Monday, June 23, 2014

Jacoglu Oud Prestige: fragrance review

Finding a composition that manages to bypass the ennui of too many generic "ouds" on the market is a relief (for a small sample of just how many oud fragrances have launched in the last few years -1 in every 8 they say!- please consult the link). This I found in Jacoglu's Oud Prestige, a new entry, art directed in 2013 by the young and charismatic Jacques Jacoglu, by Parfums Jacoglu, based in Paris on the Champs Elysées.

The story of the inspiration behind Oud Prestige reads like something different from the usual flowery prose which garlands press releases with the asphyxiating tentacles of pretense. Rather Jacoglu was a valet in his early days in the Champs Elysées spot, where mysteriously scented Middle Eastern women went by, trailing behind them a tale of "A Thousand and One Nights" which beguiled him. Honest, eh? Jacques Jacoglu himself, judging by the last name, must derive lineage from the Eastern Mediterranean, which places his olfactory perception and acuity on a high level. Oud Prestige was something waiting to happen and indeed it is Parfums Jacoglu's first fragrance, so I'm looking forward to the next.

via

The jarring introduction fuses citric elements (grapefruit to be exact) with blackcurrant, followed by a sustained woody heart of oud. The familiarity with the oud bases thankfully didn't detract me from the fact that the treatment here is mysteriously woven into a seductive trail rather than a sledgehammer of bitterness hitting you on the head like a ton of Band Aids for an hypothetically polytraumatized kid where that sort of thing would do any difference. Don't get me wrong: Oud Prestige is not an apologetic "I'm wearing nothing scented" kind of fragrance for when you are having that job interview or hanging out with the girlfriend "with allergies."

The oud woodiness is noticeable and long-lasting. If you're pooh-poohing heavy hitters and only opt for fruity florals or sweetish stuff, you should probably stay away, but women with a penchant for woody and oriental scents as well as men with an adventurous streak who won't be sidetracked by the marketing towards women will recognize that Oud Prestige is worth testing out by both oud lovers and those who have been having problems with oud scentss; a revelation of benzoin-laced goodness awaits.

The salty skin effect of ambergris chord in the base and the musky aura on the whole contribute to mollify and smoothe out any rough edges, creating a sostenuto which trails along, making people want to lean closer to catch a whiff and think about what they're smelling: is it you, is it something on your clothes, your exotic aura which bewitches?

Saturday, June 21, 2014

FiFi awards for 2014

The Fragrance Foundation Awards honored the industry’s creative achievements of 2014 on Monday evening at Lincoln Center in New York City. Emmy-Award winning comedian Dana Carvey hosted the event in an irreverent and humorous fashion, and Carine Roitfeld, Editor in Chief of CR Fashion Book, and model Coco Rocha served as co-chairs.



THE FRAGRANCE FOUNDATION 2014 AWARD WINNERS


FRAGRANCE OF THE YEAR:

MEN’S POPULAR
VICTORIA’S SECRET VERY SEXY PLATINUM FOR HIM - Victoria’s Secret

WOMEN’S POPULAR
VICTORIA BY VICTORIA’S SECRET - Victoria’s Secret

MEN’S PRESTIGE
POLO RED - L’Oréal/Ralph Lauren Fragrances

WOMEN’S PRESTIGE
MODERN MUSE EAU DE PARFUM - Estée Lauder

MEN’S LUXURY
TOM FORD RIVE D’AMBRE - Tom Ford Beauty

WOMEN’S LUXURY
PRIVE ROSE D’ARABIE - Giorgio Armani

PERFUME EXTRAORDINAIRE OF THE YEAR 
MANE – AEDES DE VENUSTAS, IRIS NAZARENA by Perfumer Ralf Schwieger


FRAGRANCE HALL OF FAME
CLINIQUE HAPPY - Clinique

HALL OF FAME
MICHAEL GOULD, Former Chairman and CEO of Bloomingdale’s 

PERFUMER OF THE YEAR, LIFETIME ACHIEVEMENT AWARD
CARLOS BENAIM, Master Perfumer of IFF

PACKAGING OF THE YEAR:

MEN’S
BOTTEGA VENETA POUR HOMME - COTY


PACKAGING OF THE YEAR:

WOMEN’S
HONEY MARC JACOBS - COTY

INTERIOR SCENT COLLECTION OF THE YEAR
PASSION COLLECTION FOR THE BREAST CANCER RESEARCH FOUNDATION - NEST Fragrances

MEDIA CAMPAIGN OF THE YEAR:

MEN’S
POLO RED - L’Oréal/Ralph Lauren Fragrances

WOMEN’S (TIED)
JEAN PAUL GAULTIER CLASSIQUE – Beauté Prestige International
N°5 - Chanel

CONSUMER CHOICE AWARDS 
CELEBRITY
OUR MOMENT ONE DIRECTION – Elizabeth Arden

WOMEN’S
VICTORIA BY VICTORIA’S SECRET – Victoria’s Secret

MEN’S
POLO RED - L’Oréal/Ralph Lauren Fragrances

Wednesday, June 18, 2014

Mary Celestia Wreckage and Piesse & Lubin : Resurrecting a 19th century Perfume

In February 2011, a strong winter storm exposed and removed a stable sediment layer deep within the intact bow section of the shipwreck Mary Celestia, a Civil War Blockade Runner sunk in 1864 off the south shore of Bermuda in 55 feet of water.

