Un Jardin sur le Toît, the fourth installment in the Les Jardins series at Hermès, a technopaegnia sample more than a simple fragrance, follows the success of Un Jardin sur la Mediterranée, Un Jardin sur le Nil and Un Jardin Après La Mousson. But whereas the narrative in the latter sprung naturally from the motifs of the house (Un Jardin sur Nil was based on a previous design of river greenery captured in porcelain) or the perfumer's own travel associations (Un Jardin sur la Mediterranée was inspired by the moment when someone brought a plate of cut figs at the garden of an Hermes's executive house in Tunisia, while Après la Mousson was purposely composed chasing the monsoon in Kerala, India), this latest entry feels a bit constrained.
Constrained for associations: Hermès tend to a rooftop garden (i.e.jardin sur le toît, you see) at Rue Faubourg Saint-Honoré above their Parisian headquarters, but come on; how spontaneous would it be to search for inspiration so close to home now, I ask you? Constrained for accomplishments, too: The fragrance feels a sort of déjà vu, despite its poetic arc and delicacy of execution, traits typically Ellena. Finally, constrained for marketing: Hermès went out on a limb ~amidst braving the hostile take-over attempts from LVMH~ and invited journalists to a cooking class, a horticulturist's part-time occupation and a press presentation no less, all three rolled into one! So the question is, does the fragrance succeed in what it set out to do? It depends on the angle from which you're watching it unfold.
From a purely aesthetic viewpoint, Un Jardin sur le Toît is ~as always for latter part of the house's fragrance portfolio~ an ethereal, beautiful, elegant composition. I wouldn't expect anything else from perfumer Jean Claude Ellena who eschews easy, run-of-the-mill recipes in order to cut out his own path. Un Jardin sur le Toît is typical Ellena; fans will be on the verge of orgasming, detractors will complain about his vegetal, unusual -for standard luxury- accords once again. But therein lies the danger of repeating himself as well: The problem with Un Jardin sur le Toît is exactly what should be its strong suit: It's so reflective of its creator it's hard to differentiate it from his other opus. The top section is eerily reminiscent of Kelly Calèche, the drydown dangerously close to the woody-green parts of Un Jardin sur le Nil. Much as one might love both fragrances (and I do), they might wonder at the necessity of launching a separate third fragrance which sounds very much like conceptual looping: the accords sound like a talented DJ's sample scratches, looped into infinity. Inside info wants Jean Claude Ellena to have deemed the Jardin series complete at number three (that's Mousson) and being actively coaxed into producing a fourth one. Pas mal, considering.
Un Jardin sur le Toît from Hermès takes the scent of wet soil, foliage and wild flowers (really, a vegetable patch) as the stepping stone into an herbal epanalepsis of its creator's favourite soundbites. The top stage is effervescent with the tomato leaf (vert de tomate), slightly bitter green, pungent accord that he favours so much (even as far back as Sisley's Eau de Campagne). Whereas in the past this was a bracing breath of fresh air, totally unpolluted, this time Ellena fuses a slightly sweaty element; a bit tarrish, a bit like wet dogs, a bit like compost, in a good way, which merges in a refined way with the more flowery (rose) and fruity (pear, apple) elements. The rose is transparent, more like the greenery in L'Ombre dans L'Eau by Ditpyque or its tratment in Kelly Calèche than anything overtly feminine; peppered and citrusy, a whiff of magnolia in there. Officially classified as a floral fruity, this Rooftop Garden fragrance is as wildly removed from the standard surupy floral fruity as À la Claire Fontaine is from a mass supermarket jingle. Jean Claude Ellena describes it ‘the scent of sunlight and pleasure… a fruity botanical floral’ and that's totally on mark.
Fairly linear and totally unisex, Un Jardin sur le Toî, sustains that repetitive vegetal chord over an indeterminate woody-mossy bass which gives the background that makes the fragrance last and last. The inclusion of oakmoss (evernia prunastri) is what is so sorely missing from many modern time chypres: Who knew the elation of getting one's hands in good, honest earth was only a rooftop away?
The new Hermès fragrance comes in the standard bottles of Les Jardins series, this time in light green bottom, available in 50ml (£55) and 100ml sizes at the eponymous boutiques, major department stores and online.
music A La Claire Fontaine by Shang Wen Jie
Showing posts with label pear. Show all posts
Showing posts with label pear. Show all posts
Tuesday, May 31, 2011
Friday, March 7, 2008
Kings & Queens
Perfume Shrine likes to look at new things and when a favourite brand branches out, here we are following the trail like a scenthound. Korres, the Greek skincare and makeup line that has taken the world by storm has launched a separate new body care line, named "For Kings and Queens".The idea behind it is to link specific royal persons with scents associated with their life and beliefs. Naturally, Perfume Shrine's interest was piqued!
