Lunamaris by Diptyque, part of the new collection Les Essences, inspired by rare natural materials, managed to capture my attention and eventually my preference within the new line-up. It's a sleeper, that I suspect will please a lot of people if only given a chance to try it out. It grows on you. This fragrance genre has an affinity for prompting introspection and daydreaming, akin to listening to Eric Satie and his collective opus of Gymnopédies and Gnossiennes. Music that eases the mind and set forth a spiritual mood, with restrained sentimentality and low vibration sounds that stir the senses in a non flamboyant way. It's excellent for doing mental work, as its lack of words helps with concentration and -much like baroque music, though in a different way- it aids the mind to put a flow into thoughts.
Monday, January 27, 2025
Diptyque Lunamaris: fragrance review
Sunday, January 26, 2025
Diorling: the houndstooth eau de toilette bottle
Vintage edition has houndstooth bottle with the classic bow in the Dior logo. The atomiser is old style with flowing sprayer and bakelite cap.
Perfume photography by Elena Vosnaki
Wednesday, January 15, 2025
Lanvin Oxygene: fragrance review
Everything old is new again and now that things aqueous and lightly transparent, with a mist of cool fresh air like Drop d'Issey, are making ripples, it's time for a comeback for those musky, airy, cool and dewy fragrances that defined an era. The presentation for Oxygène by Lanvin followed the trend for diaphanous or light blue (Light Blue anyone?) bottles that dominated the 1990s and up to the millennium. Then pink erupted and has never left us since. Indeed nowadays blueish bottles are almost solely geared to men.
The olfactory reception I get in Oxygène is quite something, as it recalls and depicts vividly one of my favorite flowers, the wisteria, or glycine in French. It's an early spring flower and, therefore, associated with cool air, dewiness, and a certain hesitant expectation. The heat and the sun have not come in to orgiastically lavish upon it. Its peppery spiciness, inherent also in mauve lilacs, is due to eugenol. I begrudge L'Artisan Parfumeur for discontinuing their lovely scented candle Sous la Glycine - Under the Wisteria - which remade the effect to perfection. (If the good people at the head office are reading, please bring it back!)
Delicately floral, with a subtle spicy note of clove, the central chord in the Lanvin Oxygène' fragrance recreates the beautiful, utterly gorgeous scent of the mauve, hanging grappes of wisteria, perched like bunches of decadent grapes over terraces, latticework and verandas in early spring. A fusion of spicy goodness reveals itself from the core: a middle road between peppery twinkle, a clove note, and carnations, with a side of a somewhat oily green nuance reminiscent of hyacinth and lilacs.
pic borrowed via pinterest
I do not get real milky notes, not the potable kind nor the milky body lotion type, which is prized among millennial women. It could only be said that there is a faint whiff of creaminess in the musk, but it is the overwhelming impression of white musk - redolent of white flowers and lilies - specifically that does it, not the milk or sandalwood, really. A very subtle hint of vanilla fuses with the headiness of the base. Any sweetness is due to the musks. On the other hand, Oxygène's freshness of citric notes and ozone in the initial spray is very perceptible and, to me, delectable; they recall that long-lost zingggg that scents of designer brands used to do so well back then.
Lanvin's scent Oxygène can be bought at discounters and online at relatively low prices nowadays.
Related reading: The History of the Lanvin House
Diptyque Vinaigre de Toilette: how it came to be
During the great plague in Toulouse between 1628-1631 (claiming 500,000 victims), four thieves were looting the houses of the dead, completely unharmed by the pestilence. When found out, they were arrested and incarcerated. About to be burned at the stake, the thieves inadvertently intrigued the judges thanks to their resilience to the Bubonic plague.
In an effort to find out how that was possible, they offered the more lenient death by hanging, in exchange for their secret: the scented recipe of the elixir which they rubbed their entire body for protection before entering the houses. From this story, the name Le Vinaigre des 4 Voleurs ("'Four Thieves Vinegar" and also Acetum Quator Furum) was coined.
The same incident also happened in Marseilles in 1720, whereupon the thieves voluntarily shared the recipe with the afflicted city people, thus saving their own lives as well. From that incident Le Vinaigre des 4 Voleurs also gained the names of Marseilles Vinegar or Marseilles Remedy.