Four months later, over a seven-day excavation, a local and international team of marine archaeologists, co-led by Philippe Max Rouja, (Bermuda’s Custodian of historic shipwrecks), James Delgado (NOAA) and Dominique Rissollo (Waitt Institute) uncovered and rescued a small cache of hidden artifacts from the Mary Celestia, including perfume bottles embossed Piesse & Lubin, London.


Piesse & Lubin was a prominent perfume house on Bond Street in London, England at the time the Mary Celestia sank. G.W. Piesse was a chemist, perfumer and a prolific writer who wrote, among other scientific books, The Art of Perfumery, the first modern book about perfumery in 1857. Piesse was one of the first to openly describe and publish many of his highly influential techniques and formulas. It is not known if any of his perfumes have survived to the present day, meaning that the specimens in the sealed bottles from the Mary Celestia might represent the only known and testable samples of a Piesse perfume available to perfume historians and chemists.

Bermuda is fortunate to have a long and distinguished history in the development, manufacture and marketing of fragrances and that history is embodied in the 86 year-old Bermuda Perfumery. In April 2013, the Perfumery’s director Isabelle Ramsay-Brackstone hand-carried two of the Piesse & Lubin perfume bottles to the laboratories of drom Fragrances in New Jersey, where they were opened and their contents analyzed via a gas chromatograph under the watchful eyes of Jean-Claude Delville and Lionel Nesbitt.

The results of the analysis showed that both bottles contained the same fragrance and miraculously after 150 years underwater were uncontaminated with salt water . The smell of the fragrance was overwhelming of rotten citrus with some notes of hydrogen sulfide (commonly know as rotten eggs). The perfumers characterized the smell as unpleasant however to the amateur nose of the
archaeological researchers the smell was characterized as surprisingly citrus, grapefruity, and inoffensive. Some impressions of orange flower, geranium, orris, bois de rose, opoponax, sandlewood and benzoin were also recognized with a dry-down of civet and ambergris tincture. Although the liquids contained in the bottles were intact and had not been contaminated by salt water, many of the essential oils contained in the fragrance had broken down through the many years under the sea.
At this time, the analysis of the fragrance found did not allow the researchers to determine the identity of the fragrance with certainty, as the earliest reference of the collection of Piesse & Lubin dates back to 1873. However, it appears that the time Mary Celestia wrecked, “Bouquet Opoponax”, launched in 1859, was the most popular fragrance of Piesse & Lubin. Although the perfume house never received the prestigious “Royal Warrant Seal” from the British government, it is clear that Piesse’s fragrances were admired and coveted even in the American South at the height of the
American Civil War.

The successful transport of luxury goods through the Blockade assured a premium on the black market once in the Confederate South. The trade in such items had been considered a viable activity for the crew risking their liberty and lives running the blockade. However at the time of the Mary Celestia’s sinking the transport of luxury goods on Runners had been banned by the Confederate Government leading to speculation by the research team that these goods, found in the very tip of the bow of the ship away from general cargo, had been carefully hidden by one of the crew. The small, tight area
in the strong forepeak hid the goods from salvors and protected them from hurricane damage for the next 150 years. This providential discovery carves a literal window into the world of British built and Southern backed Blockade Runners, their pivotal role in the US Civil War and the complex lives of the people and goods – including perfume – they transported that will be the subject of a feature length documentary currently in production between producers LookBermuda and PBS member station, South Carolina Educational Television.

Authors
Isabelle Ramsay-Brackstone, The Bermuda Perfumery; Philippe Rouja, Bermuda Department of Conservation Services; Jean-Claude Delville & Lionel Nesbitt, drom; James Delgado National Oceanic & Atmospheric Administration; Dominique Rissolo, Waitt Institute


Le Labo Geranium 30: new limited edition fragrance

Le Labo Fragrances decided to contribute to Opening Ceremony's partnership with Thierry Boutemy by creating a very limited edition fragrance (100 bottles only) for the event.



Geranium 30, developed with French perfumer Barnabé Fillion, is a haphazard-seeming but impossibly artful bouquet of flowers (geranium, jasmin...) which, in a way, is Boutemy's own floral installation style in a bottle.

"Impossibly artful" because of the dangerous balance between the flowers and the spices (baie rose, poivre long...) which brings to the one who wears Geranium 30 the permanent feeling of walking in a perfectly arranged mad, wild garden... Enjoy the wildness...

info via press release

Monday, June 16, 2014

The Lover's Hair

James Jacques Tissot, Mme & M.Mauperin en Égypte

"She came to live only through him and for him, by his presence, by the thought of him, by his future, his portrait, which she carried when she last met him. When she parted from him, she ran her hands through his hair several times and then put on her gloves quickly. All the following day she breathed, sitting next to her husband, next to her daughter, in her house, the smell of her beloved and of his hair, which emanated from her hands, which she had not washed."

Edmond & Jules de Goncourt, Renée Mauperin (1864).

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