Oh my deer! by Baruti: musk reimagined

A dirty mind is a joy forever, they say! The newest Baruti perfume, Oh my deer!, a play upon the expression and the deer musk ingredient prized in perfumery, started as an exercise in recreating the scent of deer musk. That ages old animalistic substance of mythical dimensions which lend such a sensuality to perfume that all scent is feeling...

The accord was quickly done, but releasing it as a standalone fragrance felt boring and redundant, so a whole composition was built around it.

Focusing on contrasts, the perfume opens very bright and radiant, then slowly morphs in this sensual enveloping scent that provides excitement and comfort at the same time. Just like the song The Honeymooners by Lucky Jim says “My body be your focus, your labor be my joy,“ or simply put: No pain, no gain.

 The new scent, Oh my deer! is presented as a beautiful mess by its creator, the perfumer Spyros Drosopoulos – "sexy, sensual, and a little bit kinky."

What can I say? I'm sold. :)

The olfactory notes of Baruti Oh my deer! include spicy accents of black pepper, Sichuan pepper, as well as aldehydes and metallic notes. It then radiates with a lily-of-the-valley accord, before seguing into the warmer embrace of incense, amber, vanilla, a soft barnyard accord, and lots and lots of musk...

Perfumeshrine & Elena Vosnaki on Who What Wear: Gourmand Fragrances Now

I have been consulted on an article on Gourmand Fragrances on the prestigious publication of Who What Wear. 

The author Marie Lori covers the reasons and nuances of gourmand fragrances on the market now and why they clicked with audiences so much, on which I offer some insights. 

Please do visit the link to read it now and shoot me questions if you like. 

Always available for interviews on perfumeshrine AT yahoo DOT com

The ethereal beauty of L de Lolita Lempicka

 All photos by Elena Vosnaki

perfume bottles photos I took

 

Elizabeth Arden Green Tea: fragrance review & story

Elizabeth Arden Green Tea is one of Francis Kurkjian's timeless success stories, which built his reputation for effortless light diaphanous fragrances, in turn setting the record for his own Maison Francis Kurkdjian creations that sparkle and trail like gauze in the morning sun. Yet Green Tea is a case where one perfumer imitates another. 

 pic via pinterest

The sophisticated and intellectual Jean Claude Ellena created L'Eau Parfumée first as a room spray for Bvlgari boutiques in Rome in the 1990s, and as a stand alone fragrance around the world later. He came up with it while playing with Iso E Super and jasmine chords, creating an original accord that he called "green tea." He states so in his writings, that he chose the name because he was impressed by the Japanese green tea ceremony. He wanted to recreate that feeling of comforting serenity, that precious luxury, the one of seemingly endless time. Or at the very least of meaningful time. He was mindful before mindfulness was a thing. 

Ozonic with a green bamboo note, and lemon accords that do not bring images of classic Eau de Cologne, thanks to its green grassy shade, Green Tea takes you because of its name in the highlands of Darjeeling and Sikkim, on the backs of elephants. It perfectly makes me at once calm down and feel like the draining energy of intense heat is not a worrisome burden anymore. There is the promise of spice and botanical stuff but it's just that – a hint, a soupçon of a taunt, never fully materialized. It remains cool and collected, not passionate.

Delicate, fresh, drumming like light percussion, airy and tonic, Green Tea by Elizabeth Arden is welcome coolness in the heat, which is much appreciated for casual occasions and daytime. But if you're the type of person to eschew evening fragrances in the summer months, this could easily fit in your wardrobe.

It's also a startlingly good steal on online stores, demanding very little. 

Fragrance notes for Elizabeth Arden Green Tea:

Top notes are Lemon, Bergamot, Mint, Orange Peel and Rhubarb

Middle notes are Jasmine, Oakmoss, Fennel, Musk, Carnation and White Amber

Base notes are Green Tea, Jasmine, Oakmoss, Musk, Celery Seeds, Caraway, Cloves and Amber

---

The illustrated lives of fragrances

 fragrance composition photos by Elena Vosnaki

Nicolai Parfumeur Createur Le Temps d'une Fete: fragrance review

 

There are not as many fragrances with a leading narcissus note, as I would wish, and some of the best have been discontinued, for example, Le Temps d’Une Fête Nicolaï Parfumeur Créateur and Ostara Penhaligon's. Patricia de Nicolaï's Le Temps d'une Fête is the perfect narcissus-ladden green floral to evoke spring, full of crushed leaves and grass; a fragrance so beautiful and cheerful that it will make you spin around and around humming Mendelssohn's Spring Song even when taking down the Christmas decorations.

