Roja Dove Diaghilev: fragrance review

 Much of our information on the particularities of Sergey Diaghilev the man come from the many exhibitions and press catalogues which have been relying on the lasting aftermath of Les Ballet Russes in Europe. Apparently the story of the Diaghilev by Roja Dove fragrance is more complex. 

The fragrance began as an Eau de Parfum concentration as attested by the older advertising images for the Victoria & Albert museum exhibitions and lectures. It then moved to the uniform "whiskey carafe" style of extrait de parfum bottles in a more concentrated form. It is indeed the Eau de Parfum which I had first tried years ago and proclaimed it inwardly "a Mitsouko analogue." (referencing the famous Guerlain perfume from 1919)

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The reference is not lost upon those who know a thing or two about the man through the bibliography on his life and opus. Serge Diaghilev was enamoured with Guerlain's Mitsouko during the height of his career with Les Ballets Russes and used to drench his curtains with it. Drenching the curtains in perfume....sounds so decadent and eccentric, right? The impression must have been something of an autumnal twilight, just as the Guerlain scent segues into the forest floor after immersing you in a liqueur like the fuzzy skin of golden nectarous peaches ripened in the sun... Charlie Chaplin was also a fan. There's something about it that makes creative juices flow.

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In a way, both Mitsouko by Guerlain and Diaghilev by Roja Dove bring a sense of awakening to the senses upon smelling them. They're both lush, fruity chypre perfumes, and they're both like a beauty coming back from a long-forgotten slumber, like the princess sleeping in the Sleeping Beauty ballet that Les Ballets Russes performed.

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The transition from the citrusy top note is as smooth in Diaghilev as in the Guerlain, with the linalyl acetate of bergamot smoothing the pathway to the core of the chypre skeleton, and piquant notes of spices and herbs (cloves, peppery jolt, tarragon) give a lively burst alongside the plush. The spicy component is a counterpart to the fruity and floral aspects. It's never a flat scent; it's always bronze-y and lush.

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The modern re-issue took the structure of the Eau de Parfum and gave it in Extrait de Parfum an immensity of duration that far surpasses the 24-hour mark on skin. The old bases like Persicol have tremendous tenacity and the synthetic civet feels like it opens up the best elements, attaching itself to the fruity and floral aspects and making them extend into infinity.

Manos Gerakinis Immortelle: Treackly Burnt Sugar - fragrance review

The name Immortelle comes from the golden-hued plant of everlasting flowers (immortelle in French) or helichrysum. The scent of immortelle absolute in its raw state is difficult to describe, somewhat similar to sweet fenugreek and curcuma, spices used in Indian curry, with a maple-like facet. Quite logical, if you consider the fact that the substance contains alpha, beta and gamma curcumene. Manos Gerakinis, a niche Greek line that is aiming ambitiously and delivers in sillage and lasting power most admirably, tried to harness exactly this precious oil, the one from everlasting flowers.

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A cross between burnt sugar and dry straw is a rather valiant effort at conveying immortelle's nuanced profile, but the more the immortelle oil warms up on the skin, the more it reveals human-like, supple nuances of honeyed notes, waxy, intimate... It pairs well in chypres and oriental fragrances, where it is placed next to labdanum, clove, citruses, chamomille, lavender and rose essences.

In Manos Gerakinis's Immortelle niche offering, the immortelle accord takes on a sweet and deep aspect, with spicy accents, a dark gourmand. The cinnamon is pronounced, making me passingly think of a Middle Eastern dessert carré. The result is resinous without becoming heavy, nor suffocating, nevertheless. Benzoin, a resin with caramelic aspects, pairs with the rustic roughness of immortelle that recalls the Corsican maquis and Greek insular landscape.

There are some ways in which Immortelle reminds me of Goutal's classic Sables (probably the reference point for immortelle scents, for daring to be the first one seriously highlighting it) and of Serge Lutens's Jeux de Peau with its whiff of toasted bread and its subtly caramelized notes. People who love L de Lolita Lempicka and Frederic Malle Musc Ravageur might also find in Immortelle a trusty ally for their moments of daytime sensuous abandon.

