Pretty Is as Pretty Does...More Perfume Bottles From My Collection

photo by Elena Vosnaki

The bottle of Shalimar Parfum Initial is a jewel, and thus should be accompanied by jewels. The choice of pearls is not random at all, as the sheen of the vanilla powdery ambience of the scented liquid is gloriously feminine with that touch of elegance we dedicate to those beautiful globules. You can find a fragrance review of Guerlain Shalimar Parfum Initial here. 

Flankers/derivative versions of Shalimar by Guerlain (with linked reviews & comparison with original):

Shalimar Eau Legere/Shalimar Light

Eau de Shalimar

Shalimar Ode a la Vanille

Shalimar Parfum Initial

Shalimar Parfum Initial L'Eau

Limited editions of Shalimar (without change in the perfume formula itself):

Eau de Shalimar Flower

Shalimar Charms edition & Eau de Shalimar Charms edition

Shalimar Fourreau du Soir

Shalimar extrait de parfum in Bacarrat quadrilobe flacon 2011 edition

photo by Elena Vosnaki

The classic of classics and a scent redolent of women's emancipation, the eminable Tabac Blond (incidentally not a tobacco scent). You can find the fragrance review for Caron Tabac Blond here. The bottle is testament to the fact that I have exceedingly enjoyed the eau de perfume version, which is as good as possible. 

There are a lot of Caron fragrance reviews and news on PerfumeShrine: on the linked text. 

A Year in Retrospect and New Trends for 2020

Happy New Year to everyone! Hope you had a lovely celebration!

2019 was a good year for perfume and hopefully 2020 will be as well. There were worthy releases in the mainstream, amid the hundreds of meaningless flankers of course, as every year as of late, some bold moves, a few brand exclusives that refined themselves enough to enter the scene with confidence and generally good cheer prevailed. There were a few sell-outs, such as the impending one from LÓreal, but that is, alas, the reality of the market.

Without further ado, my personal picks from the thousands of new releases (not that there was time to sample everything of course, but I'm persevering) were as follows.

Designer/Luxe Houses:

 Un Jardin sur la Lagune by Hermès was inspired by a secret garden in Venice, Italy, and its abstract glossy petals from another dimension (a citrusy, waxy magnolia sprinkled with algae-smelling dew) carries the interpretation of the place in one's mind's eye as you let it unfold on your skin. Beautifully sweeping, yet oddly comfortable, like a hug which greets you with joyful playfulness, which can be enjoyed by both men and women and is perceived by others without invading their personal space.

Gucci was already showing signs of resurrection from indifference with their daring Guilty Absolute launches last year, but their 2019 Bloom Ambrosia di Fiori and Memoire d'Une Odeur confirm that positive course. The former is full of the splendor of a full-blown ripe gardenia and the latter a most refined, botanical take on the clean whisper of a scent of woods and chamomile that can be so popular for discreet company.

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Two releases which were surprising were Tom Ford's Metallique, an aldehydic elegant marvel which is incongruous with the brash image of the provocateur brand, and Libre by YSL, a fresh and not-too-sweet feminine lavender which is not condescending to the women buying it. Bottega Veneta Illusione for Men and Terre d'Hermes Intense Vetiver are both fresh, but not predictably so; they bring a refined touch to the craze around them of butch aromatic fougères. Finally, Nomade Eau de Toilette is an excellent freshening up of the standard – and already superb – eau de parfum formula, reinforcing the slightly peppery zing of freesia and refreshing the middle section.

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Exclusives/Niche:

 

Everyone who loves Lutens creations must at least sample La Couche du Diable, a return to the brand's splendid past, with a deeply saturated chiaroscuro of a spicy balsamic scent. Zoologist brought us Zoologist Bee, a wonderfully wearable intimate scent of animalic nuance.

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Dusita overwhelms with the beauty of Splendiris, a starchy and metallic cool iris and violet, which projects like a laser beam straight to its target – our heart. Two major brands issued fragrances without deviating too far from their given genres, leather and clean musk respectively, and managed to give them texture and ambiance that makes you come back to them again and again: Cuir Intense comes from Guerlain boutique exclusives and 1957 comes from Chanel Les Exclusifs.

