"Gigi you're not at all that funny awkward little girl I knew. Over night there's been a breathless change in you. When did you...

My experience with Niki de Saint Phalle goes back many years ago. I was aware of Niki being a force to be reckoned with artistically of cour...

If like me you have been searching for a Catherine Earnshaw kind of fragrance all your life, then the options haven't always been that p...

Much like the mysterious (and incestuous) half-sister in Leos Carax's   radical adaptation of   Melville' s Pierre: or, the Ambigu...

Tabu by Dana has always had a reputation wickeder than its actual self ("for women who wear their knickers on their heads" [1]), ...

Some perfumes the minute you put them on feel like you've slipped into a pair of black satin slingbacks or a silk peignoir in ivory. Osc...

There's something about the imaginary buds of pepper and clove that conjure the drawing rooms of La Belle Epoque, where carnation bouque...

Much like Caron's Pour un Homme is a study in lavender, done in a simple equation style giving so much more in perceived value, so Bell...

I am doubtful as to whether an elegant yet lush floral with woody undertones is really reminiscent of the opulence of the 1920s and 1930s. H...

If Calèche encapsulates perfumer Guy Robert's idea of a great taste feminine perfume, then Équipage is his idea of the perfect mascu...

The advertisements read: "Exuberant. Smouldering.Uninhibited".  It was all that and more. Mink coats, cigarette-holders, lightly ...

Poivre by Caron plays out like J.S Bach's double concerto for 2 violins in D minor, 1st movement: Two complimenting themes, carnation an...