Tuesday, November 4, 2014

The Aesthetic Principle

When you use a synthetic raw material,” said [Thierry] Wasser, [perfumer at Guerlain] “if you know what you're doing you never, but absolutely never use it as a 'substitute' for some natural product. The synthetic is there to be itself—which by the way is something no natural material can be. People need to understand that we design our scents to be specific works.” […]“A work of scent is utterly unnatural,” said Wasser. “Samsara has nothing to do with ‘natural.’ Nature never would or could put it together, but it’s difficult for those people obsessed with ‘natural’—whatever that means—to understand that these synthetics smell like these synthetics and that we use them because they smell like these synthetics."

Vanitas series by Guido Mocafico, 2007 via parenthetically blog

The above comes (brought to my attention by Smedley, an online friend) from a snippet author Chandler Burr included in his reveal of the S02E05 Untitled Series, a project that asks people to smell perfume "blind", i.e. shed of any extraneous marketing or preconceived notions.

The problem is that the movement for "green" living specifically in regard to perfume, championing "less chemicals in our products", relies by its own nature (pun intended) on panic, herd mentality and pseudoscience. A similar streak runs through the anti-vaccination zealots or in people who believe rice crackers and an apple are more nutrient-rich & healthier than a plate of eggs & bacon. Just because something has been vilified in the press or "everyone says so" isn't enough proof to stand scientific scrutiny. But there you go: The hysterics on "green", "vegan", "organic" and "healthier" rely on the gullibility of people who aren't scientists and typically get intensely bored by scientific data or who are convinced Big Pharma is hiding beyond everything. No wonder few among them end up scrutinizing the facts, thus allowing "green marketing"* to get conflated with pseudo-science perpetuating inaccuracies online and in the press.

[*I had a discussion over cocktails with the president of local L'Oreal branch a few years back. He told me "Green is big now, so we promote green". It's L'Oreal, folks!]

It's tempting and easy on the ear to romanticize about "the aromatherapeutic effects of lavender" in your fabric softener and have watchdogs decide whether that should be so or not. In reality, the product you add in your machine's rinse cycle already doesn't contain one drop of real lavender oil. The mere name is a misnomer: lavender "this" and lavender "that" is usually no lavender at all, but a blend of vanilla and musks. That's because this is what people respond well to, according to an old study, its findings based on focus groups, conducted by a huge household cleaning products company. Even Guerlain's iconic Jicky is smart to buttress its own lavender with musk and civet.

Natural (a term that is incredibly difficult to define, since everything is man-treated in some form or other if to be used) is considered better because grown among urbanites sick & tired by the emptiness of a sterilized  existence it implies a "holier than thou" stance of being both informed (wrong, as we have proved) and considerate (wrong again, because relying on faulty proof and twisted medical terms). This desire "to avoid unnecessary chemicals" has greatly harmed the artistic merit and the solid reputation of the all naturals movement.

Perfumers dabbling in all naturals have been quick to sense that and you won't catch the indie & artisanal crowd that I frequently feature on my pages making bogus claims that their wares are better because they're "healthier" or "safer". Instead they propound their artistic integrity operating on a cottage industry level and their independence relying on no one's external funding and not answering to any board of directors. (To bring an analogy: now that Le Labo has been bought off by the Estee Lauder Group how much of their personal touch can survive? Little, judging by the Jo  Malone fragrance brand). More importantly they make their stance that they appreciate natural essences (and natural isolates in some cases, a very welcome addition in my personal opinion) as an aesthetic choice and a bond with perfume's history. 

Neither are niche or luxury perfumes necessarily better (the inherent snobbism of which justifies the high prices asked, making niche & luxury the only sector to show growth in the industry) because they use "better" materials or "more naturals" in their formula.

Don't try to guess via the price. Price is a marketing choice, it's positioning that doesn't directly reflect the formula's cost.

Don't try to guess via the color of the juice either. Fragrances are invariably dyed and the dark, grapes-worthy purple color of your Serge Lutens perfume (Sarrasins?) might not come due to the ingredients, much like the lilac in Vera Wang Princess doesn't either.

Certain luxurious niche perfumes do not contain one iota of frankincense or myrrh, even though they are indeed labeled as "incense", or they don't include even one drop of real rose absolute despite the marketing or the name. This does not diminish them, they are what they are, they connote rather than denote, and perfumery is indeed a game of connotation, of semiotics, of illusion via allusion. "Art is a lie that makes us realize truth", in the words of Pablo Picasso.

Things do not necessarily have to prove themselves in a politically charged or a strictly eco-conscious context when it comes to fragrance in order to capture our attention and ultimately our hearts. They merely ask to be considered on their own aesthetic merits; to be judged by the aesthetic principle. Which is another way to say "the pleasure principle", or jouissance, to use a Lacanian term. And sadly, this is what has been depreciated in our contemporary culture.