Perusing the line there is a wealth of famous people inspiring shower gels and body creams. Beginning back in antiquity, Caspar is associated with Myrrh (it smells somptuous!), the fragrant gift of the Magi to baby Jesus, while Nefertiti takes her bath in Honey. Her name means "beautiful woman who has arrived" and it is inferred that her beauty rituals were complimentary to her loveliness.
Queen of Sheba inspired Pistachio (an unusual choice, don't you agree!) because she was so mad about its taste and aroma that she ordered the country's crops to be solely distributed to her Court.
King Solomon gave the inspiration for Cedar (a very smooth, austere yet sensual smell). The king of Israel, responsible for building the first Temple of Jerusalem used almost only cedar for its amazing properties of resisting decay and smelling fragrantly pious.
The exotics are well taken care of: King of Ceylon has a penchant for Cinnamon, a product accountable for the antagonism of the Dutch, British and Portuguese fighting over control of the island.
Indian Maharajas opt for Mahogany, a woody fragrance inspired by the reddish timber. The King of Sumatra is tied to Pepper and Bergamot : pepper was the most highly prized spice till well into the Middle Ages due to its admirable hot aroma that helped fight bacteria and repel insects which might tamper with food. In Sumatra black pepper has become the stuff of legend with pirates and colonialists fighting over loads of the black gem in merchant ships. The composition is complimented with a classical Mediterranean citrusy tang of bergamot.
Pre-Colombian Aztek Kings are catered for by a spicy Vanilla Pear blend which derives its popularity from its purpoted aphrodisiac properties, accounting for its extensive use among the kings and their wives (along with cocoa). The composition is complimented with a tinge of fresh pear.
Some unidentified Princess of China goes for Jasmine: that one predictably did have me sniffing and resniffing and the association is a particularly dreamy one: since jasmine is such a potent love potion for the mind that awakens feelings of love and passion, she had ordered her gardens to be solely planted with jasmine so that her lover would never forget his vows. A wonderful choice for spring and summer!
Reverting to Europe, I really liked the aroma of Tobacco, associated with Tsar Peter the Great, who actually did favour the habit of smoking himself and encouraged it during his reign, despite the laws against it, since its introduction to Western Europe. The scent is deep with a hint of sweetness and a very subtle citrusy top. I bought this one on the spot, to layer with my leathery scents.
George the III, another European king is associated with Lime: the obscure reason is not tied to his particular preference for the fruit, but rather to his orders for sailors of the Royal Navy to consume lime juice along with their booze to help fight the most dangerous disease of sailors of the past: scurvy, a deficiency in vitamin C due to shortage of fresh produce in ships.
Orange quickly became the fruit of the aristocracy when it was brought back to Europe by Portuguese colonialists travelling to Southeast Asia, but there was no tester for me to get an idea how successful the rendition was.
Queen Isabella of Spain inspired the Cinnamon Orange shower gel and lotion, which marries the spicy taste of cinnamon to fresh orange blossom.
I really liked the Lemon Flower of the Sultans Nasrid of Granada: it reminded me of a warm summer walking in the city full of lemon trees and the cool evening breeze bringing the heavenly smell while passing by the Mauritanic Palace walls. This is my next buy, to layer with Fleurs de Citronnier by Serge Lutens!
The texture of Tobacco is more like liquid caramel and quite dark blackish brown (which is interesting!), somehow coming out in diaphanous big blobs out of the bottle. I don't know if this is characteristic of each and everyone of them though. Nevertheless, to their credit, they are all manufactured without mineral oil nor parabens.
The body butters and lotions come in 9 scents so far, with plans to include more. Some of them are shimmering lotions, such as Caspar Murrh and Chinese Princess Jasmine. While others are thicker, in a texture of body butter, such as Nefertiti Honey; or more runny like a body milk, such as George III Lime. All the products are enriched with Pomegranate, Blue Egyptian Lotus and Malachite (!) extracts.
The bottles are all enrobed in swirly pattenrs of contrasting colours with a different font for each one complimenting the historical trivia.
The prices are more than reasonable, making the line an everyday indulgence.
The official site is really well made with lots of wonderful trivia, a breakdown of the psychological types of everyday royalty (like the Scene Stealer, the Natural Performer or the City Nomad), cult personalities making a cameo appearence and everyday people asnwering questions about their personal kingdoms.
