…for the Lutens goodies are Lubesa75 and periafro9 (yahoo.com). Congratulations! Please email me using Contact with your shipping data so I can have these in the mail for you shortly.
Thanks everyone for the enthusiastic participation and till the next one (soon)!
Monday, June 16, 2014
Friday, June 13, 2014
Serge Lutens Lucky Draw
A special little something today for our Perfume Shrine readers. I have one exclusive soap by Serge Lutens and two fragrance miniatures (Feminite du Bois and Ambre Sultan) for the picking for two lucky readers.
Draw is open internationally and ends Sunday midnight. To be eligible please enter a comment below saying whether you enjoy scented/matched body products and if you have a favorite.
Draw is open internationally and ends Sunday midnight. To be eligible please enter a comment below saying whether you enjoy scented/matched body products and if you have a favorite.
Wednesday, June 11, 2014
A Life-Long Dedication to Guerlain: Famous Fans
Among perfume brands of historical lineage, Guerlain proudly stands today as it did in the previous century and the one before it, as one of the necessary pilgrimages of every devoted perfume enthusiats. But some of the perfume lovers who have come into contact with the house have ascertained a durable, unstoppable connection which moves and tantalizes with promise at the same time.
Andree Putman was one such Guerlain devotee. Known to most readers for the 2005 renovation of the flagship store in Paris (with the ceremonial "chandelier" of perfumes, which is now substituted by a newer design) and for her own Preparation Parfumee Andree Putman, a niche fragrance of cult appeal, she remained a lifelong Guerlain customer with a penchant for a particular one of their classics (completely antithetical to her own brand name one, please note!). Here is the quote I unearthed, my heart aflutter with the longing of the all powerful allure of the signature scent.
~cited by Veronique Blamont (1998)
Andree Putman was one such Guerlain devotee. Known to most readers for the 2005 renovation of the flagship store in Paris (with the ceremonial "chandelier" of perfumes, which is now substituted by a newer design) and for her own Preparation Parfumee Andree Putman, a niche fragrance of cult appeal, she remained a lifelong Guerlain customer with a penchant for a particular one of their classics (completely antithetical to her own brand name one, please note!). Here is the quote I unearthed, my heart aflutter with the longing of the all powerful allure of the signature scent.
"I am a woman of two perfumes. At 16 my best friend wore Shalimar. The name fascinated me. I was more L'Heure Bleue. Twenty five years later I opened a small flacon of Shalimar and that friendship has emerged out of its scent. It has never left me since. It counts itself among those perfumes which trail long after you have left. Even if one doesn't smell them on them, they express you so powerfully to others that one shouldn't change them. At home, my children know whether I have been in or out by whether there is the trail of Shalimar floating in the staircase. For that reason alone, I'm attached to it for life."
~cited by Veronique Blamont (1998)
Monday, June 9, 2014
Guessing Games & The Aesthetics of Innovation
If you have been receiving the Luckyscent newsletters you will know by now of the second series of the Untitled Series by Chandler Burr, which was previously hosted on Open Sky. An improvement, I would assume, on many levels, the new distributor of the project assures a dedicated perfumista core audience. What it involves is easy but brilliant too at the same time: experiencing a scent without the guiles of marketing, design or promo routinely attached to it. No notes, no name, no perfumer, no house, just your sense of smell and small glass vials with a number on it to sniff for a month until the revelation is presented at the end of it (for this month, it's June 25th).
Chandler tries to offer "pure scent", involving fragrances which take the game a step forward and I totally see the reasoning behind this. Whether he succeeds or not is up to you and your own opinions on such matters. My own personal stance is that perfume is so inextricably tied to design & marketing (in fact I consider it ~for the most part and in most cases~ a division of design) it's hard to consider it when bared down to the bone; it detracts from some of its beauty and wit, a bit like the Elgin Marbles as seen at the British Museum rather than under their intended Attic sun; they're still artful and brilliant, but doesn't the whole concept involve context as well? Even so I do think the Untitled Series is a great gauge of just how much our preconceptions act on our perception of scent and how wrong or right we decipher scent each time based on those; I love blind tests myself when I fragrance consult, my subjects often producing stunning results.
To get you all revved up for season's 2 episode's 2 scent, out now, please see a summary of the previous installments and make your best guess on the latest! (There is already discussion on Basenotes, but you're welcome to post your own suggestions here in the Comments).
