"The Research Institute for Fragrance Materials, Inc. (RIFM) now has available, from its web site at www.rifm.org,
human health safety assessments on Macrocyclic and Cinnamyl Phenyl
Propyl fragrance Ingredients. Found in the Publications section of the
RIFM site, Toxicologic
and Dermatologic Assessments for Three Groups of Fragrance Ingredients:
1) Macrocyclic Ketones, 2) Macrocyclic Lactones and Lactides, 3)
Cinnamyl Phenyl Propyl was published in Food and Chemical Toxicology, Vol 49, Suppl 2S, Dec 2011
and is already one of the journal's top ten downloaded publications.
Included in the review of the three groups are 24 related Fragrance
Material Reviews (FMRs). Printed copies can be ordered from the RIFM Online Store."
These popular materials, used in different scented uses (fragrance, functional products, air care,cosmetics) and carrier/disolving purposes have proven to be "practically nonirritating, have a low sensitization potential, no genotoxicity potential and a low order of repeat dose toxicity".
News via The Sacramento Bee where you can read the whole article.
photo showing the hull of a boat that was painted with a coating containing
macrocyclic lactones, with the exception of the stripe down the middle via gizmag.com
Wednesday, May 2, 2012
The winner of the draw...
...for the Aftelier mini-atomisers is Coach Fabulous. Congratulations and please email me using Contact with your shipping data so I can have this in the mail for you soon!
Thanks everyone for the enthusiastic participation and till the next one!
Thanks everyone for the enthusiastic participation and till the next one!
Tuesday, May 1, 2012
May 1st: A Lily of the Valley Tradition
The charming custom of offering lily of the valley on May 1st in France dates further back than one might think: it was Charles IX who first offered these tiny bell-shaped and deliciously fragrant flowers to his mother, Catherine de Medici, as a good luck charm. The custom stuck ever since.
Happy May 1st!
For those of you so inclined, you can read about Lily of the Valley (or Muguet in French) in detail, its history, role in perfumery as a raw material, ways to render a synthetic LOTV note as well as a list of fragrances celebrating this green floral note consulting my older article: Lily of the Valley as Perfumery Material and Fragrances with this Note on this link.
photo via hannasform.blogspot.com
Happy May 1st!
For those of you so inclined, you can read about Lily of the Valley (or Muguet in French) in detail, its history, role in perfumery as a raw material, ways to render a synthetic LOTV note as well as a list of fragrances celebrating this green floral note consulting my older article: Lily of the Valley as Perfumery Material and Fragrances with this Note on this link.
photo via hannasform.blogspot.com
Monday, April 30, 2012
Aftelier Sepia: fragrance review
There is an eerie feeling upon coming across a ghost town, the very
cinematic experience of bypassing a highway into a smaller, abandonded
scenic route into the vast countryside; all silence in the distance and
blue skies passing you by above. In America ghost towns are something of
a fixture in the collective unconscious, a remnant of the wild west
past, the advent of industrialism and the building of autoroutes erasing
bustling cities from the map.
The desolate beauty of the ruins, standing abandonded as if replete with tales of lives spent heard in whispers on the wind that blows amongst the delapidated buildings, inspired indie perfume Mandy Aftel (Aftelier perfumes) into creating an all-naturals perfume that would put decay into an elegant context, into a wearable form translating the ravages of time.
Sepia by Aftelier, the resulting perfume, utilizes the most refined and dignified of materials of sweet decay: oud wood mulling over floating ambergris; blanched, matured, patina-bearing, ghost-like...
The musty feel of both oud and cepes (the latter being the raw and damp smelling, peculiar essence of mushrooms, exalted in Mandy's Cepes and Tuberose) come out in the composition as seen through a sieve; their chunkier elements surfacing, while the rest is retreating into the distance like the vision of a ghost town while traversing through those abandonded roads of the west. Even though intense -typically gourmand, but not here!- notes such as cocoa, coffee and the multi-nuanced white tobacco are also featured in the formula, the weaving is tight, none of them peaking above the others. You'd be hard-pressed to distinguish one from the other. This dry woods perfume doesn't make any compromise.
Instead the floralcy of yellow mandarin along austere cedarwood and the musty notes open Sepia, predesposing someone for something strong which soon belies that impression: the fragrance becomes earthier, darker and more mysterious while continuously subtle. Aftel used other intriguing essences, such as pink lotus for a lighter feel, a hint of wine facet from berry notes, full bodied indolic jasmine and labdanum, usually the recipe for an animalic floral.
Sepia however defies such predictable seduction tricks. It is above all a play on atmosphere, an inwards journey into what is left in our soul upon encountering a mirage, an illusion, a decaying thing of beauty. Is it there or is it not? And as such it is best savoured intellectually and with all our senses on the alert.
