweet, and stereotypically "evening" of the series originally named Oiseaux de Nuit and later renamed Les Parfums de Géraldine, after the moniker Annick Goutal took in her 1970s modelling years. Nevertheless it is not the darkest one -that is rightfully Tenue de Soirée which I reviewed here.

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Drunk (as in intoxicating, for lovers) vanilla forms the heart of the fragrance, soaked in rum and with a slightly almondy marzipan texture at the edges of this fragrance's spectrum. It is set with white jasmine, more innocent than carnal. I'd call Goutal's Nuit et Confidences a cross between rich, multifaceted vanillas like Spiritueuse Double Vanille (Guerlain) and the darkness of Eau Duelle (Diptyque). It is intended for occasions when a lack of imagination is required. This trait almost promises a best seller, and yet it was not meant to be. However, it is like a topaz in gold-bronze tones, suggesting the diamond qualities of a diamond in cognac tones: even if it does not approach the mentioned examples in strength of character, it exerts its own attraction. 

 Like the moniker "nightwear" in the series, the fragrances do not betray the quality of Goutal perfumes, even if the perfumer-stamp of the first and middle releases, which established the "small brand for exquisite perfume lovers," has since changed from Isabelle Doyen to Mathieu Nardin of Robertet.

 

 Les Parfums de Géraldine, of which Nuit et Confidences is part, are available in 30ml (1 fl.oz), 50ml (1.7 fl.oz.), and 100 ml (3.3 fl.oz.) bottles of Eau de Parfum concentration at select stockists

Annick Goutal Etoile d' une nuit: fragrance review

 Étoile d'Une Nuit is the delicate "boudoir fragrance" that the viewer of period TV series fantasizes about - fragile, nostalgic, sometimes stuffy. However, Goutal does not plan to join the banality and convenience of ready-made "cosmetic powder" perfume bases, which are precisely the ones that risk anesthetizing the noses of the unfortunate males who will come into contact with them. Instead, the brand looks back to her older lacy fragrance La Violette, creating the most delicate of the "night birds" quartet. Here, she retransmits that ethereal atmosphere of La Violette together with the frambinone molecule to "cut" the excessive old-fashionedness. Light musk, of superior aesthetics, subtle, clear, not at all like harsh detergent, fills the composition, imparting cleanliness and a clear powdery and light skin scent sensation. It is closely related to Kenzo Flower and its powdery-violet aura.

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Goutal perfumes possess that je ne sais quoi that we admire about femininity in older paintings, movies, poems, literature... and this is no exception. It is subtle, but discernible, and in an era when the gender borders have expanded, it is rather retro, but not in an obsolete way. It is pearlescent and ethereal. It has its own charm. And charm has always been at the very heart of the Annick Goutal brand. Dainty, delicate, beautiful, and with the innocent love of a budding young woman opening her wings to the world. 

 Like the moniker "nightwear" in the series, the fragrance does not betray the quality of Goutal perfumes, even if the perfumer-stamp of the first and middle releases, which established the "small brand for exquisite perfume lovers," has since changed from Isabelle Doyen to Mathieu Nardin of Robertet. Les Parfums de Géraldine Etoile d' une Nuit is available in 30ml (1 fl.oz), 50ml (1.7 fl.oz.), and 100 ml (3.3 fl.oz.) bottles of Eau de Parfum concentration at select stockists. More info on the official Goutal Paris website.

Annick Goutal Tenue de Soiree: fragrance review

 Goutal Paris has been through a few changes in the last few years, which we have been following with the rapt attention of someone journaling a favorite artist's track. From changing hands to redirecting their aesthetics, the Goutal brand has surprised fans with its rebranding, but also disappointed some of the acolytes of its distinct style. A quartet of their fragrances, of which Tenue de Soirée is the object of this review, deserves more attention, as it didn't get the interest it merits when they first launched. 

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The series under Amore Pacific was initially called Oiseaux de Nuit (Night Birds), a name with inescapable and erotically-charged Anais Nin overtones, and was later renamed Les Parfums de Géraldine, following the heritage of the deceased founder of the house, Annick Goutal, who made a career under that name in the 1970s. 

 Tenue de Soirée is the most suggestive, flirtatious, and subversive of this series. The hint of blackcurrant liqueur wraps the chocolate patchouli of the composition in the pleasure of night romance, revealing it in a silky garment (with leather straps) full of promises. The sensuality is close to that of Bottega Veneta's eponymous and sadly discontinued fragrance, with hints of eroticism rather than overt displays of flesh. Notes of powder, vanilla, and the freshness of bergamot (which unexpectedly emerges AFTER the scent of edibles has subsided, like dewdrops of the first dawn) make Tenue de Soirée fragile, sensitive, truly lacy. It is feminine without clichés. The sweetness and bitterness are distributed in equal amounts in Tenue de Soirée and do not betray the quality expected of Goutal perfumes.

The perfumer is Mathieu Nardin and the concentration is Eau de Parfum, available in 30, 50, 100 ml sizes.