The Manos Gerakinis brand has an official website by that name, where all the shopping options are mentioned clearly with international presence in the Middle East and Russia.

Giveaway: Full Size Niche Perfumes for our Readers

There is a time when silence descends. Dear readers you have seen it. And I apologise for it. "And even if you're not here to stay I'm happy the universe allowed your soul to stop by." So let's proceed beyond the silence and venture into new adventures.

To usher in the new beginnings I am hosting a giveaway for two purse bottles of Neela Vermeire Creations' wonderful (really gorgeous!) Pichola. The bottles are as depicted above: 15ml Eau de Parfum concentration. I have posted a detailed review of Pichola by Neela Vermeire Creations on THIS LINK.

At the time I had written that "Pichola is not a travel "selfie". This shape shifter of a fragrance has backbone, finesse and above all the charm that makes a fragrance go beyond the mere pretty into addictive. [...] This creature purred...and I purred with delight over it."

The fragrance has been developed by Bertrand Duchaufour who has excelled in his work for Neela.

To enter the draw please post a comment under the post stating your prefered flowers in fragrance and why they work for you.  The draw is open till Monday 5th February midnight.

Etat Libre d'Orange You or Someone Like You: Chandler Burr Shares His Inspiration Behind the Fragrance

The staccato bravado of État Libre d'Orange's fragrant creations is the stuff of legend. (Who can forfeit their sentiments upon smelling the infamous Secretions Magnifiques for example?). The credibility and creative inquisitiveness of Chandler Burr is the stuff of steadfast reality. Imagine combing the two into a single item that you can actually claim as your own.

To make it short and concise, Chandler Burr, author of the novel You or Someone Like You among other works, former NY Times scent critic and curator of museum exhibitions and scent dinners, has art directed a perfume for  État Libre d'Orange that officially launches on April 3, 2017, named You or Someone Like You.

Here is what Chandler told me about the inspiration behind the new niche perfume launch You or Someone Like You.

 "There is an Englishwoman who doesn’t exist. Her name is Anne Rosenbaum, and I created her in my novel “You Or Someone Like You.” She lives, with her movie executive husband, in a house high in the blue air of the Hollywood Hills, just off Mulholland Drive, overlooking Los Angeles above the 101. 

 I’m fascinated by LA, this strange dream factory that exists in its eternal, relentless present tense, its otherworldly beauty both effortlessly natural and ingeniously artificial. A movie that makes movies. Palm trees, the symbol of LA, aren’t natural there. They were imported, placed in the hills, “but then,” Anne observes to you, “so was I.” 

Los Angeles’ smells mesmerize, the astringent mint/green of eucalyptus, wild jasmine vines unselfconsciously climbing the stop signs, catalyzed car exhaust, hot California sun on ocean water (although “You” contains no jasmine or eucalyptus; if you need to know what it’s made of, “You” is not for you). 

When Etat Libre d’Orange approached me about creative directing, my perfumer Caroline Sabas and I created not a “perfume” -- people in Los Angeles don’t wear perfume – but a specific scent, the scent someone like Anne would wear, an Angelino Englishwoman high in the hills in the blue air."

Sounds like something I should dig with the fervor of a scent hound. Stay tuned because we have an exclusive interview with Chandler Burr coming up soon. 

NB. There is an Etat Liubre d'Orange discovery set sold on Amazon here and another on on this link.

Penhaligon's & L'Artisan Perfumeur: Niche Fragrance Brands Bought by Puig

I have tired of saying it: we're experiencing the end of niche. Niche was a marketing tool to grow companies and then sell them to the highest bidder. The sale of Editions de Frederic Malle and Le Labo last autumn to the Lauder Group is followed by the sale of British traditional house Penhaligon's (established in 1870 as they boast) and of French artsie proto-niche (well, at least when it was founded by Jean Laporte in the late 1970s) L'Artisan Parfumeur to the Spanish group of Puig.

