Blood Concept Fragrances: For the Vampire in you

I never knew that Dracula was so eloquent in his particular obsession, but apparently he must be: "The human body is totally pervaded by a liquid vital rush that brings us what we are most fond of: Life. Filled with legends and meanings‚ blood is soaked with mystery, fascination and respect: it’s the most tested and studied part of the human body. Hiding the multitude of secrets that reveals our inner and unique way of being. BLOOD Concept is a ceremony devoted to the pulse of life and its visceral boost. It is actually the river of life." Makes your blood curdle, doesn't it; but no, the author isn't Prince Vlad Tepes himself or any of the vampires in the Twilight sage by Stephanie Meyers. It's the ad copy of a new Italian niche fragrance line. Figures.

The concept for Blood fragrances belongs to Giovanni Castelli, a fashion designer and the co-founder of the brand Acqua di Stresa, and Antonio Zuddas, an artist who works in advertising as a copywriter and photographer. They developed the fragrances in collaboration with Apf France in Grasse and the graphics were done by Fabrizio Piras and Giuseppe Porcelli. The concept follows the historical progression of blood type groups through evolution, from the oldest, O, to the newest AB. The scents were officially introduced to the public in Excence exhibition in Milan on March 31st.

Blood Concept fragrances are a brilliant exercise in marketese, as they take as a springboard one of the most influential concepts: that fragrance should suit the wearer. In a much more primeval way this time, not focusing on skin type, hair colour or preferences and associations, but deep within one's blood. Within one's blood group, more like it, as it would be impossible to account for every nuance, like any good microbiologist worth his/her salt would know.


The sample pack came in a scratch & sniff little pocketbook, full of cards with each blood type on the front, scratching surface which releases microcapsules of scent when you drag your nail fingers on it, and the fragrance notes and type of scent (along with a sex demarcation which is unisex, i.e. shared between the sexes) on the back of the cards. The pack reads Compatibility Test. I mean, geez, you have to give it to them! It's as if the scents fuse into your organism and perform some microcosmos ritual. They're careful to say nevertheless that you can test them all and choose whatever speaks to you, regardless of your actual blood type. Phew...I was worried a bit there for a moment!

Perfume O is a unisex leather fragrance, composed of thyme, raspberry, cyperus esculentus, rose hips, leather, birch, cedar wood, and metallic notes.

Perfume A is a unisex aromatic fragrance which includes notes of green garden, tomato leaves, basil, star anise and metallic notes.

Perfume B is a unisex woody spicy composition with red apple and black cherry in the top, artemisia, pepper, pomegranate and black tea in the heart; patchouli, tick wood and metallic notes in the base.

Perfume AB is a unisex mineral composition with aldehydes, aluminium and slate in the top, pebble and aqua in the heart, cedar wood and metallic notes in the base.


The mention of metallic notes isn't that creepy actually (i.e.as in blood, metallic due to iron content). Think of it more in the lines of popular aromachemicals du jour like Ambrox and Iso E Super, which incidentally give a uniform woody aspect as well (to almost each and every one of them, to my nose).
I'm not sure if the method of scratch & sniff cards gives an accurate enough imprint of the fragrances; I'm hypothesizing that it's a bit like judging based on scent strips on magazines. They give you a general idea, but you really have to test the juice on skin to make a definite decision. Based on those, nevertheless, I get the feeling that these are fragrances composed around the same more or less principles with minor nuances: they're niche scents, resolutely unisex in their carriage, aimed at people inquisitive to smell something not immediately identifiable (the given notes of even familiar ingredients such as vanilla, apple or basil don't proclaim their presence as such) and they're not aimed to cajole or seduce under any circumstances.

If pressed I'd say that Perfume B is the one I leaned to, it feels less clinical thanks to its spicy bouquet; a bit as if Jean Claude Ellena was on acid, composing at some remote mountain top cabin made of teak wood. Perfume A is also rather interesting, full as it is of the very green smell of tomato stems, a very agreeable aroma. A bit of an historical paradox though, considering solanum lycopersicum's trajectory in time. The rest didn't grab me; maybe I had high expectations from Perfume O as it poses as a leather. It's rather a woody suede and I think we've seen our share of those. Perfume AB seems to contain that weird molecule that is also present in Etat Libre d'Orange Secretions Magnifiques, and resembles most closely what Chandler Burr had referred to as "sink cleanser spilled on an aluminum countertop" (speaking of dihydromyrcenol); think crazied Godzilla lime froth and you're there.

All Blood Concept fragrances are available in dropper bottles of 40 ml; a little bit medicinal and at the same time decadently 19th century vampiric as well.

Photo of Udo Kier in The Blood of Dracula (1974). All other pics by Elena Vosnaki.

Disclosure: I was sent the sample pack by the manufacturer.

Annick Goutal Passion: fragrance review

All Annick Goutal perfumes have little stories behind them which adds to the enchanting, small scale appeal they have: Passion was the first fragrance which Annick Goutal created along with perfumer Isabelle Doyen in 1983 for her own use. The second one, inspired by the floral bouquets her husband offered her while courting, was Grand Amour; also a firm favourite of Perfume Shrine and to be tackled later on. Sables was made for Alain, Annick's husband, while Eau de Charlotte and Eau de Camille celebrate her daughters' childhood memories.

Passion dazzles amongst them with its headiness, its perceptible sillage and its great lasting power, "like a flower with translucent antennae and a mauve plastic heart.” Complicated, chewy, cruel, yet beautiful, like life itself, Passion made Tania Sanchez reserve one of her more poetic reviews of it in Perfumes,The Guide: "It feeks humid, narcotic, unsettling, like a moonless July night without a breeze". It could be one of those nights about which Raymond Chandler wrote: "Meek little wives feel the edge of the carving knife and study their husbands' necks."

The artistry of course lies in how to manipulate the (excellent) materials: The exotic Ylang-Ylang has facets of banana and even coconut; sweet, buttery, creamy, almost bulemic. On its other end though it encompasses methyl salicylate which recalls wintergreens. Tuberose has facets of camphor which act as a counterbalance of its intense white floral sweetness. Pair them with a bitter green touch which supports the already present caphoraceous scheme (tomato vine leaves, the same as used in Eau de Campagne by Sisley and Folavril again by Goutal, plus oakmoss) and some vanilla to offset the "fruitiness" of the bouquet and you've got something unique!
Passion starts with a heady caphoraceous blast of what can only be sensed as vibrant tropical florals snowballing a cadenza of sweet and green notes that unify to the point where you don't know where the garden ends and the woman starts. There is something very ladylike about Annick Goutal fragrances, yet in classic French tradition the lady in question can forget all about ladylike manners in the bedroom. Passion is carnal, yet delicate and fragile at the same time, like a 22-year-old ready to be consumed by love. And even older ones...

Notes for Annick Goutal Passion: Jasmine, tuberose, ylang-ylang, vanilla, tomato leaves, patchouli, oakmoss.

Passion by Annick Goutal is available as Eau de Toilette (100ml) and Eau de Parfum (50ml, 100ml) in boutiques carrying the Goutal line and several online venues. Check Lianne Tio's Nederthelands boutique on this link as well.

Related reading on Perfume Shrine: Annick Goutal news & reviews, Interview with perfumer Isabelle Doyen

Photo from the film Betty Blue, 37.2°C le Matin via livejournal/Ohnotheydidn't. Photo of bottle of Passion by Elena Vosnaki.