“But then fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you.”
― Stephen King, 'Salem's Lot'
Even though the temperatures are nowhere close to bringing out the woolen-patch jodhpurs, the heavy jumpers and the nautical pea-coat I associate with a chair by the fire, I have played with a little light, merino wool scarf these past few crisp early mornings before the sun would rise high on the sky making me tie it on my purse's handle. Sprayed with The Different Company's latest launch, Une Nuit Magnetique, felt indeed like an old friend that I had missed. In more ways than one.
Une Nuit Magnetique by The Different Company looks dense and heavy on paper, as floral orientals sometimes do, but becomes a warm alcove of ambery woods on the skin, no rough edges, no hyper-sexualized dirty tricks. It bears the signature style of plush yet lightweight compositions for which its composer, the perfumer Christine Nagel, is acclaimed for. The sensuality of the cozier notes is unmistakeable, never cloying, a transparent "oriental" chord built on benzoin and rose with quite a bit of musk and a hint of what feels like the famous Prunol base, that enveloping material that gives a sort of raisin and mulled-in-sweet-wine plums tinge to so many classic masterpieces, from Rochas Femme to Shiseido/Serge Lutens Feminite du Bois, and on to modern iterations (see Mon Parfum Cheri par Camille by the brand of Annick Goutal where it's coupled with a very strong patchouli note). However the character of Une Nuit Magnetique remains ultimately undecipherable, despite the familiarity, almost an enemy to parsing.
I have just published a full review on Fragrantica on this link.
Fragrance notes for TDC Une Nuit Magnetique:
Top: ginger, bergamot and blueberry;
middle: Egyptian jasmine, Turkish rose, tuberose and plum;
base: benzoin, patchouli, amber, musk and woody notes.
Showing posts with label prune. Show all posts
Showing posts with label prune. Show all posts
Tuesday, October 14, 2014
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