Tuesday, February 5, 2008

How many of you have been wearing less than a dollar worth of fragrance?


As promised, Perfume Shrine is bringing you commentary on some of the juicy parts of the latest book by New York Times perfume critic and journalist Chandler Burr. Whatever one might think about the book (and there are certain points that one could criticize him for, more on which to follow)one cannot deny that on the whole it is revealing about how the perfume industry really works and some of the machinations in place. This sort of thing although suspected and talked about in the circles we frequent, hasn't made headlines in highly visible media and therefore the contribution to the public's education is valueable.

One of the most shocking revelations of the book has been the persistent divulging of the cheapening of the jus occuring throughout fine perfumery. This refers to the price point of ingredients, raw materials going into a formula as requested by the company handing out the brief. The "price per kilo" of perfume compound or concentrée is industry-speak for how much a certain composition should cost and what is the roof over which they are not willing to go beyond.
This compound is the mix of all the raw materials going into the fabrication of scented products which then gets diluted to form the different concentrations that get launched as eau de toilette, eau de parfum, or even extrait de parfum.
We have been commenting upon the lowering of that roof point for some time now, but the following excerpt from Burr is shocking in its revealing glory:

"Everyone in the industry was discussing the collapse in the quality of the materials the houses were willing to use, which was another way of saying the colapse in the price of perfume formulae. It was an open secret. It depended on whom you talked to, but generally the figure one heard was a 50 percent fall. "We really started dropping our prices with Opium", one veteran told me. "The concentree actually wasn't expensive". Opium was 1978."

~Chandler Burr, The Perfect Scent, Holt 2008, p.59-60

This sheds new light and puts things into perspective, doesn't it? Because if Opium is generally regarded as one of the last remaining "classics" (in its way) and it was of course created as far back as 1978, then it goes without saying that much more recent examples have lowered that price per kilo at a staggering pace, resulting in formulae that cost as little as 38euros per kilo, whereas one could afford to reach 230euros per kilo in the past. This is exactly the kind of syllogism that obliterates half the palette from perfumers who cannot therefore use some of the most exquisite essences (many of which are natural floral absolutes, a category hard to replicate in synthesized terms successfully) and as a result leaving them with restricted choice resulting in many of the fragrances smelling comparatively similar.
Even luxury or niche ones! Yes, don't act so surprised.
The following statement corroborates it:
"Sometimes today the mass marketers had prices of kilo de concentree more expensive than those of the luxury brands". [...]"I've been told, one American industry told me, "that the average price per kilo for fine fragrances is now around 85 dollars. I doubt that's true. I'd say in some cases it's 35 dollars. In some it's 15 dollars"


~Chandler Burr, The Perfect Scent, Holt 2008, p.60

Now, do the math: 15 dollars per kilo of compound ~which generally gets a 10% dilution for Eau de toilette. This is 1.5 dollar per 100gr of eau de toilette. Considering that the typical buyer goes for the smaller 50ml/1.7oz bottle purchase (I am approximating volume with weight for our purposes here), at least the first time around, then you're left with many fine fragrances containing less than a dollar worth of ingredients' quality! Even extrait has a 20-40% dilution so we are still talking a very low ratio pricewise to what is asked for in the final product.
Now you realise why companies are set to capitalize on the appeal of newness and sell the first bottle of any new fragrance, not interested in the repeat purchase.
The rest of what you pay is anything but the jus.

I call this repulsive, don't you? Discuss.


Monday, February 4, 2008

Bullion or Bull? 8 88 of them...by Comme des Garcons: fragrance review


Sometimes it's hard to distinguish the bullion from the bull. Gold has a way of masquerading into the most unexpected guises, while the reverse is also true.
Comme des Garcons 8 88 new fragrance was released for only one week (!) in London at the Burlington Arcade guerilla store. It won't be available again until March 2008, but a generous and kind soul was able to get us a sample and Perfume Shrine has the rare privilege to review the elusive scent with the weird and -reputedly lucky?- numerological name.

