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On January 20th, select free cosmetics and fragrances are available to select consumers at major department chains in the States, according to MUA members who have been notified through mail.
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La Petite Robe Noire by Guerlain: Say What? (New Fragrance Musings)

Some time ago, last August to be exact, Perfume Shrine had speculated that Guerlain would be issuing new perfumes soon with city/travel names etc. (you can read that article here) Among the already registered, copyrighted names was Habit Noir (=black dress). The name was eerily reminiscent of the classic masculine in the Guerlain range, Habit Rouge. It was perhaps the stroke of unoriginality to name something "noir" amidst a plethora of products on the market termed Black-this and Noir-that. Even Guerlain themselves had recently issued the limited edition bottle Black Mystery for their iconic Shalimar! It took a reader of mine to point out that Aromamundi had been privy to interesting facts:

"This sweet gentleman had access to the new Guerlain Homme quite some time ago, and talks about new Guerlain releases for 2009, including ("including", goodness gracious!), I quote, a "Voyages à ..." series (might be the capitals you spotted?), "Une Petite Robe Noire" centered around a candied cherry note*, and the "Habit Noir" you talked about".

To which I had replied:

"Voyages must be the line with the capital cities, Habit Noir must indeed be another Habit Rouge flanker and the Petite Robe Noire (sounds like an Frenchified Avon that one!! LOL) must be a new feminine limited edition, perhaps".

Une Petite Robe Noire has materialized and is set to go it seems, according to this press release appearing on Vogue.fr, hence the picture:

The fragrance, a fruity gourmand, starts on notes of Sicilian citron, licorice and almond*, over a heart of rose and smoky tea to finish on a musky and vanillic background ~translation by Helg

*{NB: Please remember how often the cherry-pie note and almond are referenced in heliotropin-based fragrances, which is one of the key ingredients in Guerlain fragrances}.
The bottle is the classic Mitsouko and L'Heure Bleue design with a sketch of a negligée-looking black dress on it that reminds me of several things: for starters Plum Syke's heroines of the chic-lit novel "Bergdorf Blondes" (English mid-maintenance girl goes to NYC and conforms to high-maintenance lifestyle aiding her "catch" the perfect romantic suitor where she leasts expect it); then the illustrations by Ruben Toledo in Laren Stover's delightfully light and fun "The Bombshell Manual of Style" (a beauty boards' afficionados best-seller); and finally the "girly" stationnery that looks like something coming out of a Sex & the City old filofax.
If I judge by comparable "guides" to looking elegant or looking French (tongue-in cheek or not) or even more weirdly living a la Francaise there is a wide market for that sort of thing! (I urge you to click on the links and see for yourself; one of the basic taglines for the book is "perfect black dress". Come to think of it, it's interesting to search "little black dress" on Amazon by itself!). And no nation wants to be Frencher than the North-Americans (the love-and-hate between those two cultures is well-documented). It's interesting to note that all those guides are written by English-speaking individuals with various degrees of competency or indeed fashion sense/knowledge (this one commits the grave faux pas of attributing an emblematic Givenchy dress worn by Audrey Hepburn to Coco Chanel for instance!)

The above observations are completely my own and Guerlain is not corroborating (nor refuting yet) any of the above. Yet, they're there! A direction towards the American market seems Guerlain's latest strategy it seems, as discussed in detail in The Guerlain Conundrum article here. But more importantly I sense a further disorientation in strategic mapping out: As succinctly our guest writer AlbertCan noted on Now Smell This :

"The little black dress? How is this referencing the Guerlain heritage?(Getting into Chanel marketing territory--yet again)".

Another reader comments on the heels of that:

"As for the "invention" of the black dress which has become a classic, I think this is now in the public domain. Most designers put them out and black is worn ubiquitously outside of funerals."

and another

"there is some book cover with a little dress... and it's a white dress, but it reminds me of that bottle"

and yet another

"Is it just me or did Guerlain just scoop up a name that would have been perfect for a new Chanel perfume instead?"

Aside from the well-known fact that Avon already has a fragrance exploiting the concept of the "little black dress" since 2001 in -you guessed it!- Little Black Dress by Avon, the name alludes clearly to what is considered a "chic" French classic. Vogue.fr presents the new Guerlain fragrance with the tagline "un parfum déjà culte" (an already cult perfume). Clearly the "cult" is the harvesting of the iconic status of the little black dress, a concept synonymous with images from another era.

But the thing is, the little black dress matched with the set of pearls and the red lipstick is such a cliché now that no truly chic woman in French-inspired Europe (or at least in the circles I move in!) readily chooses to wear it any more. I am not disputing the ease, comfort and elegance of the little black dress idea. I even have several in my own wardrobe. It is a landmark in the history of fashion for a reason! I am merely commenting on the over-analysed, over-simplified "trickling down" of its appeal which has conspired to ultimately cheapen it ("wear this and feel like Audrey Hepburn" proclaim all the rock-bottom and mid-price lines ~sorry, that ain't gonna happen that easily..). Personally, Hepburn physique non-conforming aside, I would never pick a little black dress for a semi-formal/formal occasion now exactly because it's so expected, nor would I pick a fragrance "to go with it" as a result.

