Showing posts with label la nuit de paco rabanne. Show all posts
Showing posts with label la nuit de paco rabanne. Show all posts

Thursday, April 20, 2023

Paco Rabanne La Nuit: fragrance review

 Naked Lady Godiva, Countess of Mercia, rides on her proud gray horse, with leather bridles and wet saddle, keeping her word as a personal wager against her husband, on the occasion of relief from her husband's excessive taxation to the residents of the county. A peeping Tom peeps despite the curfew of the residents. 

This is the image that gradually appears and disappears in my mind - and maybe Rabanne's own, as he was immersed in spirituality for the latter part of his life- as I smell this wonderful creation by Jean Guichard for Paco Rabanne, La Nuit de Paco Rabanne


 John Collier's famous painting of Lady Godiva

 

The glamorous image of the TV spots with the woman in an evening lamé dress and flowing long hair, coiffed in 80s style with lots of volume tell only half the tale... 


 

This bold leathery chypre is proud and daring. The green whiplash of artemisia is precious as it segues into honeyed notes, rich and lush. It's easy to get back because it's so horsey at this stage. The alliance of oakmoss with civet and leather in Rabanne's La Nuit raises it into the pantheon of cult classics, though and it remains an unparalleled gem in the collection by the great designer. It's a shame that this gem was discontinued so soon, yet it will always remind me of the great designer of the Space Age, of the 1960s and 1970s. It is at once so much in style with his boldness and at clash points with his overt futurism. 

La Nuit Paco Rabanne... Partout où est la nuit (Everywhere where it is nighttime).

Thursday, December 22, 2011

Paco Rabanne La Nuit: fragrance review

Smell La Nuit by Spanish-born designer Paco Rabanne and nostalgise about the 1980s with a vengeance. In that carnal decade, La Nuit was aimed at "the sensual, sophisticated and modern woman" "partout où est la nuit" (everywhere where it's night-time) and was quite abruptly discontinued in the following decade. Paco Rabanne fragrances from the 1969 cool Calandre to the 1988 men's aromatic Ténéré and the excellent 1979 Métal suffer from market maladjustment despite their pitch-perfect tune-in with their times; they fly under the radar for no good reason and get discontinued all too unjustly. La Nuit (1985) is a similar case in point.

Poised between a leathery chypre with fruity accents and a deep oriental (with no great sweetness), Paco Rabanne's La Nuit, composed by perfumer Jean Guichard, is vaguely reminiscent of the danger and swagger of vintage Narcisse Noir by Caron: c'est troublant! It also has elements of the sharp scimitar weilded by Cabochard and the urinous honeyed leather of Jules by Dior. 
Once upon a time a certain biophysicist with a keen interest in perfumes had given away the perfume's core character by (positively) claiming that it smells "as if you sprayed Tabu on a horse", thus delineating the two main directions the composition goes for: civet (of which Tabu has oodles) and leather. This of course goes contrary to prior writings in French where he compared the upkeep of interest in smelling the dissonant top notes with musicians tuning up their string instruments before a concert. His apology and excuse?
 "My extenuating circumstance was that at the time (1985) I lived in Nice, where women can be toe-curlingly vulgar, and it was a big hit. [...] Now that the Niçoises have moved on, I see it for what it was all along: the sexiest fragrance since Cabochard”.

The construction of Paco Rabanne's La Nuit lies in the precarious juxtaposition of unassuming, fresh ingredients over "animalic" notes (those smells which recall real animals or rather our libidinous animal urges, as delineated by the discourse between Jung and Freud). The top of La Nuit is profuse in linalool, rather aromatic with a hint of spiciness like basil and myrtle, and a "bruised" citrusy note that results from the aging process in the vintage bottle. In the evolving process, golden hued plum and peach skin (the note made famous by undecalactone in Guerlain's Mitsouko) lend an old-school, rich saturation; compared to the graphic shrill effects that many contemporary fragrances go for in their search for "freshness", 1980s fragrance seem akin to canvases painted by the Great Masters. Of course this tells us more about the state of perfumery now than about La Nuit.
What transpires through this deep, pungent fragrance is an animalic, sweaty mantle (made slightly austere by a woody note of cedar) that engulfs a honeyed rose heart, the latter perhaps reminiscent of L'Arte de Gucci; the rose isn't what it's about nevertheless, but serves as a feminine counterpoint to the more unisex animal notes: Not only a huge dose of civet, but also the whole kit-and-caboodle of retro musks, intimate-smelling beeswax and bittersweet leather, almost urinous notes. The effect is a rich, individual leathery fragrance which can be quite alluring on the right type of defiant woman (or a discerning man); personally I can easily imagine it on Violetta Sanchez.

Extremely tenacious for an eau de toilette and even an eau de parfum (the latter slightly better nuanced) and very discernible sillage make this a vintage fragrance to use sparingly, especially if you "don't want to offend". (Then again, what are you doing playing with La Nuit?). The parfum (procured via a valued friend collector) is frankly exquisite.
I don't find it as debauched or decadent a scent as other hunters of the vintage scented gems (the term affectionately used is "skanky"), but rather edgy and quite French in its "je m'en foutisme" that French perfume wearers always had about their personal choice.
No wonder it's discontinued...

Notes for Paco Rabanne La Nuit:
Top Notes: Bergamot, Lemon, Tangerine, Myrtle, Cardamom, Artemesia (Armoise)
Heart Notes: Jasmine, Rose, Pepper, Peach
Base Notes: Cedarwood, Leather, Patchouli, Oakmoss, Animalic note, Civet


Photo of Arielle, Monte Carlo 1982, by Helmut Newton

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