Guerlain Christmas Collection 2014: Coque d'Or and more...

borrowed from excellent beauty blog Musings of a Muse

The makeup and body products collection by Guerlain for the 2014 holidays this winter is stunning! Inspired by the opera and the ballet, it takes its references from Piotr I. Tchaikovsky's Swan Lake ballet and Igor Stravisky's Petroushka (Petrouchka in French) ballet and L'Oiseau de Feu (the firebird), as well as Guerlain's own archives of perfumes, with Coque d'Or.

The star of the collection is no doubt Coque d'Or, an iridescent perfumed powder for body and hair with a retro style "pouf" pump that retails for 79 euros. The bottle design in gold reprises the mold for the legendary  Coque d'Or, an old Guerlain fragrance for which the flacon could not be repeated because the factory producing it had been bombed during the war. The re-use of bottle and name for makeup products (and specifically for the body powder for the holidays) follows into the steps of the previous Vol de Nuit and Liu offerings.

via The Style & Beauty Doctor

The rest of the collection includes Palette Petruchka (available at Sephora),  a palette on two layers (as shown above) for eyes and cheeks (€77), 2 eyeshadow duos, one called Cygne Blanc (white swan) in pearly white and lilac, and the other Cygne Noir (black swan) in plum and black, which are €40.50 each. There is the loose pearls of powder product in the Meteorites mold, this year's edition being Perles d'Etoile , i.e. pearls off a star (€49) in a luxurious, collectible gold pot. There is a diaphanous gold lipgloss named L'Oiseau de Feu (€29)as well as the corresponding gold fleck nail top coat (€23.50). Last but not least, a golden metallic nail polish also named Coque d'Or (€23.50).

Most rare Guerlain Perfume to be Resurrected for the Prestige Collection

No house in the realm of fine fragrance is more revered with the appreciation of history than the house of Guerlain, the one "sans prenom" (since there's also Marcel Guerlain, a different outfit). The re-issue of the heritage perfumes, collected as "collection patrimoine" at the flagship store in Paris at Champs Elysees was a move into museum worthy greatness. We have described & reviewed the re-issued historical Guerlain perfumes on these pages before thanks to the help of the house's artistic director, Sylvaine Delacourte, and it is my great joy to inform you that the prestige collection which includes Vega and Sous le Vent will be itself augmented by the erstwhile addition of another long discontinued gem…

Which is it? Can you hold still?

from the nonblonde via pinterest

This time the perfume in question also happens to be encased in a precious, collectible vessel as well. Coque d'Or from 1937 (in the blue bottle in the shape of a bow, like Dawamesk, but with gold overlay which always reminded me personally of scarab jewels from Egypt, designed by George Chevalier and raymond Guerlain) is a legend. Composed by Jacques Guerlain of the mature period, it encompasses what is quintessential Guerlain in spirit: the warm amber chord with labdanum and vanilla plus the inky note of oakmoss, overlaid with powdery floral notes that are precious to the makers.
 The re-enacted formula undertaken with the care of head perfumer Thierry Wasser is a bet that challenges the contemporary style of the industry (though it will have to conform to contemporary regulations I hear). Its discovery will take place next autumn, before the holidays. Coque d'or will be a wonderful pilgrimage to the shrine that is Champs Elysees and a covetable item for those who can afford it. May we wish for time to fly!

Guerlain's Coque d'or perfume presentation PerfumeShrine.com

Guerlain Coque d'Or: Fragrance review & history

When art history enchiridia are written they emphasise how Art Deco style covered almost every sphere of human life in the 1920s and 1930s: architecture, interior design and furniture, aviation, fashion & jewelry most certainly, cinema and the visual arts... But they leave out perfumes and the industries that cater for them, such as cristalleries and glass blowers. In that regard, if we're to present emblematic Art Deco perfume specimens, the very rare but exquisitely designed Coque d'Or perfume by Guerlain should top the list. And not just for its looks, either!

History, Presentation, Chronology of Bottles

Coque d'Or was issued in 1937 in a cobalt blue bottle of Baccarat crystal encased in a gold metal "sleeve" shaped like a bow (and further encased in a white lined wooden box designed by acclaimed designer Jean-Michel Frank). However this fragrance is NOT to be confused with the entirely different Eau du Coq Guerlain "cologne" (after the famous French actor Benoît-Constant Coquelin, nicknamed Coquelin aîné) from 1894.

The name Coque d'Or [Cock-DOORH] literally means "golden shell". This type of bottle is typified as "flacon noeud papillon" (papillon meaning butterfly in French) in the Guerlain archives at 68 Champs Elysées, as it's so reminiscent of the masculine black-tie accessory.
Even though the original design included the gold gilding of the blue bottles apart from the upper edges (as shown in the pic), some speciments come without the gold.

The reason is less poetic than we might think: The factory doing the gilding burnt down during WWII... It is the larger size bottles of the original 5 (and the subsequent two molds by Pochet et du Courval) that display the base cobalt blue colour, always numbered in the crystal specimens, not in the glass ones. In the Baccarat mold the cap can be smooth OR faceted, while in the Pochet et du Courval mold the cap is always smooth.

Production of the noeud papillon bottle stopped altogether in June 1956. However, till that time, other perfumes were presented in it as well: the even rarer Guerlain Kriss (1942-1945) and Guerlain Dawamesk (1945-1955).

The fragrance of Coque D'Or was also available later in the big goutte bottles (shaped like a drop or a tear, containing Eau de Toilette) and the standard quadrilobe (very familiar from Jicky and other Guerlain fragrances in extrait de parfum concentration).

Scent Description

What I smell in Coque d'Or is a cross between Guerlain's Mitsouko structure and Vol de Nuit, with very detectable oakmoss in the base, very rich as both of these fragrances used to be in vintage form, and typically Guerlain, as established by perfumer Jacques Guerlain who has shaped the Guerlain aesthetic through his many classics. The correlation seems logical enough as Mitsouko launched in 1919 and Vol de Nuit in 1931 and the lavishness of the l'entre-deux-guerres period is palpable.The orientalised effect with the chypre-leathery background with oranges, flowers (clove-y carnation) and the Persicol peach-skin base on top (as in Mitsouko, but rendered less austere) is smooth as a caress, sweetly melding with the skin, there most certainly, but at the same time what the French call "doux" and "enveloppant"  (soft, enveloping, wrapping, tender, tactile almost...)
The leathery hint wraps the flowers and ripe notes in sophistication, much like it was the enigmatic quality in Vol de Nuit, with an ambery glow like fine cognac sipped from crystal glasses across a blazing fire, and the oakmoss persists like a warm, melodious, baritone voice.

Today the name Coque d'Or is a vibrant pink shade (#120) in Guerlain's Rouge Automatique lipsticks. The preservation of the copyright of the name is perhaps proof of the existence of God of Small Things. I have forwarded the plea to the proper Guerlain authorities, asking to re-introduce this gem  into current production, even as a one-off limited edition or a tiny-production exclusive (due to the high oakmoss content) so as to perserve its patina for future generations who haven't visited L'Osmothèque perfume museum. 

Related reading on Perfume Shrine: Guerlain news, Guerlain Series of fragrance reviews

Erté  illustration via Fashion Loves Films