But here is the really interesting part and pay attention, dear readers: One of the quite frequent questions appearing on fragrance-discussing fora on the Internet is about what fragrance to match with a certain "look". There was this example on a very popular forum a while ago, which I am linking here for your perusal and no doubt interesting deductions. The question was paused by a lovely American lady from New Jersey:

"This Saturday I will be attending a pretty swanky wedding. Guests have been asked to wear black and white attire. A friend gave me a gorgeous designer cocktail dress which I had fitted perfectly. It's very Audrey Hepburn and I can't wait to wear it. My mother had vintage heels and a bag which are the perfect compliment to the dress. I have not been this excited to dress up since my own wedding. Now that my clothing and jewelery are selected I've turned my attention to fragrance. What shall I wear? So, dear POL members, what fragrance would you wear with your "Little black dress"? I hope to be inspired by some of your suggestions."

I will save you the trouble of wading through the thread if you lack the time. I did it for you: The resounding answer is "something from Chanel" amidst other recs, very few of which happen to be Guerlains.
Something tells me headquarters are paying very, very close attention to what is being discussed online (the new marketing is taking note of online communities) and trying to come up with the tricky part of reconciliating the appeasal of the core fans of the Guerlain brand with the commercial potential of their new products. The task is Herculean, it's easy to lapse, alas and I am not unsympathetic: We LOVE Guerlain around here, if you've been reading Perfume Shrine regularly. And until I get my own share of juice to judge I cannot proclaim whether it is good or bad naturally.
But the news of the launch do give pause for thought, so I decided it's interesting to bring it into the open discussion arena and therefore I would be genuinely interested in your opinion, dear readers; here in the comments or privately if you prefer. As always rest assured that Perfume Shrine is respectful of every range of opinion.

Oh, and I almost forgot: of course La Petite Robe Noire is going to be an exclusive at Guerlain boutiques starting February at 100 euros for 50ml., which I have to admit is not unreasonable (Should you be concerned for Habit Rouge, there is a Sport version out shortly, see our previous news)

Habit Rouge Sport: new from Guerlain

The latest, upcoming masculine fragrance by Guerlain is Habit Rouge Sport, a spin on the house's classic powdery oriental for men Habit Rouge . The new version follows the launch of Habit Rouge L'extrait last autumn and is clearly intended to be a more season-appropriate fragrance for the upcoming warmer period.

Magali Bertan reports on Vogue.fr

The composition of the formula will keep everything that has made its predecessor a success: green citron, bitter orange and patchouli on a background of leather and vanilla. A fresher, more tonice touch is added to its sillage thanks to bambou notes, pink peppercorns and jasmine, to render a more dynamic and audacious fragrance. The result is elegant, almost addictive.

~translated by helg

The new Habit Rouge Sport will be available starting March 2, 2009 on Guerlain counters for 75€.

Info & pic via Vogue.fr

Cologne du 68 by Guerlain: fragrance review, history and comparison

Once upon a time there was a deep blue, carriage lantern with a clear stopper holding the purple creature of the night, la belle de nuit aux violets that is Guet Apens. She made her debut via the magic of nose Mathilde Laurent 10 years ago (1999) when Guerlain had its first inflow of funds from LVMH's initial investment. But the spell would be broken at midnight: this carriage was a pumpkin and limited editions are called limited for a reason; fairy godmothers can do no exceptions, no matter how talented! Was the sobriquet non sonours enough to English-speaking ears? Was there a rival fairy-godfather? No one outside Guerlain knows for sure in this fairy tale. Still, the fairy dust was too addictive and the recipe too delicious to be left at that. One belle was put to bed for an eternal slumber, another came out with a slight retouche by Jean Paul Guerlain three years later: she was simply named No.68(limited edition). The numerological Moerae were unstinting to her: 68 would be her charms and virtues, almost as many as the Napoleonic bees which adorned her herculean (250ml) physique. The resinous, powdery, vanillic juice at her core bore ties of consanguinity with both Guet Apens and Terracotta. But she too had to leave her slippers behind for fair princes to pick up in desperate hopes; she's no longer made in that guise.

Years passed in Guerlaindom and suitors came and went empty-handed, until someone realised that the address of their flagship store on the Champs Elysées in Paris is too good to pass up (after all every self-respecting maison has their address emblazoned on something) and Guerlain Cologne du 68 was born, seemingly Athena-like from Zeus' head, but in fact through the artistry of Sophie Labbé in 2006. What better of a constant reminder of the abode and shrine character of that emblematic boutique in the market?

