Showing posts with label les absolus d'orient. Show all posts
Showing posts with label les absolus d'orient. Show all posts

Wednesday, July 17, 2019

Guerlain Cuir Intense (Les Absolus d'Orient): fragrance review

For the latest release of the Les Absolus d'Orient collection, Cuir Intense, in-house perfumer Thierry Wasser creates a bewitching fragrance with the powerful leather note, while the osmanthus flower brings a sweet and apricot facet. The Virginian cedarwood adds structure to the deep and mysterious creation with a woody note that sublimates and unveils the diversity between the raw materials.

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 Those who expect a very suave training-bra leather, in the manner of Guerlain's previous and quite popular vanillic Cuir Beluga, will be astonished by the bite of Cuir Intense, although the name should have warned them somewhat. The leather facet is much drier, tar-like, with a spicy undertone that is cinnamic-clove-y in nature. The beautiful apricoty note of osmanthus reinforces the leathery impression in Cuir Intense and smothers the harshness in confident arpegios of projection. Much like Chanel's emblematic Cuir de Russie, there is a floral note that recalls jasmine-like tonalities in the heart, but Guerlain's is overall thicker. What is also important is a facet of violet-like undercurrent, if I'm not mistaken, before, or rather in tandem with, the woody-musky backdrop. I found that an intial sampling of Guerlain's Cuir Intense lasted very well on my skin and exceptionally well on a blotter, probably thanks to the intensity of the musks in the formula.

 It is very much on point in the Absolu series, as it translates well the concept of a dense oriental elixir, the way we Westerners imagine those things through, no doubt, rose-tinted glasses (or shall I say "noir-tinted glasses"?) Most would find it leans more masculine than feminine, although as with all the fragrances in the line, Cuir Intense is aimed at both sexes. It's certainly interesting enough to warrant sampling for all Guerlain fans and then some.

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