Shalimar: "As Close to Forever as a Perfume Can Go"

My reader Norma re-found for me this retro 1982 commercial for the classic Shalimar by Guerlain. The perfume needs no introduction, but the advertising is giving all the latest upstarts a run for their money: it ignites the imagination by giving hints, but it eschews cliches (how about that splash in the pool?); by conjuring glamour, yes, but not going into ridiculous lengths; by evoking romance, but saying that "forever" is perhaps wishful thinking. A masterful perfume commercial!

Click the link to view it on RetroJunk
(If anyone knows who directed it, please let me know)
The music to which the Shalimar commercial is set to is Frederic Chopin's gorgeous Ballade No. 4 in F minor, Opus 52.

J'Adore Dior new 2011 commercial: An Unimaginative Concept

I am coming back after a brief comment on the teaser of the new film for Dior's J'Adore filmed exclusively in the 'Galerie des Glaces' at the 'Château de Versailles' and after my lukewarm reception of another anticipated commercial (Trésor Midnight Rose for Lancôme with Emma Watson). In the complete film for Dior, Charlize Theron struts once more in a gold dress (what else is new?), this time down the catwalk, being utterly gorgeous (of course, we knew that already since 2004 when she debuted as the face of the J'Adore Dior fragrance and weird thing...being greeted by kiss, gaze or envious greediness successively by Grace Kelly, Marlene Dietrich & Marilyn Monroe!

Of the three Kelly looks like she was literally "cut out" from To Catch a Thief being the most convincing (she was digitally added after all), Marlene looks like an impersonator in the familiar cheekbones-to-slice-cheese-with & stockings-under-a-jacket routine, while Marilyn is the poorest of them all in a justifiable punishment for hubris (watch those over-lipglossed lips in that reflective lighting), squeeling J'Adore in girly tones reminiscent of Gentlemen prefer Blondes; wait, though, wasn't she known for her predeliction for Chanel No.5? No matter, Dior (and LVMH who own them) is taking icons right and left and attributing them a penchant for the brand, probably because they can. They're crying for copyrights any chance they get, but they're using icons like there's no tomorrow.Cool, huh?

The weirdest thing though is this perfume commercial has been directed by Jean-Jacques Annaud, a director famous for his grand scale scope, mastery of silence & landscape (watch L'Ours, Quest for Fire, Seven Years in Tibet), his breathtaking, very human love scenes (see Enemy at the Gates, L'Amant, or The Name of the Rose) and the recurring theme of civilization affecting the natural world. I see none of these here, so what was the point of hiring Annaud in the first place in this stage in his career? (He had directed several ad commercials at the end of 1960s and in the 1970s).

In many ways, a disappointment...


The music is "Heavy Cross" by Gossip

Tresor Midnight Rose: Lancome Underuses Emma Watson

The new Trésor Midnight Rose commercial film by Lancôme with Emma Watson, shot by Mario Testino (here is the long version lasting 1mn45)has arrived to promote the new feminine fragrance by the Parisian brand. Here it is for you, below.
I find it cute (a dash of Notting Hill due to the bookstore, a cute guy and a nicely enough turned out Emma Watson) but in the end rather meh (the cliché of the Seine bridge lovers' meet up and of the trilby hat as a prop). What about you?



And here is the Making Of, with Emma Watson talking about the part.



And the fragrance is apparently "sweet, warm and playful". It would be, wouldn't it? I'm praying for a "cold, bitchy, earnest" fragrance ad copy one of these days....

Stella McCartney The Print Collection: Gorgeous Bottles

The popular Stella fragrance by British designer Stella McCartney is given a twist, inspired by the Irene Gardening flower motif featured also on her lingerie line for Autumn-Winter 2011.
Aren't these limited edition Stella bottles with print flowers on them absolutely gorgeous?

Armani Prive La Femme Bleue: fragrance review

The Armani Privé collection falls under the scope of "niche fragrances within mainstream houses" trend; exclusive, upscale compositions that are often several notches above the widely available scents by the same company (see Cuir Amethyste and Bois d'Encens). La Femme Bleue, setting you back for £375/400euros for 100ml of Eau de Parfum, is very much on the exclusive side, given that it has been made in only 1000 bottles worldwide (and it's not available in just any country! whoa!). So I was fully prepared to hate it (isn't that stratagem & pricetag obscene?), but, alas, I was hasty.

Giorgio Armani's La Femme Bleue is a lovely iris fragrance; nuanced, darkish, with its woody and incensey background and, despite the passing resemblance with iris extraordinaire Iris Silver Mist by Serge Lutens, soft, powdery, ultimately unctuous. Plus, despite having the word Femme in the name, the designer himself is quick to point out that this is a unisex scent, as is the whole Privé collection. What more can one ask for? Perhaps some dare.

The Armani Privé collection can be divided into three genres: fresh and clean-smelling Les Eaux; La Collection ~inspired by precious stones like amethyst or jade; and the decadent Collection Mille et Une Nuits (A Hundred and One Nights Collection). This is the range that includes Oud Royal, an opulent melange of amber, spice and myrrh resin. The line is not without its celebrity endorsement: Charlene Wittsock, Princess of Monaco, who wore an Armani Privé wedding gown, also wore an Armani Privé fragrance on her "happiest day"; reportedly it was the new ultra-limited edition La Femme Bleue.

The deep blue of the bottle is a direct reflection on the Spring/Summer 2011 collection by Armani, inspired by the blue tint of the Alasho of the Twareg people of the desert, nomads of North Africa.
The colour of the nighttime sky has often been an inspiration for perfumers and bottle manufacturers, starting with the iconic L'Heure Bleue for Jacques Guerlain as well as Dawamesk, passing through modern offerings such as Jacomo Deep Blue and Dark Blue by Hugo Boss, all the way to the upcoming Vol de Nuit Powder Spray bottle in gorgeous shades of midnight.

The perfumer Serge Majoullier is a talent to watch. He explains how he put the concept (the deep indigo) into fragrance:

"It’s not easy to translate the idea of deep blue, I found the way by blending oriental and vanilla notes, perfect to evoke a hot starry night; so I added black iris [ed.note: I'm assuming he's referring to iris chyrophrages], which is dark blue in nature, and whose scent at times verges on chocolate, a woody background. This way the fragrance is not just floral".

This Armani fragrance feels like Haute Parfumerie and not just hot air fanned on ad copy, as many niche products do these days:  The delicious undercurrent of cocoa dust laces the background of iris (this is an experiment that is also successful at much lower price points in Bulgari's Blv Notte and Iris by L'Erbolario) resulting in a fragrance that cannot be said to evoke funereal connotations like so many iris scents can; notably Iris Silver Mist, to which it bears a kinship of the spirit.  After all, iris susiana, a greyish species of Iris, is affectionately called "mourning iris", so the connection is there all right. But no; not in this case. La Femme Bleue is not exactly cheerful or bubbly either, opting for a distinctive and elegant arpeggio of woody notes that surround and temper the slightly gourmand, orientalised aspects of cocoa and vanillic-benzoin caramel hints with some musk. Softness and a delicious powdery feel akin to violets greet you upon spraying, with hints of sensuality evolving as the fragrance dries down, even though it is a delicate, timid drydown that you might want to press your nose on your wrist to fully enjoy. I could picture myself enjoying this ultra exclusive fragrance if it was any easier to get ahold of.

Notes for Armani Prive La Femme Bleue: iris, chocolate, woodsy notes, incense and vanilla.

Below is the clip from the summer 2011 collection by the same name featuring Elisa Seidanoui. Enjoy!



Painting Black Iris by Georgia O'Keefe (1906).