First the new unisex Cologne du 68 came in the brave, Titanic size of 500ml. The age of the Titans was inaugurated by Les Exclusifs de Chanel and progressed from them. Size did matter! Later, masterminds at the Guerlain and LVMH headquarters realised that more customers could be lured in, if a more modest size was introduced and who wants to feel antagonized anyway? Enter the 100ml/3.4oz size which now circulates. And how does this new sprite smell? Completely different than her other, previous, stupendous incarnations; yet prodigiously good! Guerlain sang its siren song: "Fresh spices of cardamom and coriander blended with citrus fruits are warmed with hot spices of pepper and ginger for an everlasting scent [...] a sumptuous composition with 68 of the finest raw materials gathered from all over the world. Both fresh and spicy, it will win hearts with its ultra-modern facets, long wearing scent and beautiful, tall minimalist bottle."

Guerlain Cologne du 68 is ~if not fairy-tale like~ a feat of masterful work: It utilizes a sophisticated composition interplaying rich scents that conspire to give the full spectrum of aroma with no more general descriptor possible than the ambiance of a warm citrus shimmering under the spell of spices. A masterful combination of floral, spicy oriental, aromatic, herbal green and even clean elements with a powdery iris-vanillic-tonka finish that anchors it firmly in the Guerlain tradition; yet thoroughly modern, eminently wearable, fit for every occasion. The drydown is warm, rather sweet and lasting with blonde woods and slightly powdery notes that put it in flou.

The tall cylindrical bottle is appropriately unisex, well-made with the wooden cap recalling the one on Terre d'Hermès. The purpotedly 68 ingredients show up on the label, apothecary-style.

Notes for Guerlain Cologne du 68: bergamot, green mandarin, lemon, clementine, orange peel, blood orange, sweet lime, grapefruit, basil, fennel, star anise, lavender, bay leaf, cypress, elemi, thyme, myrthe, bigarade, mandarin, petit grain, lemon petit grain, pear, violet greens, lierre, gentiane, seve, blackcurrant, freesia, lily of the valley, hazel leaf, cyclamen, cardamom, coriander, black pepper, pink berry, nutmeg, ginger, jasmine, frangipane, magnolia blossom, orange blossom, peony, rose, carnation, ylang-ylang, lychee, fig, blackberry, immortelle, lentisque (mastic), opoponax, amber, benzoin, vanilla, cistus, heliotrope, iris, tonka bean, sage, musk, patchouli, agarwood, cedar, sandalwood, vetiver, vegetable musk, praline, myrrhe and lichen.

Available for $100 for 3.4 oz/100ml at Neiman Marcus and at Guerlain boutiques the world over.

Cinderella illustrationg by Gustave Doré, from the 19th century, via logoi.com .Pic of bottle by Kittyfishstyle/mua

More news on Nuit de Cellophane by Serge Lutens

As always the news of an upcoming scent by Serge Lutens have the perfume community wrapped up in anticipation, so it is a pleasure to present some more info on Nuit de Cellophane by Serge Lutens, courtesy of the eminable Elisabeth de Feydeau who has been attending a pre-sniff at the snow-covered, silent Salons du Palais Royal abode. Elisabeth poetically referred to a Little Red Riding-Hood fairy tale of petrified wolves, non threatening and sage, while the steps sounded on the vast hall, breath held with anticipation for the new opus. And then it reveals its stars like nuggets of matte gold, ringing without harshness; warmth returns and colours reanimate: yellow, orange, pearly white, iridiscent apricot. The scent seemed to her like caressing silk crêpe or abandoning ones' self to the softness of peach skin. All this is evoced by this "cellophane night" whose denoument is conjured by the ever fertile imagination of Serge Lutens:

"The night comes to light, revealing its stars.
Evening butterflies dance in their hefty, velvet way around the lanterns.
The inhabitants of the shades, crickets and madmen, all send their own SOS.
-Miss, will you kindly wrap all this in cellophane!
-Is it a gift, sir?
-Yes, indeed; a gift for you!"

The fragrance swirls, avoiding shrill tones. Asian jasmine has the fruity touch of osmanthus with a stolen hint of mandarin peel. Nothing too sweet, but suave and soft, rendered by myrrh and sandalwood. Animal notes, like civet and castoreum, meow on the skin. Elisabeth is categorically enthusiastic on the treatment, urging us to grab it if possible, as Serge Lutens entertains himself once more by leading us from the nose while he goes off to other stories to be told on another day: "nothing ferocious, a wild thing without the talons, sensuality without fierceness; good accords producing wholesome alliances".

Myrrh and mandarin have been treated to magnificent results in La Myrrhe, civet and jasmine are the heart of Sarrasins. Personally this salivating description of Nuit de Cellophane has me dreaming of the following magnificent Asian- inspired clip:



Rumours want the public launch date to shift to March. We will revert with a full review as soon as possible!


EDIT TO ADD: You can now read my full-on review of Nuit de Cellophane following this link.



Pic and original info via E.d Feydeau. Adaptation in English by Helg, please provide link-back if you need to quote me.