Here is how Chandler presents S02E02 in his own words:
”I've never met anyone who doesn't like S02E02. In dozens of talks over the years, I've given it to thousands of people in all sorts of cultures, and the range is pleased enthusiasm to hypnotized worship. I'm on the far latter end. Done by one of the greatest living artists, who I'm very glad finally to be presenting in the Untitled Series, S02E02 is I think a quietly seminal work in a specific way: We all know the majority of people today say they 'don't like perfume.' By 'perfume' they mean aldehydes and a booming voice and 'look at me' style. S02E02 forces you to redefine 'perfume.' Wait (people think, transfixed on the sidewalk), what is this? Did an island just materialize around the corner? E02 is the Debussy bridge over which one escapes Rachmaninoff's bombast, transport for all those who yearn for the fundamentally different and exquisite, the liltingly lovely.”
– Chandler Burr
For what is worth, I also have never ever met anyone who doesn't like it and I too find it liltingly lovely… :-)
Chandler tries to offer "pure scent", involving fragrances which take the game a step forward and I totally see the reasoning behind this. Whether he succeeds or not is up to you and your own opinions on such matters. My own personal stance is that perfume is so inextricably tied to design & marketing (in fact I consider it ~for the most part and in most cases~ a division of design) it's hard to consider it when bared down to the bone; it detracts from some of its beauty and wit, a bit like the Elgin Marbles as seen at the British Museum rather than under their intended Attic sun; they're still artful and brilliant, but doesn't the whole concept involve context as well? Even so I do think the Untitled Series is a great gauge of just how much our preconceptions act on our perception of scent and how wrong or right we decipher scent each time based on those; I love blind tests myself when I fragrance consult, my subjects often producing stunning results.
To get you all revved up for season's 2 episode's 2 scent, out now, please see a summary of the previous installments and make your best guess on the latest! (There is already discussion on Basenotes, but you're welcome to post your own suggestions here in the Comments).
Here is how Chandler presents S02E02 in his own words:
”I've never met anyone who doesn't like S02E02. In dozens of talks over the years, I've given it to thousands of people in all sorts of cultures, and the range is pleased enthusiasm to hypnotized worship. I'm on the far latter end. Done by one of the greatest living artists, who I'm very glad finally to be presenting in the Untitled Series, S02E02 is I think a quietly seminal work in a specific way: We all know the majority of people today say they 'don't like perfume.' By 'perfume' they mean aldehydes and a booming voice and 'look at me' style. S02E02 forces you to redefine 'perfume.' Wait (people think, transfixed on the sidewalk), what is this? Did an island just materialize around the corner? E02 is the Debussy bridge over which one escapes Rachmaninoff's bombast, transport for all those who yearn for the fundamentally different and exquisite, the liltingly lovely.”
– Chandler Burr
For what is worth, I also have never ever met anyone who doesn't like it and I too find it liltingly lovely… :-)
LIST OF EPISODES
Season 1
The Untitled Series S01E01: Prada Infusion d'Iris by Daniela Andrier Prada
The Untitled Series S01E02: Mugler Cologne by Alberto Morillas Mugler
The Untitled Series S01E03: L'Etrog by Rodrigo Flores-Roux and Yann Vasnier Arquiste
The Untitled Series S01E04: Yuzu Rouge by Raphaël Haury 06130
The Untitled Series S01E05: Eau de Lierre by Fabrice Pellegrin Diptyque
The Untitled Series S01E06: Bal D'Afrique by Jérome Epinette Byredo
The Untitled Series S01E07: Vanille Insensee Cologne by Ralf Schwieger Atelier Cologne
The Untitled Series S01E08: Rose Noir by Jérome Epinette Byredo
The Untitled Series S01E09: Sel de Vetiver by Céline Ellena The Different Co
The Untitled Series S01E10: Isle Ryder by David Moltz Hylands
Season 2
The Untitled Series S02E01: Tom of Finland by Antoine Lie Etat Libre d’Orange
The Untitled Series S02E02: ???
Thursday, June 5, 2014
News on Availability of Guerlain and Annick Goutal Fragrances
A while ago it had been openly discussed that some fragrances in the Annick Goutal line were being dropped off the collection, right when there was a major overhaul of the entire brand reflected in repackaging. This isn't unusual in this day and age and indeed the original Goutal line had already seen the demise of a few of the initial scents for better or for worse. However for at least one among the more recent releases which went missing, I'm referring particularly to Mon parfum Cheri par Camille (a tribute of the daughter to the mother) the argumentation presented always seemed rather non sensical to me.
As per one sales assistant "Mon Parfum Cheri was really disliked by the normal Annick Goutal customer" and therefore it wasn't restocked. The logic went that the "normal" AG customer goes for light, floral or subtly gourmand fragrances that are feminine in a romantic, young and ethereal style (so enter Petite Cherie, Eau de Charlotte, Quel Amour and the like) and Mon Parfum Cheri being a retro chypre it had no chance. Looking down on current tastes is a very popular past-time on perfume boards but it can backfire.