Comme des Garcons has always gone for the quirky, establishing themselves at the vanguard of art perfumery with a twist. A resolutely modern line of fine fragrances. The brand by Rei Kawakubo who introduced the pauper-chic of the early 80s to jaw-dropping Paris has set a high standard for shock value. Their Guerilla stores were the kind of avant-guard marketing that makes for cleverly calibered word-of-mouth. It even convinced me to go under the shade of an ancient ruin for the sole purpose of shopping for the first time in my life!
The challenge was to see whether they delivered this time around, as they had previously succeeded in doing with their wonderful Incense line (a long-time favourite of mine) or the Red series or indeed the original fragrances that bore their name, aiming at working like Ayuverdic medicine (they don't...).

Antoine Lie, a perfumer from Swiss giant Givaudan, was the nose who created 8 88. It tries to capture the odour of gold, an elusive goal no doubt but in line with the brand's attempt to ride on the Luxe bandwagon: a concept perhaps at odds with their conduct thus far.

Jewels have always mesmerised both the artistic and the mystical in me, with their aura of hidden but powerful energy surrounding them. Most importantly the feel of heirlooms and historical pices, some of which have pride of place in my ever expanding collection, give me a rush of aesthetic and intellectual pleasure in running my fingers over them, contemplating just how they were made, who they belonged to and what feelings they evoked for their owners.
Yellow gold pieces in particular remind me of ancient rituals, the homeric "Mycenae, rich in gold": the loot from ancient Egypt by the Ekwesh (whom recent research tautologises as Achaean Greeks coming from Anatolia).
Alas, much as I lean on my comparatively less important pieces, I cannot bring myself to smell anything more than the faint remains of the fragrance that clung from my skin since the occassion that I wore them. Gold really has no special smell, apart from the metallic coldness or the odour of blood shed in its pursuit...


The task set before Antoine Lie was therefore difficult. According to the creator:
“We started with the concept that we wanted to find if gold has an odour and we looked for an olfactive expression. I looked at a number of different materials and decided very quickly on Safraline because of its very specific character.”
Safraline is an aromachemical, a molecule produced by Givaudan, derivative of saffron/crocus flower: the latter being a very expensive material due to its difficult picking and handling of the fragrant stemens by hand.

Official notes for 8 88 are: safraline, pepperwood, curcuma, coriander, geranium and amber.

As I sprayed the juice of 888 on my skin I perceived an initial fresh, almost orangey aroma from the coriander, a slight wet pottery whiff with tender sweetness to it that later on cedes to dryness. The opening has the cheery gusto of a sparkling finish on a fashion handbag done in metallics with none of the leather smell that would denote its quality materials or the metallic feel of typical aldehydic or iris fragrances reminiscent of the insides.
In that stage there follows the faint plasticky smell of freshly new DVDs out of their box, an odour so weird as to become instantly memorable for anyone who has had the chance to step into a very new, very big videostore. Some vague spiciness pops in and out, but as it dries down it does so with a woody and ambery character that is subdued and rather feminine, remaining close to the body without overstaying its invitation.
Compared with Safran Troublant by L'artisan parfumeur, 8 88 lacks the round feeling that accounts for much of the pleasure derived out of wearing the former, while at the same time it doesn't offer the jarring and jolting effect that one expects from a Comme des Garcons fragrance. It is pleasant, a little bit boring and very inoffensive; which is really tearing it apart with mild praise, I realise.


The bottle is in the traditional shape of the original CDG fragrance and Man2: the smooth tactile peeble, this time done in gold.
The price was 52 British Pounds for 50ml of eau de parfum concentration last time I checked. It is doubtful whether it will remain the same or rise: they shouldn't ask for its weight for gold, that's for sure.



Pic of 18K gold & tourmalines necklace from personal collection.

Saturday, February 2, 2008

May the winner step forward....

.....dear Irene, you have won a sample of the legendary Nombre Noir.
Please mail me your details so I can send it out to you!

Thanks for participating and good luck to all for the upcoming lucky draws.

Friday, February 1, 2008

Draw for Nombre Noir is closed!

The lucky draw for Nombre Noir which started last Friday is officially closed. No more entries eligible, I am afraid.
Thank you for your participation and your enthusiastic emails which have warmed my heart and please visit again soon for the announcement of the lucky winner!

More posts coming up too: a reprisal of the Leather series next week, commentary on various unexpected facts and surprise reviews of fragrances.