Jenner Studio photo via archdaily

Puig is at least no LVMH....They do nevertheless cater to a more mainstream perfume portfolio: Carolina Herrera, Prada, Paco Rabanne, Valentino....but also Comme des Garcons, which is anything but conventional in their fragrances.

Two years ago I was complaining on L'Artisan Parfumeur losing the grip on niche. In fact actively seeking to distance itself from the Jean Laporte, Olivia Giacobetti, Anne Flipo and Jean Ellena past. They were commissioning hundreds (or so it seemed, at least) new fragrances on Bertrand Duchaufour and seemed to branch out. Now it's evident even to the most well-meaning why that was.

Penhaligon's (funnily enough employing the same indie perfumeur, the Mitsotakis of niche apparently) was following a similar trajectory, a markedly different business model than its small shop cutesy of its long past.

All the same it's another tombstone on niche perfumery. How much longer will Serge Lutens withhold after having bought his rights for handling his name from the Japanese giant Shiseido?

Et tu, Frederic Malle? Estee Lauder Buys Editions de Parfums Frederic Malle

It's not enough that performer-perfumers of the niche market with their own eponymous brand under their belt shun perfumistas, considering them irrelevant audience that needn't be cajoled because they don't really matter. It's not enough that indie niche perfumers have the guts to spell out the truth and state that perfumistas account for less than 1/4 of the total sales they make. Now Big Companies buy out the smaller players, at least the ones with the highest profit margins... First Le Labo was bought by the Estee Lauder Group, the fusion effective this November 2014. Now Editions des Parfums Frederic Malle is being bought by the conglomerate., according to an article by Julie Naughton on the Financial side of WWD. [Read the rationale on Vogue UK online, very quick to pick up the news]

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I've been saying it a lot during the last couple of years (and initially articulated the thought back in 2010) but I have been accused of being cynical: Niche is (now) dead. Marketing is not a dirty word. Presenting an "updated" segmentation within a luxury brand is a plan to have your cake and eat too. When you hear too much art talk, you know something is fishy. Fragrance costs little to produce. Above all, think of what gives you pleasure, what is beautiful, and choose to support the ideas that matter to you and additionally not be swayed by fear-mongering. I suppose what I'm saying is "use your head". And we all know that the head is very purposefully elbowed out of the equation by the fragrance industry for decades, all that fluff talk about emotions, dreams, sentiments blah blah blah....

Let's re-iterate: Perfume aficionados form a very small, insignificant segment of the actual buying audience of perfume niche market. Expect the winners to be bought off by big brands, the struggling unoriginal ones to wither and die via survival of the fittest and the dedicated artisanal indies to continue to cater to a small, cottage-size industry. Consider where your buck flows carefully.

Bottom line, what bugs me most: The perfume aficionados have been USED as a stepping stone in order to build covetable brands that would bring back the investment by being sold off later on.
You call it business acumen. I call it exploitation. Let's agree to disagree.

NB. I was alerted to this news snippet originally via Basenotes. 

Esxence: the art perfumery's event for 2014

Like every March in the last 5 years and counting, Esxence: The Scent of Excellence is taking over Milan for the 6th edition of the art perfumery event during which creators, perfumers, distributors, critics and perfume lovers alike will be participating into the biggest exhibition this side of the Atlantic this spring. The event will space itself during 3 days, from March 20th till March 23rd, Thursday to Saturday from 10:30am to 6:30pm and on Sunday from 10:30am till 4:30pm at the Triennale di Milano.

The official site can be accessed here and full list of exhibitors can be seen on this link. Exhibitors interested in participating need to apply using this form, while journalists can download their invitation for attending on this link.

Surely an event not to miss, Esxence will be the meeting place for all the brands who excel at niche perfumery. Catch you there!