Friday, October 31, 2014

In Praise of Shamhain & Halloween







The time of the year when the veil between the world of the dead & the living is said to be the thinnest.

Bring out the black blouses & long coats from the back of the closet, carve a pumpkin, put a plummy lipstick on a pale face like a gothic heroine and light a (scented) candle for your beloved dead. Happy Halloween!

Thursday, October 30, 2014

A Coveted Position & an Invitation

It is with great joy that I am presenting you with my latest writing project, which will hopefully bridge a gap, that between the hardcore perfumista reading & participating on blogs & fora and the newbie, who is interested in the world of scent but wants clear info, without the burden of feeling being left behind on a hundreds posts, and possibly appreciates a less eccentric point of view.
Joining the team at About.com, becoming their Fragrance Expert and building the Fragrance site from scratch is a great responsibility in addressing this gap and I hope to do it with the great insights that you, my dear readers, have given me over the years. It was an honor to be offered this position and I intend to give my due with great, engaging content.


In the meantime you can check out the site on the link Fragrance.About.com and subscribe to my Newsletter if you like. The process is easy: you enter your preferred email address on the left hand column (under Free Email Newsletter) and hit Sign Up. That's it! The newsletters are going out just once a week, so they won't cram your inbox, every Sunday afternoon US Eastern time.

I'm sure that even seasoned perfume lovers might find an interesting nugget here and there on my new venue and please feel free to email me offering suggestions on themes! I will continue to write on this blog, where we can take it on a more personal and quirky level, as well as on Fragrantica, where I'm indebted to the kind owners who have treated me so nicely. So, Elena to the power of 3! You can roll your eyes now, I suppose ;)

Wednesday, October 29, 2014

The Scent of 67P/Churyumov-Gerasimenko: Not What You Think

Dear reader, you who are about to grab your credit card and order that fabulous new bottle of Tom Ford Velvet Orchid to go with your new velvet berry lip and your black suede ankle boots, or you shopping for a Christmas gift of Jo Malone Wood Sage and Sea Salt for your spouse. Stop and think a little about the greater picture; outer space, to be exact!

via

Yup, you heard that right, scent is a universal thing. A comet in space smells of rotten eggs, horse urine, formaldehyde, bitter almonds, alcohol, vinegar and a hint of sweet ether. Incredibly eh? Apparently researchers at the University of Bern in Switzerland deciphered how the 67P/Churyumov-Gerasimenko comet smells by analyzing the chemicals in its coma, the fuzzy head surrounding the nucleus, using one of the instruments aboard the European spacecraft Rosetta which is preparing to drop a lander onto the comet's icy surface on November 12. What's even cooler (if you're so inclined) is that the closer the comet comes to the Sun, the more intense the odor will become as per project leader Kathrin Altwegg from the University of Bern.

News according to Times of India reproducing metro.co.uk reportage.

Monday, October 27, 2014

Acqua di Parma Collezione Murano: Christmas Holidays Gift Ideas

The silhouette of the small island is visible from Fondamenta Nuove to the open sea. Known as the “Isle of Glass”, Murano is famous the world over as the place of origin of beautiful glass objects and sculptures. A patchwork of workshops and furnaces spreading across the lagoon, where skilled masters work, blow, cut, and shape their unique masterpieces. The art of glass-blowing was developed in Venice in the year 1000. In 1291 furnaces were moved to Murano and since then the whole island has been dedicated to the glass-blowing art. In Murano, like nowhere else, Italian genius figured out a variety of techniques to draw different and fascinating shapes from glass.

With the Collezione Murano, Acqua di Parma launches a new form of multi-sensory design: combining the famous art of Venetian glass-blowing with 3 ambient fragrances in double-poured wax.



LINDEN TREES  FROM  GARDENS  BY THE WATER
The bright and floral notes of the linden tree spread through the air and seem to unveil the thousand secret gardens concealed among the canals and buildings in Venice. A city within the city, pervaded with green, flowers, and perfumes. A fragrance full of light, enriched with sweet honey and elegant sandal wood.

MAHOGANY FROM THE MARITIME REPUBLIC
The flame fluctuates gently, meanwhile the deep embracing notes of mahogany are perceived, blended with the energizing accents of vetiver and the resinous ones of elemi. These are the warm and intense scents of one of the wood varieties used by Venetian craftsmen to make the famous gondolas, which was also used in the past to build the huge vessels sailing towards the East.

THE TONKA OF VENETIAN SPICE MERCHANTS
A fragrance diffusing the soft notes of tonka. A scent inspired by the splendor of  Venice, the ancient exchange and trade venue. A maze of bazaars and small shops, a crossroads of travelers and merchants that brought treasures from all over the world. Dive into the past with a voluptuous fragrance, which blends tonka with caressing vanilla, spicy clove accents and vibrant ginger notes.

More info & purchase: www.acquadiparma.com

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