It does bring on a little chill from the frost of March. It's the bitter, sharp synergy of galbanum and oakmoss; they have a sobering effect on the narcotic aura of the narcissus/jonquil and hyacinth heart.

 photo via Pinterest from johnnyseeds.com

It is the promise of spring-time in this transitory phase in which the first buds are tentatively raising their heads beneath the still cold air, which is enough to have us on pins and needles for the full blown effect of spring's arrival. It's usually then a little spring-like fragrance is very much desired — nay, craved — when the last woolies of the winter season are finally getting their last rites, so to speak, like Le Temps d'une Fête. And when it comes...cause of celebration! 

Le Temps d'une Fête is like that, exactly. The joy of living rendered through natural paint strokes of the most delicate and precious watercolors. A masterpiece of dexterity and finesse

Alas, the brand discontinued it long ago. I do hope they bring it back from the dead in a rite of eternal spring!

 

Roger & Gallet Bois d'Orange: fragrance review

 The house of Roger & Gallet presented Bois d'Orange built from fresh accords of citruses and the warm nuances and strength of wood several years ago, but it's still in production, perfect for warmer weather. The fragrance invites for a long and pleasant walk in the garden of Andalusia, among alleys of fragrant oranges. It's the vibrant and sunny freshness of leaves, combined with orange blossom and the scent of fruits to regenerate the aura and give pleasure to each user.

It was the scent I turned to after I gave birth, mostly using the luxurious soaps and shower gel formulations.

The top notes of Bois d'Orange introduce mandarin, basil, and lemon verbena, a fresh and encouraging scent of citrusy-green aromas. The heart brings us orange blossom and neroli, while the base adds strong and warm amber, rosewood, and cedar.

It's hard to parse the scent into all those notes and components; there is a uniformity of feel-good vibes which are derived by the stalwart luminosity of the neroli and verbena. It only opens up on warmer days, giving a more woody aspect in cold weather, but when the sun is high in the sky it blooms and reveals its happy facets that come tumbling down from a bowl of just-picked fruit someplace warm and casual. No wonder I sought this scent when I was at my most vulnerable.

The fragrance is available in the characteristic packaging of the house of Roger & Gallet. Besides the fragrance Bois d'Orange, an accompanying body care line with the same aromas was introduced. It includes luxurious soaps, which made this house famous.

 

This woody aromatic fragrance was created for women as well as for men and I find no fault with either wearing it on any occasion that calls for some optimism and feeling good about oneself.

Bois d'Orange originally launched in 2009 and continues to be in production after all these years.

 The finer, nonalcoholic Eau Parfumée version can be worn in the sun, making it perfect for summer. It's part of the Eaux Parfumées line in frosted glass bottles.

Please note there is also an edition with golden shimmer, the Bois d'Orange Eau Sublime Or, but this is a different interpretation with a lactonic component reminiscent of suntan lotion, with salicylates enhancing the floral facet. It's obviously made for summertime with the idea that some golden shimmer enhances one's tan. This one would be more appreciated by the ladies, I presume.

Elizabeth Arden True Love: fragrance review

 True Love is a classic Sophia Grojsman composition in that it possesses three main constituents: a clean, groomed outlook with lots of musk, mainly Galaxolide; a peachy fruity component that blends with the skin; and heaps of sillage with tremendous lasting power. Scents to be noticed and commented upon.

For something so quiet and soft, True Love is a very impressive performer, I can attest.

The scent of True Love (1994) combines elements of two beloved fragrances that followed it: Nivea eau de toilette, which I have reviewed in the past, and Irisia by Creed, which is a more chypre take on the soapy floralcy of this one (supposedly a 1960s composition, but in reality much more modern). It has elements that make the Dove soap, the classic white creamy bar, so lovely to smell and use.

