Optical Scentsibilities: imitation is the sincerest form of flattery

Surely you have heard the above dictum: "imitation is the sincerest form of flattery". It's actually a quote by Charles Caleb Colton (1780 - 1832) Lacon, volume I, no. 183. The man had won a place in my heart for his other quote: "Many books require no thought from those who read them, and for a very simple reason; they made no such demand upon those who wrote them". But perhaps it is irrelevant to perfume advertising, so let's focus on the first one.

Now you might call me wicked and you might call me laborious in search (and I might be both), but don't you get an eerie resemblance between those two images? F by Ferragamo, by the way lauched in 2006 while Femme by Rochas was advertised thus some years ago. And one might argue that the hand on the nape is a classic pose anyway. After all, there are other examples of such images in advertising. But I propose to you that this duo is a bit eye-catching. The position of the hands, the choice of angle, even the dishevelled hair! Don't you think?

And then of course there are the instances in which there is some imagery that, although quite common and classic in positioning, angles, shades and all the paraphernalia of photography and art synthesis, inspires itself another copy.

Directly, I might add and not indirectly, which might be understandable and quite common. We have numerous times stressed the importance of influence here at the Shrine. However, yes, this artwork at the right hand is indeed an actual painting, meant to be hung at somebody's wall. And if you pay a minimal amount of attention you will notice that not only it reproduces the pose, shades and general feel but the people depicted are the spitting image of the models appearing on the Ralph Lauren advertisment of Romance (Lauren's romantic approach to scents for women and for men launched a few years ago).
To me, this is a case of cart leading the horse instead of vice versa...




Many more exciting optical scentsibilities soon and please be tuned in for a review of a smashing sexy scent shortly!

Ads from imagesdesparfum and parfumsdepub. Artwork Insieme I by Escha courtesy of angelart.com

Twin Peaks ~Barbara Bui Le parfum & Rykiel Woman-not for men!

When Barbara Bui had first released her boutique-exclusive scent Le Parfum, little did I know of it. In fact if I am to be completely honest I admit I had been oblivious to its very existence up until a short while before its discontinuation. You can call this DPSS: Delayed Perfume Sniffing Syndrome. It’s the thing that happens when you delay to test something only to discover with dismay that you like it well enough when it is too late to purchase some in a relatively easy way that doesn’t involve jumping through hoops.

Le Parfum was a beautiful scent. It’s also sadly discontinued. You have to hunt the auctions to get it. Why this happened is a mystery worth of a Ruth Rendel denouement. But happily there is a comparable perfume that although not exactly a copycat or dupe, it possesses the best characteristics of Barbara Bui’s fragrance for those who enjoyed it and in my humble opinion it is even better in some ways to it. It’s no coincidence that both were composed by nose Anne Flipo (of L’artisan La Chasse aux Papillons fame). Perfume Shrine had been the first one to report this on the ever popular Makeupalley site back in the beginning of 2006.
I am referring of course to Sonia Rykiel Woman-not for men! Yes, the exclamation point is there on purpose, it’s not intended to be a comment on the writer’s part. I guess the makers want to emphasize that it is a feminine potion and bet on the alluring vibe this has on the female sensibility. At this point it is important to note that the comparison is for the original Eau de parfum concentration in the purple and black bottle, cap with bronze studs like the hardware of a trendy it-bag, because the newer eau de toilette in the pink bottle is a completely different scent that is veering more to the fruity floral way to perdition. Personally I have come to expect a lot from Sonia Rykiel and the latter interpretation left me a little bit disappointed. As did Belle en Rykiel {click for review} up to a certain extent; which is a decent scent that does not commit the cardinal sin of smelling like a myriad other things. Perhaps I was a bit demanding. Anyway... Rykiel Woman-not for men! in the eau de parfum concentration has really captured a soft spot in my heart that is hard for other contestants to shake.

