Mandy Aftel needs no introduction. Everyone interested in natural perfumes ~and in perfumes period~ has given at the very least a passing glance to her writing in Essence and Alchemy one of the most jam-packed with delicious info papeback to ever come out fom the printer's. Now Henri Bendel, the iconic New York retailer announced that it will hold an exhibit Living Perfume: The Natural Alchemy of Mandy Aftel April 18 – May 11, 2009, featuring the perfume, the craft, and the collection of leading natural perfumer, Mandy Aftel. Henri Bendel is the exclusive retailer of Aftel’s Aftelier line of hand-blended scents which are created from the world’s finest natural ingredients.
This interactive and historic exhibit will showcase the extraordinary materials that bring to life the art and science of natural perfume. It will be created and installed using the responsible design principles of sustainable materials and eco-friendly sourcing, and draw its inspiration from the natural world where natural fragrance originates.
"It is rare to have the opportunity to usher in a new art form, especially one that embodies such great beauty. We consider Aftelier to be the leader in natural perfume and are excited about sharing it with our customers through this historic exhibit" states Claudia Lucas, Senior Vice President of Beauty & Gifts for Henri Bendel.
All Aftelier Perfumes are created by Mandy Aftel, author of the award-winning Essence and Alchemy: A Book of Perfume, a publishing success in seven languages which prompted Vanity Fair to dub Mandy “angel of alchemy”. Yet Mandy has touched earth too, also designing several custom blends for Hollywood stars, writers, and restaurants, as well as private labels. The recipient of the Sense of Smell Institute’s Richard B. Solomon Award, Mandy Aftel stands in the threshold of a new art form that is set to create new directions given the attention it has been receiving by connoisseurs in recent years.
According to Mandy: “As potent as it can be, smell is the most neglected of our senses. Rational precepts and the industrial age have separated our minds, bodies and spirits, and further separated us from nature. Natural Perfume, created from natural materials and aromatics is a multi-layered phenomenon: In a breath, we are able to reconnect with the natural world and ourselves in new and profound ways.”
Thus the Living Perfume Exhibit is dedicated to the sense of smell, aromatics, and the art of natural perfume, with interactive learning opportunities for the public. The Exhibit will feature Aftel’s body of work: her perfumes and oils, her research and writings, her personal library of rare books, graphics, and artifacts - to offer a unique and foundational view of this world.
The Living Perfume Exhibit runs from April 18 through May 11 on the 3rd floor of Henri Bendel. Not to be missed!
Mandy Aftel is also introducing a new pefume in her all-natuals line, called Lumière which means of course Light." Lumière is a sheer elegant floral composed of the precious essences of boronia, blue lotus and sacred frankincense. A sophisticated floral that is restrained but sensual. The base chord is built upon notes of fine green tea absolute and the rarest of Frankincense ~boswellia sacra from Oman~ with its ethereal and mysterious resinous woody notes. Lumière's exquisite heart features Tasmanian boronia with its aroma of freesias and raspberries, and the transparent watery floral note of blue lotus". Aftelier uses no artificial colours, no synthetic fragrances, no petrochemicals, no phthalates, and no parabens
Lumière will be available in 0.25oz for $195) and 2.2ml mini size for $60. (NB: The price is justifiable due to the very high cost of all natural raw mateials) The one quarter ounce perfume comes with a complimentary mini kit! Contact info@aftelier.com
See the whole line at: Aftelier.com And you can download the catalogue here.
Showing posts with label lumiere. Show all posts
Showing posts with label lumiere. Show all posts
Friday, March 20, 2009
Friday, November 2, 2007
Optical Scentsibilities -new feature!
Perfume Shrine has an eye for the visual as well as a nose for the olfactual, as has surely been apparent to our readers by now. In the interests of pursuing the investigation of common themes running through perfume images, a new feature is introduced: Optical Scentsibilities. A feature focusing on elective affinities among images concerning fragrances that will run regularly from now on.
The idea came up while releafing my art books, which abundantly depict what Umberto Eco has so infamously made an academic career out of: semiotics, of course. Like "books talk about other books", images draw inspiration from other images and perhaps instill a new twist on an older theme. In this sense there is no purpose of talking about "plagiarism", as it is well established that there can be no parthenogenesis in art. Basically, everything has already been said and there is nothing trully new under the sun. However it is interesting to contemplate just how some undercurrent runs through similar concepts.