True Love projects quite linear, starting with a whoosh of soapy cleanliness and segueing into an abstract lactonic floralcy of no discernible edges. It's soft all around, like a pink angora sweater, and cooling like a glass of pink champagne. Sarah Horowitz capitalized on the concept with her Perfect Veil, a cult item of a scent around the millennium based on the combination of citrusy sparkle, soft clean musk, and a smidgen of vanilla for sweetness - a gauze of a scent theoretically, something that lingers, does not appear too perfume-y for the sensibilities of the women of the late 1990s, yet is still quite the beast.

 

Do not expect much from the bottle itself. It's a plain cylindrical style in glass, capped by an unassuming plastic cap to correspond. Nothing to write home about. But it's what's inside that counts. Elizabeth Arden's fragrance bottles and compositions tend to look unassuming and prosaic on the surface. 

Online discounters often offer Elizabeth Arden fragrances at exceptionally low prices, considering the quality, lasting power, and decency of the liquid inside. It's a brand worth seeking out.
 

Bois d'Iris by The Different Company: a different iris fragrance review

 Although iris scents are often mentioned in regards to powdery and starchy shades in perfumery, which would recall paper, skin, and bulbous vegetables, with Bois d'Iris The Different Company (not to be confused with Van Cleef & Arpel’s subsequent release under its Collection Extraordinaire line Bois d'Iris) we come upon an epiphany.

It's more of a manifestation of woods within iris than actual iris. This provides the necessary piquancy to bring out a certain oddness to the aura of the scent, which makes one wonder where scent ends and skin begins, or vice versa.

Iris concrete lacks the diffusional standards for modern perfumery, so perfumer Ellena bolstered the material with alpha-iso-methyl ionone, to add a diffusive violet chord alongside the chalkier analog of the iris. 

 

The duet of iris and alpha-iso-methyl ionone also structures Hermès Hiris, but while Olivia Giacobetti’s formula uses carrot seeds and almond wood, Bois d’Iris veers into cedarwood to render a sublime una corda pedal of a scent.

Bourjois Kobako: fragrance review

Kobako means "small box" in Japanese, as far as I know. But try adding a katana-blade symbol over the first "o," and it turns into Kōbako. Then it gains the nuance of a small box for solid aromatics used in the incense ceremony in kōdō (香道, "Way of Incense"); the ritual burning of incense to count the time. Such is the case with Kobako by the classic French brand Bourjois. 

A composition that initially hails from 1936 and the creative genius of perfumer Ernest Beaux, but which survives to this day in a contemporary Parfum de Toilette version that was first issued during the 1980s in the cristal taillé style bottle and the maroon box photographed below. The actual launch date for the modern version is 1982, and I doubt that the two editions have much in common, both stylistically and artistically. There was too much water under the bridge by then.

photo by Elena Vosnaki

It's interesting to note that one of the connotations for the word 'box' is the one used in slang, in many languages, for female genitalia. Indeed, again as far as I have been informed, kōbako in modern Japanese slang refers to that as well. But the scent in question is not an animalic or intimate smell that would polarize at all. In fact, it's this discrepancy that prompted my review.

The current fomula is not the one from the 1930s, so the description pertains to the 1980s mix. 

The domineering feeling is one of soap, like an old-fashioned soap for men, with cinnamon and sandalwood, and that creamy feeling that generations past associate with comfort and hot water. The florals used in the heart of Kobako are not discernible; they mix and mingle and tear apart again. There is definitely rose, which mollifies the formula, and probably a segment of something white-floral for a bit of clarity (possibly a part of lily of the valley aroma chemicals to give diffusion and expansion.)

Kobako combines these elements in a naughty, playful, almost haphazard way - the masculine backdrop with the feminine florals and the aldehydes - to render a juxtaposing composition. It hides its dark corners, but it's not entirely clean either. It has the versatility to make itself wearable all year long and never bother or disappear.

It feels fresh and spicy one minute, metallic and powdery the next, with a segment of dry patchouli in the back. What is this scent, I ask you? It consistently garners some comment or other, always in a positive way. It might not be the most accepted fragrance or the most derided - it hinges on that razor-sharp axis - but it's worth sampling at the very least. Some of you will end up wearing it when you won't know what to wear for the day, I promise.