Barbara Bui Le Parfum is creamier, focusing on the inherent smoothness of sandalwood that smothers the smoky incense note, rendering it warm and powdery soft, the complete antithesis of churchy smell that usually gets associated with incense. The sweet vanillic aroma of heliotropin rounds out the base. This is a fragrance for the boudoir, a tight microfiber teddy over an ample bosom, much like another soft smoky specimen, the indomitable Fifi, although there we have a blond tobacco smoking bombshell in textured lace. Despite the official proclaiming of Bui containing undefined spices, I do not detect much of any but rather a citrusy top.

In contrast, Rykiel Woman-not for men! opens with the piquant pink pepper note that has proven to be an early 2000s mega success as it is used in many compositions lending them its contrasting cool-warm palette that serves to bring to focus the rest of the composition as a counterpoint; pink pepper is a bit rosy, which makes it subtler than the regular varieties of black or white pepper. Pepper in general is a fascinating note that may make or ruin a scent, due to its sheer potency.

But like Mae West when it’s good it’s very, very good and when it’s bad it’s even better! Meaning when pronounced it has the ability to grab you by the nose and make you pay attention. In tandem with the leathery/oud and musky fond surfacing pretty soon, Rykiel Woman-not for men! smells a little rougher than its sister scent. But perhaps this is why I love it so! The leathery/suede note is completely modern, recalling neither the classic Cuir de Russie versions with their tarry aspect, nor the Spanish leathers of intense pungency and spiciness. It is smooth and nubuck-like-soft, making it extremely wearable. As the perfume dries down softness and restrained sweetness surface, bringing it closer to Barbara Bui, especially in its incense smokiness with a hay-like powderiness. It stays like this on skin for hours, bringing forth all kind of compliments from “you smell goooood” to naughty winks.
Grab it now before they discontinue it too!

Barbara Bui Le Parfum notes:
spices, incense, jasmine, musk, amber, sandalwood, heliotrope, cedar.
Rykiel Woman-not for men (EDP) notes:
pink pepper, violet, date, jasmine petals, Bulgarian rose, black pepper, olibanum, agarwood, leather, amber.

Sonia's Rykiel Woman-not for men! is available from major department stores and online.


More surprises and exciting features on the Shrine coming up soon!!

Pic of twins by Diane Arbus via Transidex. Pic of Barbara Bui from their site. Pic of Rykiel Woman from escentual

Anonimo Veneziano by Nobile 1942: fragrance review

"I had removed my mask, and was drinking some coffee under the ‘procuraties’ of St. Mark’s Square, when a fine-looking female mask struck me gallantly on the shoulder with her fan. As I did not know who she was I did not take much notice of it, and after I had finished my coffee I put on my mask and walked towards the Spiaggia del Sepulcro, where M. de Bragadin’s gondola was waiting for me. As I was getting near the Ponte del Paglia I saw the same masked woman attentively looking at some wonderful monster shewn for a few pence. I went up to her; and asked her why she had struck me with her fan.
“To punish you for not knowing me again after having saved my life.”

From the memoirs of Jacques Casanova de Seingalt

You open up your eyes to see she's not there anymore. You never had the chance to ask her her name...



Like Casanova (1725-1798), that "king of kiss and tell" (himself the author of this proverbial reputation)used to say: "nothing is surer than that we will no longer desire them, for one does not desire what one possesses."

Anonimo Veneziano is the name of a feminine fragrance by niche Italina brand Nobile 1942 that serves better than names as an evocation of a mysterious rencontre in the dark alleys of Venice during Carnival time.

It is coincidentally also the name of a rather melodramatic film from 1970 by Enrico Maria Salerno with a memorable music score and a plot line like "Love Story", featuring the alluring Brazilian-born Florinda Bolkan. Florinda also appeared in Visconti's "The Damned" (a long time favourite of Perfume Shrine) and she is the embodiment of the high-cheekboned mysterious dark woman. Not unlike the one whom Casanova might have rescued and never asked her name...

According to the Nobile 1942 promo:

Venice: her alluring womanly grace - let's get into all the brightness of gold.