For our friends in the UK, some of them are available at Asos.com
You can email them with querries at: Atyourservice@forkingsandqueens.com
NEXT: a fun feature!! Check back shortly to see ;-)
Pics from Beautycom.gr
Perusing the line there is a wealth of famous people inspiring shower gels and body creams. Beginning back in antiquity, Caspar is associated with Myrrh (it smells somptuous!), the fragrant gift of the Magi to baby Jesus, while Nefertiti takes her bath in Honey. Her name means "beautiful woman who has arrived" and it is inferred that her beauty rituals were complimentary to her loveliness.
Queen of Sheba inspired Pistachio (an unusual choice, don't you agree!) because she was so mad about its taste and aroma that she ordered the country's crops to be solely distributed to her Court.
King Solomon gave the inspiration for Cedar (a very smooth, austere yet sensual smell). The king of Israel, responsible for building the first Temple of Jerusalem used almost only cedar for its amazing properties of resisting decay and smelling fragrantly pious.
The exotics are well taken care of: King of Ceylon has a penchant for Cinnamon, a product accountable for the antagonism of the Dutch, British and Portuguese fighting over control of the island.
Indian Maharajas opt for Mahogany, a woody fragrance inspired by the reddish timber. The King of Sumatra is tied to Pepper and Bergamot : pepper was the most highly prized spice till well into the Middle Ages due to its admirable hot aroma that helped fight bacteria and repel insects which might tamper with food. In Sumatra black pepper has become the stuff of legend with pirates and colonialists fighting over loads of the black gem in merchant ships. The composition is complimented with a classical Mediterranean citrusy tang of bergamot.
Pre-Colombian Aztek Kings are catered for by a spicy Vanilla Pear blend which derives its popularity from its purpoted aphrodisiac properties, accounting for its extensive use among the kings and their wives (along with cocoa). The composition is complimented with a tinge of fresh pear.
Some unidentified Princess of China goes for Jasmine: that one predictably did have me sniffing and resniffing and the association is a particularly dreamy one: since jasmine is such a potent love potion for the mind that awakens feelings of love and passion, she had ordered her gardens to be solely planted with jasmine so that her lover would never forget his vows. A wonderful choice for spring and summer!
Reverting to Europe, I really liked the aroma of Tobacco, associated with Tsar Peter the Great, who actually did favour the habit of smoking himself and encouraged it during his reign, despite the laws against it, since its introduction to Western Europe. The scent is deep with a hint of sweetness and a very subtle citrusy top. I bought this one on the spot, to layer with my leathery scents.
George the III, another European king is associated with Lime: the obscure reason is not tied to his particular preference for the fruit, but rather to his orders for sailors of the Royal Navy to consume lime juice along with their booze to help fight the most dangerous disease of sailors of the past: scurvy, a deficiency in vitamin C due to shortage of fresh produce in ships.
Orange quickly became the fruit of the aristocracy when it was brought back to Europe by Portuguese colonialists travelling to Southeast Asia, but there was no tester for me to get an idea how successful the rendition was.
Queen Isabella of Spain inspired the Cinnamon Orange shower gel and lotion, which marries the spicy taste of cinnamon to fresh orange blossom.
I really liked the Lemon Flower of the Sultans Nasrid of Granada: it reminded me of a warm summer walking in the city full of lemon trees and the cool evening breeze bringing the heavenly smell while passing by the Mauritanic Palace walls. This is my next buy, to layer with Fleurs de Citronnier by Serge Lutens!
The texture of Tobacco is more like liquid caramel and quite dark blackish brown (which is interesting!), somehow coming out in diaphanous big blobs out of the bottle. I don't know if this is characteristic of each and everyone of them though. Nevertheless, to their credit, they are all manufactured without mineral oil nor parabens.
The body butters and lotions come in 9 scents so far, with plans to include more. Some of them are shimmering lotions, such as Caspar Murrh and Chinese Princess Jasmine. While others are thicker, in a texture of body butter, such as Nefertiti Honey; or more runny like a body milk, such as George III Lime. All the products are enriched with Pomegranate, Blue Egyptian Lotus and Malachite (!) extracts.
The bottles are all enrobed in swirly pattenrs of contrasting colours with a different font for each one complimenting the historical trivia.
The prices are more than reasonable, making the line an everyday indulgence.
The official site is really well made with lots of wonderful trivia, a breakdown of the psychological types of everyday royalty (like the Scene Stealer, the Natural Performer or the City Nomad), cult personalities making a cameo appearence and everyday people asnwering questions about their personal kingdoms.
For our friends in the UK, some of them are available at Asos.com
You can email them with querries at: Atyourservice@forkingsandqueens.com
NEXT: a fun feature!! Check back shortly to see ;-)
Pics from Beautycom.gr
Labels:
body products,
cinnamon,
honey,
kings and queens,
Korres,
lemon blossom,
lime,
line,
myrrh,
news,
pear,
pistachio,
tobacco
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