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Last but not least, the newest Hedonist Absolute Iris expounds on the delicate synergy between starchiness and cocoa powder which sometimes makes an appearance in perfume blends (L'Erbolario's Iris is one of them). But Viktoria Minya buttresses this fluffy and dry chord with a very discernible leathery touch, not particularly bitter, thanks to the elements that adorn its base notes, making it an iris that does not project like cosmetics but rather as the talc put on before donning a leather piece that gets worn on the flesh directly. It's a cool scent, compared to the other two Absolutes, but compelling all the same, beckoning and promising, while denying at the same time. An enigma!

Predictions for 2020:

A key trend is the release of increasingly "powerful" perfume companions in the most popular and well-known designer fragrances. We have seen it with various intense versions, as well as various parfum (extrait de parfum, the most concentrated version) in male releases. Logically this is justified by the more diluted condensation of regular releases, but this is not exactly the case, as it is often not more intense or longer-lasting fragrance creations, but fragrances that look quite different but with variations without putting them in the end of the volume register. So my advice is to try everything and evaluate them for what they are, rather than what they are programmatically claiming.

I think we will see a lot of perfumes borrowing retro elements from older creations, especially in men. After all, releases like Sauvage (Dior) or Aventus (Creed) did, along with the dosage of ambroxan at its borders, and became over-populated because they were relatively different in the ocean of the increasing sweetness of male aromas that interfere with boundaries. and why not?)

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Lavender for women (my article on that, HERE) will continue to be our focus, we will see even more roses and almonds (in the form of pure almond, dandelion and tonka), as well as more refined varieties of sandalwood or variety, or of synthetic origin with sophistication in the bouquet that it had not had before. The newest molecules in the musks and white florals categories will also feature prominently in modern compositions. 

Let's usher in the new year in style!

And so this is Christmas...

Another holiday season upon us, the good and the bad, the merry and the sad ones, and we can rejoice, yes, everyone.
So a merry, merry Christmas (and Hanukah and all the other faiths too)!
It's been great having you here, egging me on to continue to write.

Catch the next post soon, where I assess the year in scent. In the meantime, careful with the eggnog and the honey-dribbling biscuits, and drive safe!

Goeffrey Beene Grey Flannel: fragrance review

In the Grey Flannel scent by American designer Geoffrey Beene, crisp greenery and musk tonalities (plus that seductive coumarin in the bottom) combine to evoke a man in a tailored suit, perfectly groomed, clean-smelling without one iota of modern aquatic “freshness." The man who wears this in cooler weather is the quiet type, a smart businessman or someone who has been opting for it for half his life and wisely knows not to change. If it ain’t broken, don’t fix it, as they say. The only misstep? Perhaps that flannel in question is really purplish-green instead of grey? But we can be very forgiving in his case.

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The bitterness of galbanum is what greets you, which is incongruent with modern sensibilities, I'd wager, since most men (and women, of course) are attuned to sweeter-smelling notes nowadays, but wait it out a bit, because the scent mellows into a violet leaf accord with aubepine aromachemicals and a touch of iris and almond — from the coumarin — in the background. Overall, its feel is cooling and rejuvenating without being spikey sharp, especially in warmer climates or on hot summer days. But let it bloom on a rainy day and there comes a certain melancholy coming out of the heart, which is endearing in an unsentimental way — priceless.

There is a distinct kinship with Dior's classic masculine cologne from the 1980s, the famous Fahrenheit pour homme. But there the violet takes on a different guise, leaves and all, with a more petrol-smelling, pungent opening that is a throw back to the agrestic and abstract opening of Guerlain Jicky, instead of the bitterness of galbanum in the Beene creation. Still, the indigestible nature of the beast is hard to miss. The Grey Flannel customer was prepared for the onslaught to the senses that the original Fahrenheit presented a decade later...

NB. There is another edition called Eau de Grey Flannel which takes the metallic grey of dihydromyrcenol (that aromachemical which characterized all the Cool Water clones of the 1990s) which dilutes the original Grey Flannel in a sea of ionized water. Do not go for that.

NB.2. My bottle comes from the early 2000s. There are several batches out there with a tiny bit of variation. But not too much.