ANONIMO VENEZIANO is the quintessence of womanliness - its mystery, its alluring ineffability. Its scent notes are tailored as to create a magnificent though delicate score.
A real masterpiece of equilibrium between naivety and sophistication.
It has no name - it is just time, place and dream.

The predominant note throughout this oriental fragrance is the sensuous feel of labdanum enhanced by the crispness of hesperidic notes of a discreetly sweet character. Bronzed and pulsating with warmth, a sultry crackle; there is perhaps also a touch of the spice caravan that stopped in the Venetian port.
The delicate sweetness is further supported by the bouquet of ylang ylang and jasmine that later surface. The former is particularly noticeable with its intense, lush character.
I feel that Anonimo Veneziano is what I had hoped the original Coco by Chanel , with which they share common elements, would be on my skin. Smooth, erotic, delicately spicy and subtly leathery resting on a sweetish ambery base with soft woods that lingers and lingers. The mystery that is woven throughout the drydown is what lured you in and made you forget mere technicalities, such as names.


Official notes:
Top: bergamot, red mandarin, brazilian orange, light jasmine
Middle: Rosa Damascena essence, dawn jasmine from India, ylang ylang, lotus flower
Bottom: cistus, indonesian patchouly, sandalwood from India, powdery vanilla

Available in Colonia Intensa (eau de toilette) and Fragranza Suprema (eau de parfum)concentration. Both have great tenacity and smell rich.

Images uploaded on Flickr by sph/step into the mist and Kaykoeverhart/venetian mask.

Pontevecchio W by Nobile 1942: fragrance review

"'Leonora,'" he read, "'sat pensive and alone. Before her lay the
rich champaign of Tuscany, dotted over with many a smiling
village. The season was spring.[...]A golden haze. [...]Off the towers of
Florence, while the bank on which she sat was carpeted with
violets. All unobserved Antonio stole up behind her--"

From E.M Forster's novel Room with a View.


Sometimes you come across a visage that speaks where no words are uttered. There is a nobility in the brow, vulnerability in the eyes, lips of petal soft promise and your heart aches a little. It doesn't matter where or when you see it, your psyche remembers it with a longing that remains unexplicable and beyond the carnal. True beauty in the spiritual sense has this effect. If that emotion was bottled in a flacon to be tentatively dosed for reminiscence's sake, it would be Pontevecchio W by Nobile 1942.

A feminine scent that compliments the male Pontevecchio, it is based on Iris Florentina, the precious rhizomes of which are proving to be so popular these last few seasons. Of course the Florentine rapport is not lost on us: Pontevecchio is the bridge over Arno, bien entendu.
And what does this journey to Florence smell like you ask?

"A young girl, transfigured by Italy! And why shouldn't she be transfigured? It happened to the Goths!"

It is those memorable words by Eleanor Lavish, the quirky and melodramatic novelist played by Judi Dench in Merchant-Ivory's film 1985 film "Room with a View" that come to mind.

Nobile 1942 chose well in picking Florence as the backdrop for their feminine tour de force. Please take a moment to see the promotional presentation devised for this perfume:click here

The mood evoked is also matched by the sublime music of Zbigniew Preisner’s “Van den Budenmayer concerto in Mi minore” for Krzysztof Kieślowski’s film “La double vie de Veronique”. (The soprano is Polish singer Elzbieta Towarnicka).
The effect is trully haunting in its beauty...

(uploaded by mixailaggelos2004)

Pontevecchio for women plays upon the delicate iris like a harp in the hands of an angel. The softest caress of magical powdery rose enfolds it, singing together like crystalline soprani melancholic tunes. The citrusy top notes bring cool air straight from behind the Pearly Gates it seems with a virginal feel of silent luminosity. It combines elements of both Bulgari Pour Femme and Creed's Fleurissimo into a lovely garland of precious flowers. The apricoty cheek of a Madonna with child, O mio Bambino Caro from Gianni Schicchi by Puccini, a karyatis supporting on her delicate head a florentine palazzo floor; pure unadulterated classicism beckoning you into succumbing to its charms.
It cools down into an indefinable emrace of musk and wood that is silky skin soft.