Today we focus on two takes on the dark-silhouetted-profile hovering over a bottle resting on the top of the knee. Here is an example by Fidji, the green floral perfume by Guy Laroche. The brilliant tagline reads: "The bare essential. All it needs is you". There is a quiet anticipation in the picture, as if you are waiting for that face to turn into focus, into the light and speak. Which is obviously what the perfume does for you, anyway...
And there you can witness a comparable image advertising the floriental Boucheron Femme. There is a difference in more overt sensuality in the second paradigm, conveyed through the half opened lips, which is logical considering that the advertisement came out in 2003 (and it had a similar male counterpart for Boucheron Homme), while the one for Fidji is older (per my calculations late 70s to early 80s). In most other regards however there is an uncanny similarity.
Another case is within the same brand: Rochas did a very similar print campaign for two of their feminine perfumes. Lumière came with this advertisment in 1986 (the scent first launched in 1984 and got re-orchestrated in 2000, reportedly to its detriment): the nude feminine back holds an aura of subtle seduction, seemingly vulnerable and leading to other paths to sensuousness. In this image the soft focus of the lilac colour palette imparts a soft halo of romanticism.
Contrast with this one, for Rochas' Mystère (scent launched in 1978, the ad is from the 80s). The same position of the model, focusing on the nude back and with a coif to match, but this time with a more dynamic arm position which, with its arrow line, suggests a certain assertiveness and with a dark yet fiery colour palette that hints at more seductive intentions.
I am guessing that here we have a case of a brand wanting to establish an homogenous aesthetic in its products and I think it succeeds in providing a backdrop of reference. This intent is more apparent if we notice the taglines: "Vous laissez tant d'énigme derrière vous" (=you leave such an enigma behind) for Mystère and "Vous laissez tant d'éclat derrière vous" (=you leave such a luminosity behind) for Lumière. If you are extra attentive you will also notice that the names are analogous in number of syllables, intonation and way of pronunciation.
Bravo, Rochas advertising team!
Pics from cofe.ru, image des parfums, parfums de pub and Ebay
The idea came up while releafing my art books, which abundantly depict what Umberto Eco has so infamously made an academic career out of: semiotics, of course. Like "books talk about other books", images draw inspiration from other images and perhaps instill a new twist on an older theme. In this sense there is no purpose of talking about "plagiarism", as it is well established that there can be no parthenogenesis in art. Basically, everything has already been said and there is nothing trully new under the sun. However it is interesting to contemplate just how some undercurrent runs through similar concepts.
Today we focus on two takes on the dark-silhouetted-profile hovering over a bottle resting on the top of the knee. Here is an example by Fidji, the green floral perfume by Guy Laroche. The brilliant tagline reads: "The bare essential. All it needs is you". There is a quiet anticipation in the picture, as if you are waiting for that face to turn into focus, into the light and speak. Which is obviously what the perfume does for you, anyway...
And there you can witness a comparable image advertising the floriental Boucheron Femme. There is a difference in more overt sensuality in the second paradigm, conveyed through the half opened lips, which is logical considering that the advertisement came out in 2003 (and it had a similar male counterpart for Boucheron Homme), while the one for Fidji is older (per my calculations late 70s to early 80s). In most other regards however there is an uncanny similarity.
Another case is within the same brand: Rochas did a very similar print campaign for two of their feminine perfumes. Lumière came with this advertisment in 1986 (the scent first launched in 1984 and got re-orchestrated in 2000, reportedly to its detriment): the nude feminine back holds an aura of subtle seduction, seemingly vulnerable and leading to other paths to sensuousness. In this image the soft focus of the lilac colour palette imparts a soft halo of romanticism.
Contrast with this one, for Rochas' Mystère (scent launched in 1978, the ad is from the 80s). The same position of the model, focusing on the nude back and with a coif to match, but this time with a more dynamic arm position which, with its arrow line, suggests a certain assertiveness and with a dark yet fiery colour palette that hints at more seductive intentions.
I am guessing that here we have a case of a brand wanting to establish an homogenous aesthetic in its products and I think it succeeds in providing a backdrop of reference. This intent is more apparent if we notice the taglines: "Vous laissez tant d'énigme derrière vous" (=you leave such an enigma behind) for Mystère and "Vous laissez tant d'éclat derrière vous" (=you leave such a luminosity behind) for Lumière. If you are extra attentive you will also notice that the names are analogous in number of syllables, intonation and way of pronunciation.
Bravo, Rochas advertising team!
Pics from cofe.ru, image des parfums, parfums de pub and Ebay
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