The woody element in the back and the soapiness render Bourjois' Kobako very easy on the skin. There is not enough spice, although cinnamon is mentioned. I do not detect it as such, more of a smidge of clove, which is faint. It's also quite musky, in a good way, not the screechy white musk from laundry detergents, but not dirty either. It just melds with the skin and holds on to it.

In memoriam: Thierry Mugler (1948-2022)

 Fashion designer Thierry Mugler passed away on January 23rd 2022 as announced on the designer's Instagram account. 

Although he had distanced himself from designing for many years, earned profits from his rights into several products bearing his brand, from sunglasses to Mugler fragrances, and he had completely transformed himself into the hybrid bodybuilder Manfred for a couple of decades now. His face, unrecognisable after several plastic surgeries gone amok, draws a tear from those of us who recall his earlier, smashing work as a young and promising designer in late 1980s and early 1990s Paris.

 

Lean and dynamic, fueled by a relentless energy and a penchant for Amazonian beauties, Mugler put a certain pizazz on the catwalk, promoted drag-queens and pop idols, and made Nadja Auermann an icon in his razor cut, big-shouldered suits and metal bustiers. Much like Helmut Newton, he seemed to really appreciate the power of women.

 I recall it was a real shock when fashion and style discussion boards flooded in the mid-2000s with pictures of him, shot in front of a mirror, stark naked and in slippers (of all things!) posing as a human transformer, all muscle and perverted features. The word was Manfred. We circulated the picture from email account to email account with jaws dropped at the damage he -seemed to have- inflicted on himself. He had retired from designing by then and sold his brand to Clarins in 1997, which was the luxury Group who collaborated with him in the first place to produce his seminal fragrances. Now we know better than to judge or body-shame. Thierry obviously needed the Manfred persona at that point in his life.

 

His seminal project for Angel eau de parfum was life-changing for the industry.  His other perfumes – Cologne, Alien, A*Men, Womanity, and perfume projects such as work with Tom Tykwer for the movie Perfume, and the Mirror Mirror collection were exception contributions to the art of perfumery.

Now that Thierry Mugler is dead, and his brand has changed hands from the original creators of his classics, it's time to reflect and honor that which he has given us. The propensity for boldness, the trust in ourselves not to fear. The confidence to wear what we please. And the realization that even ugliness at times can have a beatific effect in our lives.

Please read my dedicated article on Fragrantica.com 

RIP sweet prince, transported to a big galactic star in blue... 

In Memoriam: Gaspard Ulliel

 The actor who is best known to perfume lovers thanks to fronting the advertising campaign for Bleu de Chanel is no more. The star of many films, including an Yves Saint Laurent biopic (named Saint Laurent, an excellent casting choice!), Sibyl (2019) and Un Long Dimanche des Fiancailles (2004), Gaspard will be missed.

 

His life's thread was cut at the untimely and early age of 37 at a skiing accident. The claustrophobic atmosphere of the commercial for Chanel seems foreshadowing now.

 

Cast a thought for his ethereal and sophisticated beauty that will haunt our perfume bottles to their end. "For the man without limits". How ironically, tragically apt.

Fragrance Tendencies for 2022: The Perfume Shrine Forecast

 The new year opens before us with the world of perfumes reflecting everything that concerns us in the rest of pop culture. From the world of woke to environmental consciousness and artificial intelligence, 2022 is set to be an exciting year. Let's go examine these tendencies in fragrance for 2022 one by one.

 

Reclaiming the Name of the Rose

Perfumes with rose work slightly like the classic trench coat in beige gabardine in our closet, or a brit pop song in a department store with youthful products. They brighten the mood with their easy reception even by novices, their purity of intentions, their classicism in structure. This year, creators and companies, mainstream and niche, are reinventing the rose.

 Tom Ford leads with 3 suggestions that follow last year's Rose Prick, this time with geographical inspiration: Rose D'Amalfi, Rose de Chine, and Rose de Russie are released in February 2022, before Valentine, as part of the new Tom Ford Private Rose Garden collection. Red and rose and for Armani with the new Sì Passione l'Εclat de Parfum, with the bright Cate Blanchet as the muse of the campaign again. As with Lancôme with La Nuit Trésor Intense L’Eau de Parfum (what a mouthful, have your smartphone at the ready to show to sales assistants).