Pontevecchio Woman comes in both colonia intensa (eau de toilette) and fragranza suprema (eau de parfum), the former being a little more citrusy and crystalline and my personal preference. They both have very good lasting power on skin.

Official notes:
Top: bergamot, mandarin, coriander seeds
Middle: iris florentina, bulgarian rose, jasmine from India
Bottom: white musk, ambery woods, sandalwood from India

Live the dream renting this filmand read the book online here.

Pic of actress Rose Byrne from the otherwise terrible, terrible film "Troy" (allmoviephotocom)

New niche line: Nobile 1942

“I have the simplest of tastes; I am always satisfied with the best”. This delightful aphorism by Oscar Wilde serves as the leitmotif for niche Italian brand Nobile 1942. Not exactly newcomers, as they hail from as back as –wait, you guessed it!- 1942, Nobile has recently been brought to my attention. The results have been more than satisfactory. And on top of that, they are not fully "discovered" yet, which is a big plus as well.

Umberto Nobile, the patriach of the firm, had always been an agent of the most glamorous perfumery marks and following his innate inclination started a perfume emporium in the year 1942 in Rome, with war at the gates. His love for beauty was passed on to the rest of the family, who decided to search on quality as a mission producing work made of sensations, allurement and intuition. The Nobile brand is still in the hands of the family, Massimo and Stefania Nobile, now residing in Arenzano, Genova. They are focusing on the best quality ingredients using natural products whenever possible and applying the old techniques of maceration, steeping, filtration and distillation.

Natural raw materials provide a greater complexity themselves and often produce the slight variation in performance on skin that aromachemicals in most commercial products are not in the habit of producing, rendering the common allegation –or even complaint- of individual skin chemistry a bogus claim. This is both an asset for the perfumer and a liability. It means a greater stability of the product and a calculated reaction in the consumer, which in marketing terms is extremely desirable. However it also detracts from the joy of discovering something afresh everyday, thus accounting for the often referenced boredom with the same smell day in day out.

Indeed as I went through the testing process of the Nobile 1942 fragrances I discerned some noticable variation of the same scents in the final effect produced. Taking into account that hormones, diet and medication did not vary from one day to the next (indeed the latter was absent altogether) I could hazard the guess that this was due to slight variations in skin temperature, room relative humidity and perhaps…mood. In any case Nobile 1942 scents proved to be pleasurable and some of them spectacular in every incarnation they took upon contact with my skin.
Opening up the sample case I was struck by the beauty and style of the presentation which shows cleraly why the Italians are masterful in affairs of design. It’s no coincidence that Ferrari is an Italian car, nor is it any less coincidental that they are the land of the opera and of living life to the full: from gelati to espresso, via the Galleria Uffici and the Murano glassblowers, Italians do know how to make beautiful things.

The papier goffré of the packaging as well as the logo and names etched in silver or gold depending on scent are simply a sight to behold. There is a tactile pleasure to be derived by handling beautiful objects and the relief of the packaging makes for another sensuous touch beyond the scent lurking inside.
The fragrances themselves are beautifully constructed, luminous and clear in their invocations, singing in unison.

There are three sub-divisions within the brand:

Pontevecchio, with one scent for women and another for men. Presented in Colonia intensa (equivalent to Eau de toilette) and Fragranza suprema (equivalent to Eau de parfum), they are trully beautiful and individual.

Anonimo Veneziano, a feminine fragrance built on enigmatic and sensous notes that capture the dark shades behind medieval palazzi during an evening stroll in Venice.

Vespriesperidati, an eau-de-cologne-like scent for both sexes, which is the lattest addition in the line.


Reviews and added commentary on all of them coming up next!!

Pics courtesy of the Nobile brand