On topic: then how does one account for Goutal's Passion, for Tuberose Passion, for Grand Amour and for Heure Exquise, not to mention Ambre Fetiche in the Orientalistes sub-line which are nothing but? They were all remaining in the main line with no wavering (they were prominently displayed on the Goutal website), donning their new dresses of a bottle and label like the rest of them as if it was nobody's business. The limited distribution pattern (another offer of an explanation) also made no sense, since the US launch of the newest fragrances had been made with enough fanfare to justify an interest in the particular market which would be deemed silly to nullify just a few short months later.
At the time I had offered the explanation that the house was busy reformulating the fragrances (at their own cost, as is the custom) so that they could meet with the impending IFRA restrictions effective immediately, whenever they were able to. If that was possible from a technical point of view, any missing stock was simply a matter of practicalities requiring for the new bottles to be somewhat delayed.
I'm glad to see that I was mostly correct. The new Mon Parfum Cheri par Camille is proudly displayed at stockists who sell the revamped collection by Goutal and it looks like it won't be any more limited in distribution than it originally was, which is to say widely available (120 euros for 100ml).
The photo included in this post above showcases the new packaging. You can see the old packaging just below.
In what concerns Guerlain, I have great news concerning one of their latest fragrances: the much loved Terracotta Le Parfum (fragrance review included on this link), France's answer to the best-selling status of the Bronze Goddess fragrance industry by Lauder, I have the privilege of very exciting news! Although the tropical creamy floral was launched as a limited edition for summer 2014 (and therefore hard to come by now that perfumistas have been stampeding to get their little paws on a bottle), the scent has sold enough that Guerlain headquarters are considering it of a potential permanent addition to the collection. If you are therefore interested in making this come true indeed, do seek it out, contacting your favorite Guerlain sales assistant, emailing the Guerlain PR service and contacting the Paris flagshipm so that the Terracota Le Parfum scent becomes available next summer and all the subsequent summers as well…
You can thank me later and you're very welcome.
As per one sales assistant "Mon Parfum Cheri was really disliked by the normal Annick Goutal customer" and therefore it wasn't restocked. The logic went that the "normal" AG customer goes for light, floral or subtly gourmand fragrances that are feminine in a romantic, young and ethereal style (so enter Petite Cherie, Eau de Charlotte, Quel Amour and the like) and Mon Parfum Cheri being a retro chypre it had no chance. Looking down on current tastes is a very popular past-time on perfume boards but it can backfire.
On topic: then how does one account for Goutal's Passion, for Tuberose Passion, for Grand Amour and for Heure Exquise, not to mention Ambre Fetiche in the Orientalistes sub-line which are nothing but? They were all remaining in the main line with no wavering (they were prominently displayed on the Goutal website), donning their new dresses of a bottle and label like the rest of them as if it was nobody's business. The limited distribution pattern (another offer of an explanation) also made no sense, since the US launch of the newest fragrances had been made with enough fanfare to justify an interest in the particular market which would be deemed silly to nullify just a few short months later.
![]() |
behold Perfume Shrine's photographic evidence of what we're claiming! |
At the time I had offered the explanation that the house was busy reformulating the fragrances (at their own cost, as is the custom) so that they could meet with the impending IFRA restrictions effective immediately, whenever they were able to. If that was possible from a technical point of view, any missing stock was simply a matter of practicalities requiring for the new bottles to be somewhat delayed.
I'm glad to see that I was mostly correct. The new Mon Parfum Cheri par Camille is proudly displayed at stockists who sell the revamped collection by Goutal and it looks like it won't be any more limited in distribution than it originally was, which is to say widely available (120 euros for 100ml).
The photo included in this post above showcases the new packaging. You can see the old packaging just below.
![]() |
the old packaging…more suggestive thank to the color of bottle, though |
In what concerns Guerlain, I have great news concerning one of their latest fragrances: the much loved Terracotta Le Parfum (fragrance review included on this link), France's answer to the best-selling status of the Bronze Goddess fragrance industry by Lauder, I have the privilege of very exciting news! Although the tropical creamy floral was launched as a limited edition for summer 2014 (and therefore hard to come by now that perfumistas have been stampeding to get their little paws on a bottle), the scent has sold enough that Guerlain headquarters are considering it of a potential permanent addition to the collection. If you are therefore interested in making this come true indeed, do seek it out, contacting your favorite Guerlain sales assistant, emailing the Guerlain PR service and contacting the Paris flagshipm so that the Terracota Le Parfum scent becomes available next summer and all the subsequent summers as well…
You can thank me later and you're very welcome.
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