 Digital Anamorphs

When marketing perfume, we often tend to resort to ancient techniques - things that are collected and processed by hand. In the actual industry, however, this is definitely not the case. Fragrances by large and small houses incorporate sophisticated ingredients of human laboratory preparation and advanced industrial sophistication technologies. Headspace was one, a popular technique first used in Antonia's Flowers, that captures the smell of things, and then recreates them in the lab as innovative arrangements. 

Nowadays technologies such as artificial intelligence are used to compose perfumes. In 2021 there was even an all-digital fragrance created as a non-exchangeable work (NFT)! The launch of Paco Rabanne Phantom in late 2021,  with its cute robot-shaped bottle, let consumers use their smartphone to tap on its head to create a digital experience.  

The composition of Paco Rabanne Phantom on the other hand is entirely created by artificial intelligence (AI) and this is going to be used more and more in industrial size perfumery. Digital interactive bottles and perfumes created entirely from artificial intelligence will continue to pierce our minds and noses. In 2022 and beyond. 

 

More art + perfume go hand in hand 

 

Arpa (sounds like harpe in Greek…) is a new multi-platform brand by perfumer Barnabé Fillion. It combines aroma, music, architecture and images in a complete experience of all the senses. Coupling that is becoming an increasingly strong trend. In November 2021, Arpa was officially released at the Dover Street Parfums Market and the final collection did not disappoint our high expectations. 

 

At Arpa, Fillion reunites with many of its former partners, drawing on different talents to create accompanying pieces for the brand's perfumes. These include a series of sculptures and records that are combined with scents, such as Anicka Yi and the French DJ Pilooski. The graphics were designed by the heavyweight Nathalie du Pasquier of the Memphis Group, while an office space was designed by the architect of the Australian firm Aesop, Jean-Philippe Bonnefoi. Meanwhile, limited edition bottles have been hand-crafted by glassmaker Jochen Holz.

 

 

Chinese Tips for Chanel

As part of its approach to China's always-aimed-at market, this dormant luxury consumer giant, Chanel with a distinctive eco-friendly approach creates recyclable, bio-sustainable products in a new line of cosmetics, makeup and grooming products called Chanel No.1

 

The collection with the camellia logo bears the symbol of the flower in red, just in anticipation of the Chinese New Year (the so-called Lunar Year) and with the expected lightness in the fragrances. For Chanel No.1 L'Eau Rouge, perfumer Olivier Polge explained: "This aromatic spray with a composition of 97% natural ingredients, can be used in combination with another product of the house or alone". 

The composition ends with a drying down of iris and clean musks for a slightly powdery feeling of cleanliness.

 

  Hot air? Not exactly.

 This is not the first time that pure air has been packaged in bottles for consumers with a sense of humor. The Air de Montcuq was a first attempt: Montcuq is a French village, but the headphones bring a bit of "air from our butt" - the smell happily reminiscent of ethereal mountain scenery and freshness.

 Air Eau de Parfum by The Air Company is a sexless fragrance composed of carbon dioxide, which binds at its source. To do this, the brand produces hydrogen which is fed to the patented carbon conversion reactor along with CO2. The resulting reaction converts hydrogen and CO2 into ethanol, methanol and impurity-free water, which form the body of the perfume. Then, the Air Eau de Parfum preparation ends with light aromatic notes, such as orange peel, jasmine, violet and tobacco - so as not to deviate from the aromatic parameter.

 

 

Eco-consciousness will flourish 

Starting with Rochas and their Rochas Girl, lots of companies, not only Chanel above, put an emphasis on eco-consciousness, sustainability and green imprint. 

Fashion brand Chloé has even issued a sort of manifesto on their website. "We intend to become a force for positive change beyond the Chloé workplace by working with our main suppliers to promote and further our standards while ensuring transparency. Based on our environmental impact research, we learned that our biggest impact comes from raw materials. This has prompted us to work with external experts to identify lower impact materials. We are focused on increasing their proportion such that we can reach 90% by 2025 at the latest. Consequently, this will contribute to our target of reducing emissions by 25% per product."

This is reflected in both their Chloé Eau de Parfum Naturelle and their newest, just launched Nomade Eau de Parfum Naturelle, fronted by Naomi Scott.  

We will continue to see this trend gaining momentum throughout 2022 and beyond.