In fact, before the sanitation of European cities in the 18th century, delineated in great detail and analytical depth in Alain Corbain's seminal work Le miasme et la Jonquille, the use of aromatics and fragrances was based predominantly on their prophylactic role; hence the name Prophylactic Water.
During plagues perfumer-doctors visited houses with aromatics molded into a gigantic bird’s beak to protect themselves. As those “witch doctors,” with their duck-like noses, were often no more efficient for the pestilence than the placebo effect, the term “quack” became a synonym for charlatan!
Nevertheless the inclusion of camphor, spice and garlic in those elusive protective elixirs does have a footing in science. Put a clove of garlic or a clove (clou de girofle) on a petri dish and watch it under the microscope to see how bacteria and microbes cannot enter its inner sanctum, keeping their distance. The reasoning probably has to do as much with their flea repellent action as with the direct influence on the microorganisms. Fleas and the mice they infected, as well as dogs, had been a supreme carrier of the grave disease that spread through Europe like wild fire.
French aromatherapy doctor Jean Valnet (1920-1995) gave the story credence. In his book, The Practice of Aromatherapy, he quotes the archives of the Parliament of Toulouse, going on to claim the original recipe was revealed by the four corpse robbers who were caught red-handed in the area around Toulouse in 1628-1631.
The rise of the apothecary as the purveyor of scented products only made access more widely available and falls in step with the advent of sanitation and greater attention to hygiene which was the development of the 18th century.
The recipe for the milder skin elixir comprised apple cider vinegar, thanks to its closeness to the natural Ph of the skin contrary to the more acidic wine vinegar. The acid would have cosmetic uses, since the harsh alkali-rich soaps would disrobe the natural acidic mantle of the skin, whereas the finishing with vinegar (alcoholic or not, as the formula stipulated) would help rebalance the skin.
Rosemary in particular seems to have been a particularly beloved ingredient in the preparation of scented products at the time, not least forgetting the mention in Shakespeare's Hamlet "There's Rosemary, that's for Remembraunce [sic]." After all, the great playwright was not unfamiliar with the great plague, having siblings lost to the disease and his theater shut down due to the London outbreaks between 1593 and 1608. Rosemary was after all the "magic" ingredient in another miraculous fragrant preparation: the Eau de Reine d'Hongrie!
Nowadays the scented "vinegar" is still sold in traditional apothecaries and notably by Diptyque as Vinaigre de Toilette as well a by Oriza Legrand (tagged underneath Oriza Aciduline). Its benefits start from the removal of lice and nits, extend to hair and mucous membranes sanitation, headaches (applied on the temples), and even for respiratory problems.
Tuesday, January 14, 2025
Pierre Cardin Cardin for Women (1975): fragrance lore & musings
Some perfumes seem to exist in limbo. No one has really known them intimately, yet their reputation lives on. Oddly enough, as my colleague Sergey highlighted in his review of the chypre Cardin de Pierre Cardin,"If you go to the Pierre Cardin official website, you will not find this fragrance on it. There, officially, the feminine perfume history of the brand begins in 1981, with Choc de Cardin. As if there was no Cardin de Pierre Cardin (1975) perfume at all. Meanwhile, vintage advertisements and vintage bottles say the opposite."
Meanredz's 5934 photos on Flickr via pinterest
My view is similar to his, in that it presents a very interesting, yet disturbing phenomenon: Companies re-inventing their past, but contrary to -say- Creed, by omission. As if they want to focus only on the present, or at the very least on what they consider sell-able still. As fragrant history attests,"at least two more Pierre Cardin fragrances were released for women – the floral chypre Suite 16 Pierre Cardin and the green Singulier Pierre Cardin. A couple perfumes more, Amadis and Geste For Men, were also launched around the same time, as Mr. Pierre Cardin opened his Eve and Adam boutiques in Paris, sharing their bottle design with Suite 16."
Cardin for women was the first fragrance from the house of Pierre Cardin, launched in 1976 according to Fragrantica. It opens with notes of citrus, aldehydes, bergamot, clove and cumin. The heart is a bouquet of flowers such as roses, ylang-ylang and jasmine and woody notes of oak and cedar. The base consists of amber, civet, musk, labdanum, moss, sandalwood and vetiver. Available as EDT, EDP and perfume.
So is Pierre Cardin's Cardin for Women anywhere to be found? I would love to know.
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