Notes for Aftelier Sepia:
Top: blood cedarwood, yellow mandarin, pink grapefruit
The desolate beauty of the ruins, standing abandonded as if replete with tales of lives spent heard in whispers on the wind that blows amongst the delapidated buildings, inspired indie perfume Mandy Aftel (Aftelier perfumes) into creating an all-naturals perfume that would put decay into an elegant context, into a wearable form translating the ravages of time.
via lonewolfphotos.com |
Sepia by Aftelier, the resulting perfume, utilizes the most refined and dignified of materials of sweet decay: oud wood mulling over floating ambergris; blanched, matured, patina-bearing, ghost-like...
The musty feel of both oud and cepes (the latter being the raw and damp smelling, peculiar essence of mushrooms, exalted in Mandy's Cepes and Tuberose) come out in the composition as seen through a sieve; their chunkier elements surfacing, while the rest is retreating into the distance like the vision of a ghost town while traversing through those abandonded roads of the west. Even though intense -typically gourmand, but not here!- notes such as cocoa, coffee and the multi-nuanced white tobacco are also featured in the formula, the weaving is tight, none of them peaking above the others. You'd be hard-pressed to distinguish one from the other. This dry woods perfume doesn't make any compromise.
Instead the floralcy of yellow mandarin along austere cedarwood and the musty notes open Sepia, predesposing someone for something strong which soon belies that impression: the fragrance becomes earthier, darker and more mysterious while continuously subtle. Aftel used other intriguing essences, such as pink lotus for a lighter feel, a hint of wine facet from berry notes, full bodied indolic jasmine and labdanum, usually the recipe for an animalic floral.
Sepia however defies such predictable seduction tricks. It is above all a play on atmosphere, an inwards journey into what is left in our soul upon encountering a mirage, an illusion, a decaying thing of beauty. Is it there or is it not? And as such it is best savoured intellectually and with all our senses on the alert.
Notes for Aftelier Sepia:
Top: blood cedarwood, yellow mandarin, pink grapefruit
Middle: pink lotus, strawberry, jasmine
grandiflorum, cocoa, coffee
Base: flowering tobacco, oud, indole, ambergris,
cepes, labdanum
Sepia is available in liquid parfum (1.4oz), EDP spray and sample spray atomizer, mini bottle and liquid sample vial directly through the Aftelier site.
Sepia is available in liquid parfum (1.4oz), EDP spray and sample spray atomizer, mini bottle and liquid sample vial directly through the Aftelier site.
Labels:
aftelier,
cedar,
dry,
flowering tobacco,
musty,
oud,
review,
sepia by aftelier review,
woody,
yellow mandarin
Sunday, April 29, 2012
A Pleasant Surprise
Ever have done something which was still in a liquid state, so to speak, walked away from it and then forgot all about it? This happened to me yesterday.
The FiFi Awaards Finalists Breakfast was held on April 27th at the Mandarin Oriental in NYC and long-distance I suddenly learn I made it to the 2012 Finalists for Editorial Excellence on my article published last December! My editor at The Perfume Magazine, Raphaella Barkley thus garnered two noms, the other being by her contributor Neil Stenberg. Congrats go to Victoria from Bois de Jasmin for her winning article. All the finalists of the editorial categories and perfume categories can be found on the Fifi Awards blog with links.
If you're interested to read my article on "On Making Sense out of Scents" (concerning the structure of perfume and why notes don't always correspond to what you smell), please refer to this link.
To friends who asked me in email why articles on here weren't in the run (never have been, actually), this is because although invited to, the blog isn't based in the US (even if it appears to sometimes thanks to readability across the pond), which is a basic requirement for entering. I have to thank Raphaella for both times picking my articles on her webzines, trusting in me and submitting them herself to such happy results. All accolades to her!
The FiFi Awaards Finalists Breakfast was held on April 27th at the Mandarin Oriental in NYC and long-distance I suddenly learn I made it to the 2012 Finalists for Editorial Excellence on my article published last December! My editor at The Perfume Magazine, Raphaella Barkley thus garnered two noms, the other being by her contributor Neil Stenberg. Congrats go to Victoria from Bois de Jasmin for her winning article. All the finalists of the editorial categories and perfume categories can be found on the Fifi Awards blog with links.
If you're interested to read my article on "On Making Sense out of Scents" (concerning the structure of perfume and why notes don't always correspond to what you smell), please refer to this link.
To friends who asked me in email why articles on here weren't in the run (never have been, actually), this is because although invited to, the blog isn't based in the US (even if it appears to sometimes thanks to readability across the pond), which is a basic requirement for entering. I have to thank Raphaella for both times picking my articles on her webzines, trusting in me and submitting them herself to such happy results. All accolades to her!
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