Love is in the Air

February has landed and with it all the corny yet weirdly enticing thoughts of love potions and amorous gifts. So in the interests of brightening up your days and helping you dream a bit, Perfume Shrine will devote posts up till Valentine's Day to scents of love.

Many fragrances, especially feminine ones, include "love" or "amour" in their name. Whether they represent the romantic idea to your nose is another matter. For what is worth, here are some.



Kenzo Amour is one of the cuddliest offerings recently and the beautiful, design lacquer style bottles in white, fuschia or orange are enough to make you want to own one. The notes are: top of cherry blossom, rice and white tea; heart of frangipani and heliotrope, and base of thanaka wood, vanilla and musk. The whole smells slightly powdery and fluffingly vanillic with the merest hint of oriental sakura (cherry blossom).
It also ran a beautifully shot, romantic commercial in Bali, which you can watch here:


(uploaded by Julie73b)

This year they have a new variation, a limited edition with graphic designs on the bottle called "Indian Holi" (click to see).

The most wonderful boxed presentation with lovely fragrances inside is by L'artisan Parfumeur: Les épices de la passion trio of 15ml/05.oz bottles of eau de toilette.
Safran Troublant (saffron, vanilla, sandalwood and red rose), Piment Brulant (hot pepper, poppy, chocolate and clove), and Poivre Piquant (white pepper, creamy milk, liquorice and honey)



Available from Lucky Scent for 75$ and lovely to look at it is also a collection versatile enough to be worn in different occassions and various weather conditions (the Poivre is very nice in the heat)


Other companies also explored the love theme with varying results.



There is Amor Amor by Cacharel in its deep red bottle, bursting with fruity sweetness; if you are after that sort of thing, that is. It is pretty popular. Notes include: pink grapefruit, blood orange, sweet mandarin and black currant, apricot, red rose, jasmine melati flower, lily of the valley, vanilla. In 2006 they came out with their first flanker, Elixir Passion with a thorned rose depicted in white on the bottle and a rather more orientalised base. This year they have adorned the bottle with tiny silver diamanté in the shape of hearts:kitschy and cute.


Much obligingly they have also issued a men's version, Amor Homme (which isn't half bad! In fact I prefer it myself): a traditional introductory fougere.


Estée Lauder launched a variation on Beautiful last year, called Beautiful Love which plays into the lushness of tuberose with good results, as you can read here.



Guerlain have gone the Barbie way with their Colors of Love fragrance, "a powdery floral, the juice opens on notes of grapefruit, kiwi, passion fruit and violet, leading to a heart of rose, mimosa, cassia flower and iris. The base is a blend of musk and ambrette seed". Barring the promising ambrette seed there, I have failed to see the appeal of this one which is an uncharacteristic to Guerlain as is George Lezenby to the James Bond canon. If you want to get a Guerlain to celebrate Valentine's Day, get your man some <L'instant pour Homme: purring sex....



Or if the recipent is a lucky female, the iconic Shalimar , "the scent of temptation" inspired by the most romantic tale of them all, has a glorious Black Mystery version out: a limited edition in a collector's bottle in deepest black.




Last but not least, Ayala Moriel, the natural perfumer from Vancourer, has a great idea for a shared loving potion: Immortelle L'Amour perfume and scented tea that you can both sip to bring on the amorous mood...
Immortelle L'Amour is a lovely fragrance that merits its own review soon, but suffice to say that it plays on maple-like nuances of immortelle absolute, paired with delectable rooibos touches and vanilla capturing the aroma of Tire d’Erable.

There is also a special offer for the upcoming days taken from her site:
Immortelle l'Amour Parfum + Tea Gift Set

Now on special discount - when you buy both, receive a $20 discount Original price $140 - now priced at only $120! - Essentially, you are getting the previous price for the parfum ($100) and tea ($20).



There are of course more traditionally "valentine's day" offerings, like Roses & Chcolate, although I haven't tried that one and can't vouch for how it smells. What is more interesting though is that she also offers jewelry with solid perfume captured inside, such as poison rings or pendants that make for a wonderful adornment, to be dabbed on when the crucial moment arises...




In the meantime and if you have a couple of minutes to click away, you can do a psychology test about your level of love on this site here.


Pics from ebay, parfumdepub, flickr, scandelines.de, luckyscent and ayalamoriel.com

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